The Boundaries of Flow: when the balance between a person’s challenges and capabilities becomes imbalanced, an empirical investigation of the relationship between subjective experience, capabilities and challenge.

© Cranfield University 2021. All rights reserved. No part of this publication may be reproduced without the written permission of the copyright owner.The problematic situation this doctoral research project investigates concerns how the quality of a person’s lived subjective experience is affected by differing degrees of challenge: a product of pressures and demands that overwhelm a person’s knowledge, skills and experience (capability). The cost of stress and the ways stress make people vulnerable to illness is well documented. Therefore, the purpose of this doctoral research project is – to identify the thresholds (points) where the balance between challenges and capability moves to imbalance. This study uses Flow Theory and Complex Systems Theory as the foundation for this research. A literature review of flow theory pertaining to the research problem identified deficiencies in the models, methods and practices. As a result, the project is divided into two sections. The first section developed a new synthesised model of experience using an innovative suite of methods. The insights gained from this model were used to inform the second phase of the research project. The second phase utilises a novel multi-paradigmatic design strategy grounded in a realist philosophy of science. This approach facilitated the development of a quasi-experimental protocol and construct elicitation method to investigate the individual participant's subjective experience of varying degrees of challenge in the sensory and affective domains, respectively. This project contributes to the knowledge gap in two distinct yet complementary ways. Firstly, the research identified a relational link between challenge and subjective experience. Secondly, as experienced by the individual, challenge is incremental and cumulative. Moreover, this doctoral research project realises the overarching research objective by developing a codebook and a new synthesised model of experience. When the model and codebook are combined, they can identify when a person’s challenges and capabilities are aligned and misaligned through the various instances and absences of experiential states. This contribution represents a proof of concept. Future work is required to develop the method's applicability in organisational environments to support and enhance people’s lived experience of work.PH

2017-2018, University of Memphis bulletin

University of Memphis bulletin containing the undergraduate catalog for 2017-2018.https://digitalcommons.memphis.edu/speccoll-ua-pub-bulletins/1458/thumbnail.jp

Let Me Show you What I Mean - Changing Perspectives on the Artist-teacher and the Classroom Art Demonstration

This research aims to develop a theoretical and practical understanding of a situated and embodied artist-teacher practice by testing multiple models of teacher demonstration and exemplification. The intention was to find out the ways in which the classroom art demonstration can be construed as the basis for a participatory, dialogic, pedagogical art practice, using co-learning and experiential learning based approaches to school art making. By using the model of the classroom art demonstration, a tried and tested aspect of my teaching practice, and amplifying and expanding that into art practice, I proposed to investigate the ways in which the demonstration functions as an effective link between teaching and art practice. The research was a professional self-study carried out within the context of the author’s art and teaching practice in a middle school classroom with students from age 9 to 13. As an artist, teacher, researcher and participant, I used a reiterative procedure, based on Shön’s (1983) ‘reflection-on-action’, to design four case studies. Evidence was collected through the making and documentation of artefacts made during, and in relation to, demonstrations and modelling, including journals, sketchbooks, artworks, visual presentations, lesson plans, questionnaires, exhibitions in schools and other settings. A framework, based on Hetland et al.’s (2013) approach to ‘habits of mind’ was used to evaluate the outcomes, and this was used to construct a taxonomy of different purposes and functions for the demonstration which is dispersed throughout the case studies. The contribution to knowledge lies in the nuanced study of the uses of the art demonstration as exemplification, interpretation, collaboration and instantiation of art making and thinking in the classroom, exploring methods, means and ends. The demonstration examples, made as part of the practice-based research process, studied means of communication, sharing and thinking about art making in concert with students. The demonstration artworks also led to an understanding of the changing dynamics of the artist-teacher role over a significant period as the research progressed. Using the case studies, I argue that the processes of thinking and making, with students, artists and on my own behalf, helps to locate the classroom art demonstration in a new theoretical framework and taxonomy within an expanded field of socially engaged, dialogic and material-based art practice

Teaching informatics to novices: big ideas and the necessity of optimal guidance

This thesis reports on the two main areas of our research: introductory programming as the traditional way of accessing informatics and cultural teaching informatics through unconventional pathways. The research on introductory programming aims to overcome challenges in traditional programming education, thus increasing participation in informatics. Improving access to informatics enables individuals to pursue more and better professional opportunities and contribute to informatics advancements. We aimed to balance active, student-centered activities and provide optimal support to novices at their level. Inspired by Productive Failure and exploring the concept of notional machine, our work focused on developing Necessity Learning Design, a design to help novices tackle new programming concepts. Using this design, we implemented a learning sequence to introduce arrays and evaluated it in a real high-school context. The subsequent chapters discuss our experiences teaching CS1 in a remote-only scenario during the COVID-19 pandemic and our collaborative effort with primary school teachers to develop a learning module for teaching iteration using a visual programming environment. The research on teaching informatics principles through unconventional pathways, such as cryptography, aims to introduce informatics to a broader audience, particularly younger individuals that are less technical and professional-oriented. It emphasizes the importance of understanding informatics's cultural and scientific aspects to focus on the informatics societal value and its principles for active citizenship. After reflecting on computational thinking and inspired by the big ideas of science and informatics, we describe our hands-on approach to teaching cryptography in high school, which leverages its key scientific elements to emphasize its social aspects. Additionally, we present an activity for teaching public-key cryptography using graphs to explore fundamental concepts and methods in informatics and mathematics and their interdisciplinarity. In broadening the understanding of informatics, these research initiatives also aim to foster motivation and prime for more professional learning of informatics

