Language modeling and transcription of the TED corpus lectures

Transcribing lectures is a challenging task, both in acoustic and in language modeling. In this work, we present our first results on the automatic transcription of lectures from the TED corpus, recently released by ELRA and LDC. In particular, we concentrated our effort on language modeling. Baseline acoustic and language models were developed using respectively 8 hours of TED transcripts and various types of texts: conference proceedings, lecture transcripts, and conversational speech transcripts. Then, adaptation of the language model to single speakers was investigated by exploiting different kinds of information: automatic transcripts of the talk, the title of the talk, the abstract and, finally, the paper. In the last case, a 39.2% WER was achieved

Automated speech and audio analysis for semantic access to multimedia

The deployment and integration of audio processing tools can enhance the semantic annotation of multimedia content, and as a consequence, improve the effectiveness of conceptual access tools. This paper overviews the various ways in which automatic speech and audio analysis can contribute to increased granularity of automatically extracted metadata. A number of techniques will be presented, including the alignment of speech and text resources, large vocabulary speech recognition, key word spotting and speaker classification. The applicability of techniques will be discussed from a media crossing perspective. The added value of the techniques and their potential contribution to the content value chain will be illustrated by the description of two (complementary) demonstrators for browsing broadcast news archives

Robust audio indexing for Dutch spoken-word collections

Abstract—Whereas the growth of storage capacity is in accordance with widely acknowledged predictions, the possibilities to index and access the archives created is lagging behind. This is especially the case in the oral history domain and much of the rich content in these collections runs the risk to remain inaccessible for lack of robust search technologies. This paper addresses the history and development of robust audio indexing technology for searching Dutch spoken-word collections and compares Dutch audio indexing in the well-studied broadcast news domain with an oral-history case-study. It is concluded that despite significant advances in Dutch audio indexing technology and demonstrated applicability in several domains, further research is indispensable for successful automatic disclosure of spoken-word collections

“Do you really enjoy the modern play?”: Beckett on commercial television

Television was the key popular medium of the second half of the twentieth century in the UK, and Samuel Beckett’s work was consistently aired by BBC, the British non-commercial TV broadcaster that had already featured his work on radio since the mid-1950s. But it is not generally known that his work also appeared on Independent Television, the commercially-funded British television channel set up in 1955 to rival BBC. The commercial ABC TV company made the series The Present Stage for the national ITV network in 1966. In its feature announcing the series, the TV Times listings magazine asked “Do you really enjoy the modern play like Look Back in Anger or Waiting for Godot?" ITV’s first half-hour programme on Waiting for Godot followed DIY expert Barry Bucknell’s demonstration of techniques for laying carpet. The following week’s episode, including extracts from Godot, was preceded by Bucknell’s advice on paving garden patios. This chapter asks what it meant for the ITV commercial channel to make a programme about Beckett’s drama in this context. Moving outwards from the example of The Present Stage, the chapter places Beckett’s drama in a time of dynamic and exciting instability in British culture, when the categories of the popular and the elite were being contested, to argue that Beckett’s work contributed to a cultural revolution

Dynamic language modeling for European Portuguese

Doutoramento em Engenharia InformáticaActualmente muitas das metodologias utilizadas para transcrição e indexação de transmissões noticiosas são baseadas em processos manuais. Com o processamento e transcrição deste tipo de dados os prestadores de serviços noticiosos procuram extrair informação semântica que permita a sua interpretação, sumarização, indexação e posterior disseminação selectiva. Pelo que, o desenvolvimento e implementação de técnicas automáticas para suporte deste tipo de tarefas têm suscitado ao longo dos últimos anos o interesse pela utilização de sistemas de reconhecimento automático de fala. Contudo, as especificidades que caracterizam este tipo de tarefas, nomeadamente a diversidade de tópicos presentes nos blocos de notícias, originam um elevado número de ocorrência de novas palavras não incluídas no vocabulário finito do sistema de reconhecimento, o que se traduz negativamente na qualidade das transcrições automáticas produzidas pelo mesmo. Para línguas altamente flexivas, como é o caso do Português Europeu, este problema torna-se ainda mais relevante. Para colmatar este tipo de problemas no sistema de reconhecimento, várias abordagens podem ser exploradas: a utilização de informações específicas de cada um dos blocos noticiosos a ser transcrito, como por exemplo os scripts previamente produzidos pelo pivot e restantes jornalistas, e outro tipo de fontes como notícias escritas diariamente disponibilizadas na Internet. Este trabalho engloba essencialmente três contribuições: um novo algoritmo para selecção e optimização do vocabulário, utilizando informação morfosintáctica de forma a compensar as diferenças linguísticas existentes entre os diferentes conjuntos de dados; uma metodologia diária para adaptação dinâmica e não supervisionada do modelo de linguagem, utilizando múltiplos passos de reconhecimento; metodologia para inclusão de novas palavras no vocabulário do sistema, mesmo em situações de não existência de dados de adaptação e sem necessidade re-estimação global do modelo de linguagem.Most of today methods for transcription and indexation of broadcast audio data are manual. Broadcasters process thousands hours of audio and video data on a daily basis, in order to transcribe that data, to extract semantic information, and to interpret and summarize the content of those documents. The development of automatic and efficient support for these manual tasks has been a great challenge and over the last decade there has been a growing interest in the usage of automatic speech recognition as a tool to provide automatic transcription and indexation of broadcast news and random and relevant access to large broadcast news databases. However, due to the common topic changing over time which characterizes this kind of tasks, the appearance of new events leads to high out-of-vocabulary (OOV) word rates and consequently to degradation of recognition performance. This is especially true for highly inflected languages like the European Portuguese language. Several innovative techniques can be exploited to reduce those errors. The use of news shows specific information, such as topic-based lexicons, pivot working script, and other sources such as the online written news daily available in the Internet can be added to the information sources employed by the automatic speech recognizer. In this thesis we are exploring the use of additional sources of information for vocabulary optimization and language model adaptation of a European Portuguese broadcast news transcription system. Hence, this thesis has 3 different main contributions: a novel approach for vocabulary selection using Part-Of-Speech (POS) tags to compensate for word usage differences across the various training corpora; language model adaptation frameworks performed on a daily basis for single-stage and multistage recognition approaches; a new method for inclusion of new words in the system vocabulary without the need of additional data or language model retraining

'It's like the space shuttle blows up every day':Digital television heritage as memory of European crises in the age of information overload

Television is a public mediator of what constitutes 'crises' in Europe. Audio-visual archives and researchers are facing new complexities and 'information bubbles' when telling stories and reusing televised materials. I reflect on these practices, among others, via a comparative case analysis of the EUscreen portal offering access to thousands of items of European audio-visual heritage. I question how practices of selection and curation can support comparative interpretations of such representations. This approach aims to understand and support (1) interpretations of digitized/digital audio-visual sources in the era of information overload; (2) user interaction with digital search technologies - especially researchers as platform users; and (3) contextualization for reuse of audio-visual texts. Support for cultural memory research is crucial as television's audio-visual heritage can help us to recognize which cultural practices result in the production of specific texts in European societies, representing conditions of the multiple crises that European citizens are experiencing today

1976 Spring Course Catalog

1976 Spring Course Catalo