AI Methods in Algorithmic Composition: A Comprehensive Survey

Algorithmic composition is the partial or total automation of the process of music composition by using computers. Since the 1950s, different computational techniques related to Artificial Intelligence have been used for algorithmic composition, including grammatical representations, probabilistic methods, neural networks, symbolic rule-based systems, constraint programming and evolutionary algorithms. This survey aims to be a comprehensive account of research on algorithmic composition, presenting a thorough view of the field for researchers in Artificial Intelligence.This study was partially supported by a grant for the MELOMICS project (IPT-300000-2010-010) from the Spanish Ministerio de Ciencia e Innovación, and a grant for the CAUCE project (TSI-090302-2011-8) from the Spanish Ministerio de Industria, Turismo y Comercio. The first author was supported by a grant for the GENEX project (P09-TIC- 5123) from the Consejería de Innovación y Ciencia de Andalucía

HSCI2012: proceedings of the 9th International Conference on Hands-on Science

Including 1st Childrens’ Summit on Hands-on Science & Environmental Education. The core topic of the 9th Hands-on Science Conference are “Science Education, Environment and Society" and "Reconnecting Society with Nature through Hands-on Science”.Livro que reúne os trabalho extensos aceites para publicação nos proceedings da 9th HSCI conferenc

The art and architecture of mathematics education: a study in metaphors

This chapter presents the summary of a talk given at the Eighth European Summer University, held in Oslo in 2018. It attempts to show how art, literature, and history, can paint images of mathematics that are not only useful but relevant to learners as they can support their personal development as well as their appreciation of mathematics as a discipline. To achieve this goal, several metaphors about and of mathematics are explored

Living in a global world: ethnobotany, local knowledge and sustainability. 58th Annual Meeting of the Society for Economic Botany: book of abstracts

It gives us great pleasure to welcome you to the 58th Annual Meeting of the Society for Economic Botany (SEB) and the 2nd Hispano-Portuguese Meeting on Ethnobiology (II EHPE), a joint event aiming at connecting economic botanists and ethnobiologists from all over the world. The Society for Economic Botany (SEB) was established in 1959 and the annual meeting brings together people interested in the past, present, and future uses of plants, and the relationship between plants and human societies. SEB fosters and encourages scientific research and education in the transdisciplinary field of economic botany. With members from across the U.S.A. and more than 64 countries around the globe, SEB serves as the world’s largest and most-respected professional society for individuals who are concerned with basic botanical, as well as, with agronomical, anthropological, phytochemical, ethnological and many others studies of plants known to be useful or those which may have potential uses so far undeveloped. Since 1960, SEB Annual Meetings provide a stimulating milieu for scientific exchange amongst SEB members and researchers from different countries and regions. The Hispano-Portuguese Meeting on Ethnobiology (EHPE) highlights previous collaborations between Hispano-Portuguese ethnobiologists and aims to involve the global Hispanic-Portuguese-speaking communities to the greatest extent possible. Albacete, Castilla La Mancha, Spain, hosted the I EHPE in 2010, simultaneously with the 11th Congress of the International Society of Ethnopharmacology (ISE 2010). In Albacete, about 80 Hispano-Portuguese speakers with diverse backgrounds and interest, researching in Europe, South America, Africa and Asia, presented their works and discussed wider importance of Ethnobiological research. Six years later, we promote a second meeting (II EHPE) aiming at updating and strengthening networks between different research groups, experts, students and any people interested in interdisciplinary ethno biological approaches. In 2017, the 58th SEB Annual Meeting and the 2nd Hispano-Portuguese Meeting on Ethnobiology are held in the city of Bragança, Portugal within an ecological and culturally fascinating environment, organized by the Mountain Research Centre (CIMO) of the Polytechnic Institute of Bragança (IPB) and the Society for Economic Botany (SEB) with the active involvement of local, national and international entities. Several institutions sponsored a comprehensive programme: the William L. Brown Center (USA), Springer Nature (UK), Regional Northern Culture Directorate (DRCN, Portugal), Bragança Municipality (CMB, Portugal), Centro Ciencia Viva de Bragança (Portugal) and Fundação Caixa CA, Bragança (Portugal). The conference theme Living in a global world: ethnobotany, local knowledge and sustainability gathered 230 delegates from 41 countries of Africa, Americas, Asia, Europe and Oceania. A total of 230 abstracts were submitted: 12 plenary lectures and special addresses, 152 papers and 66 posters. Bringing together the European community and a broader international community of scientists and stakeholders, this joint event creates a unique opportunity for individuals and institutions to share experiences and to establish information and collaboration networks, taking advantage of a multicultural, friendly and pleasant environment. Thank you for your contributions and support! We are very grateful to those who helped and contributed to achieve this event.info:eu-repo/semantics/publishedVersio

Dipterocarps protected by Jering local wisdom in Jering Menduyung Nature Recreational Park, Bangka Island, Indonesia

Apart of the oil palm plantation expansion, the Jering Menduyung Nature Recreational Park has relatively diverse plants. The 3,538 ha park is located at the north west of Bangka Island, Indonesia. The minimum species-area curve was 0.82 ha which is just below Dalil conservation forest that is 1.2 ha, but it is much higher than measurements of several secondary forests in the Island that are 0.2 ha. The plot is inhabited by more than 50 plant species. Of 22 tree species, there are 40 individual poles with the average diameter of 15.3 cm, and 64 individual trees with the average diameter of 48.9 cm. The density of Dipterocarpus grandiflorus (Blanco) Blanco or kruing, is 20.7 individual/ha with the diameter ranges of 12.1 – 212.7 cm or with the average diameter of 69.0 cm. The relatively intact park is supported by the local wisdom of Jering tribe, one of indigenous tribes in the island. People has regulated in cutting trees especially in the cape. The conservation agency designates the park as one of the kruing propagules sources in the province. The growing oil palm plantation and the less adoption of local wisdom among the youth is a challenge to forest conservation in the province where tin mining activities have been the economic driver for decades. More socialization from the conservation agency and the involvement of university students in raising environmental awareness is important to be done

Formaciones imaginarias del diseñador gráfico en el discurso del campo académico.

En este trabajo se describe un proyecto de tesis doctoral en el que se analiza el discurso sobre el diseñador gráfico. Se parte del supuesto de que existe una tricotomía de su perfil: 1) el campo profesional, 2) el campo educativo y, 3) el campo académico. Proponemos que dicha tricotomía permite la identificación de imaginarios sobre el tema, y no solo eso, sino que también aporta elementos que conforman la identidad (Bauman, 2002) de un diseñador gráfico. La pregunta de investigación es ¿Cuál es la identidad discursiva del diseñador gráfico en el campo académico? La investigación descrita es de tipo cualitativo y deductivo; para la construcción la identidad discursiva (Van Dijk, T; 2008) del diseñador gráfico, se toman en cuenta diversas publicaciones: principalmente investigaciones y breves artículos difundidos en comunidades/foros de reflexión y debate en torno a la temática, además de memorias de congresos y libros. En apoyo al desarrollo del proyecto se ha diseñado un Laboratorio de Intervención en el Diseño, cuyos objetivos son impulsar el desarrollo social y cultural de los diseñadores gráficos por medio de la investigación, educación continua, producción y vinculación. En un primer acercamiento a las formaciones imaginarias (Pêcheux, 1978) sobre la identidad del diseñador gráfico se centran en el grado de erudición para la ejecución de su trabajo, en la cultura que demuestran y en la autonomía con la que producen