Exploring student perceptions about the use of visual programming environments, their relation to student learning styles and their impact on student motivation in undergraduate introductory programming modules

My research aims to explore how students perceive the usability and enjoyment of visual/block-based programming environments (VPEs), to what extent their learning styles relate to these perceptions and finally to what extent these tools facilitate student understanding of basic programming constructs and impact their motivation to learn programming

A paradox of knowing : teachers' knowing about students.

Thesis (Ph.D.) - University of KwaZulu-Natal, 2008.This study is a critical exploration and post-structural explanation of how and what teachers ' know about students. The intention has been to explore teachers' knowing beyond taken-for-granted iterations, beliefs and conceptions of those they teach and to theorise the nature of teachers' knowing. The route to insight involved deploying critical ethnography to produce data over a six-month period. The study site, a secondary school I named Amethyst, is an apartheid-era creation. Since 1990, political change has introduced uncertainties of various sorts and has destabilised the ethos and culture of the school: conflicts between teachers and students, conflicts amongst students' peers, students' participation in activities that are unacceptable and harmful, severe lack of funds to meet the financial needs of the school and lack of human and teaching resources. It is within such an uncertain space that I produced data to interrogate teachers ' knowing about students. At the site, data production was impeded by various confounding factors that eroded trust between the participants and me (the researcher). Traditionally, an ethnographic approach entails three kinds of observation: descriptive observations at the beginning, followed by focused observations narrowed to the concerns of the study and finally, selective observations to consolidate focused observations. For the data production process to continue, the researcher-researched relationship had to be assessed and reconfigured from a critical perspective. In this study the above-mentioned observations have been renamed and reconceptualised from participants' perspectives as: an innocuous phase, an invasive phase and a reciprocity phase. Furthermore, an explication is provided of how research reflexivity shaped the reconceptualisation and the data production processes. Usual forms of data production were abandoned and replaced by a conscious effort to reveal my story to participants eventuating in the form of an exchange of data - my story for their stories. Reciprocal participation enabled data production to be completed and two sets of data were generated: teachers ' stories and students ' stories. Eight teachers ' stories derived from teachers' to teachers' students' teachers' interviews were woven into texts whilst fourteen students' autobiographical accounts comprising lived ex peri ences were re-presented as they narrated them. Juxtapos ing stud ents' accounts with teachers' knowing has yielded three revelations. Firstly, unveil ing how teachers constitute students through knowing them in particul ar ways. Second ly, it reveals how students' constitution as subjects at home and at school a llow them to be known in parti cular ways and thirdl y, revealing the ways students consc iously prevent teachers from knowing about their li ved ex peri ences. The analyses of both sets of stories have dee pened understanding of teachers' knowing, taking it beyond teachers' persona l be lief systems. Plac ing both sets of data und er a criti cal gaze has yie lded three ways of teacher knowing (so li cited, un solic ited and common) and fi ve kind s of teacher knowing (rac ia li sed, gendered, cultu ra l, c lassed, and profess ional). From th e analyses, I have inferred that teachers' knowing about students, when j uxtaposed with and med iated by students' li ved experi ences, is flawed, incomplete, parti al, complex, contradictory, and uni-dimens ional. I put fo rward a th es is predicated on two abstractions from th e anal yses: one, that teachers ' knowing is dangerous because it prope ls teachers towards act ions that can result in d isastrous consequences for students; and two, that not knowing is use ful because it is a more criti ca lly and soc ia lly j ust approach to teaching as it a llows teachers to functi on without succumbing to marginali sing the non-traumati sed and those without chall enges at the persona l level. In effect it tran slates into practices that treat all students equally in an academic settin g, so that in one in stantiati on, students are dri ven to stri ve for academic ac hievement in stead of focusing on emotiona lly debilitating di stractions th at cannot be resolved by teachers' knowing, understanding, and empathy. Not knowing, I argue, offers viable poss ibilities for working with students whose li ves are compromised by low socioeconomic cond iti ons and pro bl ematic family re lati ons. This in vers ion of common-sense instincts about teachers ' knowing and not knowing IS theorised by deploying a topologica l metaphor, the Mii bius strip, to demonstrate that teachers' knowing and not knowing about stud ents are not polar oppos ites on a continuum, but are paradoxically, cohabitants of a common space, refl ections of each other, res iding in each other. Additiona lly, I charge that teachin g and caring, mediated by knowing, form the foundation of teachers' work, and argue that at Amethyst, teaching and caring cannot be activated simul ta neo us ly within an indi vidual teacher. Kcy words: critica l ethnography, teachers' knowing, paradox of knowin g

