The battle of Preveza, 1538 : the Knights of Malta's perspective

A critical analysis written by Simon Mercieca of a detailed description of the battle of Preveza, Greece in 1538 made by Giacomo Bosio.peer-reviewe

Bulgarian sport policy 1945-1989: A strategic relation perspective

The 2008 Beijing Olympic Games have stimulated discussions about the success of different sport systems and the Chinese model in particular. Revisiting explanations of sport in the former communist countries of Eastern Europe during the Cold War seems timely, as the current Chinese model of sport was largely designed after the Soviet example established in this period. This paper examines Bulgarian sport policy between 1945 and 1989. It employs a Strategic Relation approach (Jessop, 1990) to analyse sport policy making as a strategic relation closely linked to the dominant state project of building a new stateness. It goes beyond ideological interpretations and argues that the state represents a strategic terrain where these relations have to be established in struggles, the outcomes of which are always uncertain. Furthermore, past and present struggles and their outcomes create various socio-political environments that presuppose the forms of state selectivity and intervention in sport. The process of constructing sport policy was influenced by two main categories of strategic relations: intra-state, including political, organisational and personal relations between the Party, state apparatus and various sport and non-sport organisations and their managers, and transnational, concerning ideological, political, economic and organisational relations with both communist and western countries and international sport organisations

Postsecular instruments of acculturation : Czesław Miłosz's works from the second American Stay

The article raises the question about the ways in which religious tradition can become an ally in the process of acculturation while serving the modern subject both as a springboard for innovative, creative work and as a tool of self-improvement. Czesław Miłosz's selected works from his second stay in the United States (1961-1980) are analysed from the postsecular perspective which recognises religion as a full-fledged actor in the process of modern transformations that may broaden the field of artistic choice but remains vulnerable to artistic resemantizations or even profanations (Agamben). Such an analysis allows us to interpret the poem From the Rising of the Sun as a form of reconciliation of Miłosz's American and Lithuanian experience (as well as of maturity and childhood, centre and periphery, modern and pre-modern cultural formation) through textual practices inspired by his private Liturgy of the Hours. In this light, the translations of the Books of the Bible on which Miłosz worked, his novel The Mountains of Parnassus, as well as his essays from Visions from San Francisco Bay emerge as instruments of shaping the communal identity with the use of pre-existing rituals, which are, nonetheless, also negotiated in the act of writing

Culture and Motherhood: Findings from a Qualitative Study of East Asian Mothers in Britain’

This article focuses on the possible impacts of Confucianism on the experiences of middle-class East Asian women with dependent children in Britain. By using the concept of ‘intersectionality’, it aims to understand the ways in which mothering identity intersects with class and East Asian cultural identity in the British context, and how identities emerge through this interaction. The study was based on in-depth interview data collected from 20 first-generation East Asian mothers living in Britain, and suggests that East Asian mothers in this study appear to share a discernible trace of Confucianism, including a strong emphasis on education, alongside a high value placed on seniority, and children as a mother’s possession. These Confucian values were portrayed by the interviewees as salient in constructing their mothering identities. Simultaneously, however, certain aspects of British culture were also perceived to be significant in their mothering, in that they appeared to provide the interviewees with opportunities to question and modify their cultural values

4Culture and Gallery 4Culture: A Case Study

The King County Arts Commission was established in 1965 to support arts and culture in King County. Over nearly four decades, the county expanded its mission and activities to include public art, landmarks and heritage, consolidated in an Office of Cultural Resources. In 2003, the office was chartered as an autonomous public development authority. Renamed 4Culture, the agency remains accountable and dedicated to serving the citizens of King County, a population rapidly growing in size and diversity. Founded on a strong set of organizational values centered on the right to express and experience one’s own culture, the organization has had to remain focused on its mission, while flexible and responsive in the design and execution of its programs. Gallery 4Culture, its exhibition program, is representative of the agency’s values of equity and inclusivity