The Faculty Notebook, September 2008

The Faculty Notebook is published periodically by the Office of the Provost at Gettysburg College to bring to the attention of the campus community accomplishments and activities of academic interest. Faculty are encouraged to submit materials for consideration for publication to the Associate Provost for Faculty Development. Copies of this publication are available at the Office of the Provost

Boston University Percussion Ensemble, November 15, 2008

This is the concert program of the Boston University Percussion Ensemble performance on Saturday, November 15, 2008 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were In the beginning there was rhythm by Sofia Gubaidulina, Music for Pieces of Wood by Steve Reich, Midnight Mediation by Jane Stanley, ...dust into dust... by John Luther Adams, Mantra II by Ramon Humet, and Stonewave by Rolf Wallin. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Very Loud, Very Soft: Boston University Percussion Ensemble, November 16, 2012

This is the concert program of the Very Loud, Very Soft: Boston University Percussion Ensemble performance on Friday, November 16, 2012 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were A View From Nowhen by Samuel Solomon, Snare Drum for Camus by Joseph Celli, A Volcano Mouth by Jo Kondo, ...dust into dust... from Strange and Sacred Noise by John Luther Adams, Garden Eight by Lei Liang, and Persephassa by Iannis Xenakis. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Alea III International Composition Competition Concert, September 14, 1991

This is the concert program of the Alea III International Composition Competition Concert on Saturday, September 14, 1991 at 7:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were String Quartet No. 1 by Andrew List, L'ombre Du M. Haller by MG Hynes, Rajas by Corrado Vitale, Octette by Yong Yang, Soft Voices in the Memory by David Pickel, Vera Quartet by Michael Lapidakis, Incoronato Poeta by Christophe Looten, memory places by Katharine Norman, Konzertstück II by Michael Goleminov. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

A Month in the Country, April 13-16, 2006

This is the concert program of the Boston University Opera Institute and Boston University Chamber Orchestra performance of A Month in the County with music by Lee Hoiby and libretto by William Ball running April 13-16, 2006, at the Boston University Theatre, 264 Huntington Avenue. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Woodwinds of the Las Vegas Philharmonic

Program listing performers and works performe

The Faculty Notebook, September 2016

The Faculty Notebook is published periodically by the Office of the Provost at Gettysburg College to bring to the attention of the campus community accomplishments and activities of academic interest. Faculty are encouraged to submit materials for consideration for publication to the Associate Provost for Faculty Development. Copies of this publication are available at the Office of the Provost

Boston University Concert and Big Band, March 5, 2014

This is the concert program of the Boston University Concert and Big Band performance on Wednesday, March 5, 2014 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Selections from Othello by Alfred Reed, "O mio babbino caro" from Gianni Schicchi by Giacomo Puccini, "Air des bijoux" from Faust by Charles Gounod, Selections from West Side Story by Leonard Bernstein, Final Scene from Swan Lake by Pyotr Ilyich Tchaikovsky, Bandancing by Jack Stamp, Danza Final from Estancia, Op. 8 by Alberto Ginastera, Peri's Scopre by Bill Evans, Always and Forever by Pat Metheny, and Hourglasses by Neil Slater. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

“You Got To Know Us”: A Hopeful Model for Music Education in Urban Schools

Urban schools, and the students and teachers within, are often characterized by a metanarrative of deficit and crisis, causing the complex realities of urban education to remain unclear behind a wall of assumptions and stereotypes. Within music education, urban schools have received limited but increasing attention from researchers. However, voices from practitioners are often missing from this dialogue, and the extant scholarly dialogue has had a very limited effect on music teacher education. In this article, five music educators with a combined thirty years of experience in urban schools examine aspects of their experiences in the light of critical pedagogy in an attempt to disrupt the metanarrative of deficit, crisis, and decline that continues to surround urban music education. By promoting the lived-stories of successful urban music students, teachers, and programs, the authors hope to situate urban music education as a site of renewal, reform, and meaningful learning. This paper emerged from a panel discussion regarding promising practices in secondary general music with urban youth that took place at the New Directions in Music Education conference held at Michigan State University in October of 2011

2001-2002 North American Music Festival - Chamber Music Concert

North American Music Festival April 10, 2002 - Chamber Music Concert April 12, 2002 - Music of George Crumb (*No program) April 13, 2002 - Lynn University Philharmonia April 14, 2002 - Youth Concert Composers performed in the festival George Crumb Warren Gooch Gregory J. Hunter Timothy Melbinger Kurt Sander Greg A. Steinkehttps://spiral.lynn.edu/conservatory_otherseasonalconcerts/1097/thumbnail.jp