Semantic Audio Analysis Utilities and Applications.

PhDExtraction, representation, organisation and application of metadata about audio recordings are in the concern of semantic audio analysis. Our broad interpretation, aligned with recent developments in the field, includes methodological aspects of semantic audio, such as those related to information management, knowledge representation and applications of the extracted information. In particular, we look at how Semantic Web technologies may be used to enhance information management practices in two audio related areas: music informatics and music production. In the first area, we are concerned with music information retrieval (MIR) and related research. We examine how structured data may be used to support reproducibility and provenance of extracted information, and aim to support multi-modality and context adaptation in the analysis. In creative music production, our goals can be summarised as follows: O↵-the-shelf sound editors do not hold appropriately structured information about the edited material, thus human-computer interaction is inefficient. We believe that recent developments in sound analysis and music understanding are capable of bringing about significant improvements in the music production workflow. Providing visual cues related to music structure can serve as an example of intelligent, context-dependent functionality. The central contributions of this work are a Semantic Web ontology for describing recording studios, including a model of technological artefacts used in music production, methodologies for collecting data about music production workflows and describing the work of audio engineers which facilitates capturing their contribution to music production, and finally a framework for creating Web-based applications for automated audio analysis. This has applications demonstrating how Semantic Web technologies and ontologies can facilitate interoperability between music research tools, and the creation of semantic audio software, for instance, for music recommendation, temperament estimation or multi-modal music tutorin

University of Northern Iowa Today, v89n1, Winter 2005

Inside This Issue:-- Creative effective citizens-- Contents-- UNI Citizens at Work-- A bountiful market for her talents-- Bringing his best performance every day-- Uncommon commitment x 2-- A half century down, the future to go: Celebrating 50 Years of Graduate Education-- Stadium Hall Reunion in 2005-- Solving a grape big mystery-- IWRC becomes a Star for Defense-- A Man for the Middle Ages-- Bringing it home-- UNI music professor conducts All-State Orchestra-- 24 scholarships awarded at Science, Math and Technology Symposium-- UNI dedicates new Follon Student Services Center-- Haack named interim dean of UNI\u27s College of Natural Sciences-- Rare international internship offers a host of opportunities-- UNI\u27s Native Roadside Vegetation Center Director produces film on Iowa\u27s prairieland-- Koppensteiner recognized as Outstanding German Educator-- Introducing PAWS - UNI\u27s Personalized Admissions Web Site-- Progress Makes Perfect-- Students First campaign update - $100 million goal reached-- From the Association President-- From the Association Chair-- Alumni Events in Review-- Class Notes-- Poet laureate dies-- Government code breaker dies-- UNI Governance & Constituent Boards-- Delivering on the promise: the next stephttps://scholarworks.uni.edu/alumninews/1033/thumbnail.jp

A STUDY ON DEVELOPMENT AND CURRENT APPLICATION OF MOTION GRAPHIC IN TAIWAN’S POPULAR MUSIC

With the advances in technology, the way of communications has become more diverse. Motion graphic combines graphic design, animation design, and film languages. Motion graphic is a new industry with intense performance styles and can be used in different media and platforms, such as commercials, music videos, film and television titles, web pages, and various display screen sizes, etc. Because motion graphic is a non-narrative time-based media, mostly it combines with music. The Taiwan 25th Golden Melody Awards introduced motion graphic design for the first time in 2014. This changed the monotony of past awards ceremony and reignited audience’s attention and discussion, as well as sparked a wave of motion graphic within the country. Through in-depth interviews with some industry experts, this study has defined the concept of motion graphic, analyzed its applications and development in popular music, and explored its future trends. The results of the study show that motion graphic is a cross-domain integration. With the appearance of interactive technology products, motion graphic strengthens the connection between the media and the audience, bringing different interactive experiences to the audience. The development of the Internet has also led to the spread of motion graphic due to high image quality, which has changed the speed of message dissemination and the way people listen to music. Because motion graphic has the advantage of actively transmitting messages, it has three main applications in popular music, which are music videos, concert video design, and the visual presentation of award ceremony. It is an inevitable trend that future music will be presented in the form of motion graphic