Values of Higher Popular Music Education: Perspectives from the UK

In the 23 years since the first undergraduate popular music degree programme opened in the United Kingdom, the academic discipline of popular music has burgeoned to encompass over 160 programmes delivered across the higher education sector, by private institutions, Royal-chartered conservatoires, post-92 universities and Russell Group universities. This doctoral research project seeks to understand the values underpinning and informing educational practice in this growing academic discipline. It proceeds from an understanding of higher education and popular music as two highly complex domains in their own right, and from the proposition that values inhering at their nexus- Higher Popular Music Education- derive from and are borne by multiple human, institutional and disciplinary sources, and bear the trace of socio-cultural, economic and historical contexts related to each domain. It takes an inductive approach to a multiple-case study of four popular music degree programmes at different higher education institutions across the United Kingdom. Acknowledging from the outset the impossibility of identifying a conclusive ‘roster’ of itemisable values, this study draws on a combination of institutional literature, semi-structured interview and field observation data to explore the interplay of musical, educational and other values within the educational message systems of pedagogy, curriculum, institution, assessment, lifestyle and market. Analysis of the data suggested that seemingly unrelated values such as, for example, those relating to musical aesthetics and social justice, could in fact be oppositional in practice, resulting in surprising tensions and impacting on such areas as curricula and student lifestyles. Moreover, values enshrined in policy, or perceived by interviewees to be dominant within the higher education sector, appeared often to be at odds with individuals’ personal opinions regarding the value of knowledge and education, or with what they saw to be the core values of popular music as an art form. This interdisciplinary study sits across the research fields of music education, the sociology of higher education and popular music studies, and makes original contributions to knowledge in each of these fields

Teaching/Learning Physics: Integrating Research into Practice

The GIREP-MPTL International conference on Teaching/Learning Physics: Integrating Research into Practice [GIREP-MPTL 2014] was held from 7 to 12 July 2014 at the University of Palermo, Italy. The conference has been organised by the Groupe International de Recherche sur l’Enseignement de la Physique [GIREP] and the Multimedia in Physics Teaching and Learning [MPTL] group and it has been sponsored by the International Commission on Physics Education [ICPE] – Commission 14 of the International Union for Pure and Applied Physics [IUPAP], the European Physical Society – Physics Education Division [EPS-PED], the Latin American Physics Education Network [LAPEN] and the Società Italiana di Fisica [SIF]. The theme of the conference, Teaching/Learning Physics: Integrating Research into Practice, underlines aspects of great relevance in contemporary science education. In fact, during the last few years, evidence based Physics Education Research provided results concerning the ways and strategies to improve student conceptual understanding, interest in Physics, epistemological awareness and insights for the construction of a scientific citizenship. However, Physics teaching practice seems resistant to adopting adapting these findings to their own situation and new research based curricula find difficulty in affirming and spread, both at school and university levels. The conference offered an opportunity for in-depth discussions of this apparently wide-spread tension in order to find ways to do better. The purpose of the GIREP-MPTL 2014 was to bring together people working in physics education research and in physics education at schools from all over the world to allow them to share research results and exchange their experience. About 300 teachers, educators, and researchers, from all continents and 45 countries have attended the Conference contributing with 177 oral presentations, 15 workshops, 11 symposia, and around 60 poster presentations, together with 11 keynote addresses (general talks). After the conference, 147 papers have been submitted for the GIREP-MPTL 2014 International Conference proceedings. Each paper has been reviewed by at least two reviewers, from countries that are different to those of the authors and on the basis of criteria described on the Conference web site. Papers were subsequently revised by authors according to reviewers’ comments and the accepted papers are reported in this book, divided in 8 Sections on the basis of the keywords suggested by authors. The other book section (actually, the first one) contains the papers that six of the keynote talkers sent for publication in this Proceedings Book. We would like to thank all the authors that contributed with their papers to the realization of this book and all the referees that with their criticism helped authors to improve the quality of the papers

Research on Teaching and Learning In Biology, Chemistry and Physics In ESERA 2013 Conference

This paper provides an overview of the topics in educational research that were published in the ESERA 2013 conference proceedings. The aim of the research was to identify what aspects of the teacher-student-content interaction were investigated frequently and what have been studied rarely. We used the categorization system developed by Kinnunen, Lampiselkä, Malmi and Meisalo (2016) and altogether 184 articles were analyzed. The analysis focused on secondary and tertiary level biology, chemistry, physics, and science education. The results showed that most of the studies focus on either the teacher’s pedagogical actions or on the student - content relationship. All other aspects were studied considerably less. For example, the teachers’ thoughts about the students’ perceptions and attitudes towards the goals and the content, and the teachers’ conceptions of the students’ actions towards achieving the goals were studied only rarely. Discussion about the scope and the coverage of the research in science education in Europe is needed.Peer reviewe