An integrated ranking algorithm for efficient information computing in social networks

Social networks have ensured the expanding disproportion between the face of WWW stored traditionally in search engine repositories and the actual ever changing face of Web. Exponential growth of web users and the ease with which they can upload contents on web highlights the need of content controls on material published on the web. As definition of search is changing, socially-enhanced interactive search methodologies are the need of the hour. Ranking is pivotal for efficient web search as the search performance mainly depends upon the ranking results. In this paper new integrated ranking model based on fused rank of web object based on popularity factor earned over only valid interlinks from multiple social forums is proposed. This model identifies relationships between web objects in separate social networks based on the object inheritance graph. Experimental study indicates the effectiveness of proposed Fusion based ranking algorithm in terms of better search results.Comment: 14 pages, International Journal on Web Service Computing (IJWSC), Vol.3, No.1, March 201

Trinity Restoration Inc.: Southside Cultural Center Economic Impact Study

Economic development has shifted from location-oriented business models towards a more all-encompassing model that recognizes the advancement of human capital or intellectual property as continuously increasing in value. This microcosmic characteristic of development extends to aid in the growth of society as a whole. The Arts and Culture attract a demographic of inspired and motivated people to the area. It results in the development of the society surrounding art venues. The general population will always seek out entertainment, by installing a venue of artistic expression in South Providence that will motivate the community and propel development. This phenomena has been proven, as denoted through the historical evaluation of artistic venues across America that have generated economic growth in their respective communities

Australian Musical Futures: The New Music Industry

On September 5th 2008, the Music Council of Australia held a national summit, bringing together 100 leaders in the music field to identify and debate the major issues facing the music sector in Australia. The summit was structured into four expert groups. This paper was commissioned to brief participants in the 'New Music Industry' stream, one of the four expert groups assembled for the event and chaired by the author. Against the background of major international trends, the paper summarises the major issues, roadblocks and opportunities in the Australian music industry in 2008 across the domains of recording, live performance and digital distribution. The paper also includes a survey of existing government support to the industry and the activities of the Contemporary Music Working Group to develop a comprehensive contemporary music strategy in partnership with the Australian government

Neuroeducation: Learning, Arts, and the Brain

Excerpts presentations and discussions from a May 2009 conference on the intersection of cognitive neuroscience, the arts, and learning -- the effects of early arts education on other aspects of cognition and implications for policy and practice

Playing Bebop: Culture and Bebop’s Reciprocal Influence

Following the sweet, pleasant Swing era style music of the 1930’s, Bebop emerged within the United States as an aggressive, percussive, musician-focused style in the 1940’s. However, Bebop’s creation was not spontaneous. Its composers, John Birks Gillespie, Charlie Parker, and Thelonious Monk, wrote for the sake of the music itself as a form of self-expression, not as entertainment for an audience. Bebop’s dissonant sound expressed political and cultural frustrations, stemming from World War II and similarly shown in the early Civil Rights Movement. I will argue that not only did Bebop develop out of such conflicts, but in a reciprocal manner it shaped society, giving legitimacy to black musicians’ technical abilities in a white-dominated music industry

mSpace: improving information access to multimedia domains with multimodal exploratory search

Overview of mSpace interaction approach for presenting exploratory search particularly in the audio domain by using slices, preview cues, and user-determined organization of information from high-dimensional space

Preview Cues: Enhancing Access to Multimedia Content

We describe preview cues, a lightweight mechanism to assist exploration of multimedia content. A preview cue provides a preview of the kind of content/information associated with an area (as opposed to an instance) of a domain. Preview cues associate media files and their meta data with the label of a topic in a domain. A lightweight gesture such as brushing a cursor over a label initiates playback of the preview cue file associated with that label. With these cues, users can preview the type of content associated with an area of a domain in order to decide whether or not that area is of interest for further exploration before having to select it. In this paper we describe the preview cues mechanism. We look at one case study of an implementation of preview cues in the audio domain, and we present the results of a user study of preview cue deployment. We conclude with a discussion of issues for future research