Bibliography of the University of Nebraska Studies

In this the Centennial Year of the University of Nebraska, it seems appropriate to present a bibliography of the University\u27s Studies series, which was initiated in 1888. Works issued from that date through 1941 comprised the Old Series ; they were identified by volume and number and by month and year of publication. publication. Eighteen Studies in Language, Literature and Criticism were printed between 1917 and 1940, four Studies in the Humanities between 1941 and 1945, and two Studies in Science and Technology in 1941 and 1942. The New Series, which began in 1946, continues to this day on an irregular basis, depending on manuscripts received and accepted for publication. The University of Nebraska Studies are scholarly monographs covering a wide variety of subjects. Most are out of print; those still in print (marked with an asterisk) are in the custody of the Acquisitions Department of the University of Nebraska Libraries. While the supply of many is very limited, those still in print are available to institutions and to individual scholars on an exchange or gift basis. Requests for copies should be directed to the Acquisitions Librarian at the University of Nebraska

The Pennsylvania Dutchman Vol. 8, No. 1

● The Summer House ● Drinks in Dutchland ● Yesteryear in Dutchland ● Moshey and Bellyguts ● Rise of Interest in Dutch Antiques ● Diaper Lore ● Lititz ● Witchcraft in Cow and Horse ● Dorothy Kalbach ● Plain Dutch and Gay Dutch ● Dialect Folksay ● Pennsylvania Dutch Pioneers ● About the Authors ● What\u27s New in Dutchlandhttps://digitalcommons.ursinus.edu/dutchmanmag/1008/thumbnail.jp

Baltische Wochenschrift für Landwirtschaft, Gewerbfleiss und Handel, Jg.28, Nr.1-52

Ilmumissagedus: 1 kord nädalashttp://tartu.ester.ee/record=b1757519~S1*es

2002-2003 Ursinus College Course Catalogue

A digitized copy of the 2002-2003 Ursinus College Catalog. It contains details of the curriculum, departmental requirements and courses of instruction as well as lists of students, faculty and administrators. Student life, terms of admission, expenses and financial aid are also included as well as descriptions of the buildings and equipment available to students.https://digitalcommons.ursinus.edu/uccatalog/1055/thumbnail.jp

Back to the future. The future in the past: ICDHS 10th+1 Barcelona 2018: Conference proceedings book

Obra dedicada a la memòria d'Anna Calvera (1954–2018).Conté: 0. Opening pages -- 1.1 Territories in the scene of globalised design: localisms and cosmopolitanisms -- 1.2 Designing the histories of southern designs -- 1.3 Mediterranean-ness: an inquiry into design and design history -- 1.4 From ideology to methodology: design histories and current developments in post-socialist countries -- 1.5 [100th anniversary of the Bauhaus Foundation]: tracing the map of the diaspora of its students -- 1.6 Design history: gatekeeper of the past and passport to a meaningful future? -- 1.7 Constructivism and deconstructivism: global development and criticism -- 1.8 An expanded global framework for design history -- 1.9 Design museums network: strengthening design by making it part of cultural legacy -- 1.10 Types and histories: past and present issues of type and book design -- 2.1 Design aesthetics: beyond the pragmatic experience and phenomenology -- 2.2 Public policies on design and design-driven innovation -- 2.3 Digital humanities: how does design in today's digital realm respond to what we need? -- 2.4 Design studies: design methods and methodology, the cognitive approach -- 2.5 Vehicles of design criticism -- 3 Open session: research and works in progress (1) -- 3 Open session: research and works in progress (2) -- Addenda: 10th+I keywords mapInternational Committee of Design History and Design Studies. Conference (11a : 2018 : Barcelona, Catalunya),ICDHS is the acronym of the International Committee of De­sign History and Design Studies, an organisation that brings together scholars from Spain, Cuba, Turkey, Mexico, Finland, Japan, Belgium, the Netherlands, Brazil, Portugal, the US, Tai­wan, Canada and the UK. Since 1999, when the Design and Art History departments of the University of Barcelona organised the first edition of the ICDHS, a conference has been held every two years at a different venue around the world. These conferences have had two dis­tinct aims: first, to present original research in the fields of Design History and Design Studies and, second, to include contributions in these fields from non-hegemonic countries, offering a speaking platform to many scientific communities that are already active or are forming and developing. For that reason, the structure of the conferences combines many paral­lel strands, including poster presentations and keynote speak­ers who lecture on the conferences’ main themes. The 2018 event is rather special. The Taipei 2016 conference was the 10th edition and a commemoration of the ten celebrations to date. Returning to Barcelona in 2018 marks the end of one stage and the beginning of a new one for the Committee. The numbering chosen—“10+1”—also means that Barcelona 2018 is both an end and a beginning in the ICDHS’s own history. The book brings together 137 papers delivered at the ICDHS 10th+1 Conference held in Barcelona on 29–31 October 2018. The papers are preceded by texts of the four keynote lectures and a written tribute from the ICDHS Board to its founder and figurehead, Anna Calvera (1954–2018). The Conference, and the book, are dedicated to her memory

Back to the Future. The Future in the Past. Conference Proceedings Book

ICDHS is the acronym of the International Committee of De­sign History and Design Studies, an organisation that brings together scholars from Spain, Cuba, Turkey, Mexico, Finland, Japan, Belgium, the Netherlands, Brazil, Portugal, the US, Tai­wan, Canada and the UK. Since 1999, when the Design and Art History departments of the University of Barcelona organised the first edition of the ICDHS, a conference has been held every two years at a different venue around the world. These conferences have had two dis­tinct aims: first, to present original research in the fields of Design History and Design Studies and, second, to include contributions in these fields from non-hegemonic countries, offering a speaking platform to many scientific communities that are already active or are forming and developing. For that reason, the structure of the conferences combines many paral­lel strands, including poster presentations and keynote speak­ers who lecture on the conferences’ main themes. The 2018 event is rather special. The Taipei 2016 conference was the 10th edition and a commemoration of the ten celebrations to date. Returning to Barcelona in 2018 marks the end of one stage and the beginning of a new one for the Committee. The numbering chosen—“10+1”—also means that Barcelona 2018 is both an end and a beginning in the ICDHS’s own history. The book brings together 137 papers delivered at the ICDHS 10th+1 Conference held in Barcelona on 29–31 October 2018. The papers are preceded by texts of the four keynote lectures and a written tribute from the ICDHS Board to its founder and figurehead, Anna Calvera (1954–2018). The Conference, and the book, are dedicated to her memory

Iniquitous symmetries: aestheticism and secularism in the reception of William Blake's works in books and periodicals during the 1860s, 1870s, and 1880s

This thesis examines Blake's posthumous reception, focusing particularly on the 1860s, 1870s and 1880s as decades in which Blake's reputation was both consolidated as a poet and artist, and invigorated as a radical sympathizer. As Blake's texts and life were being formed and re-formed in physically and conceptually elaborate books, such as Alexander Gilchrist's The Life of William Blake and Algernon Charles Swinburne's William Blake: a critical essay, significant and innovative appropriations of Blake's poetry and illustrations were made in Republican and freethinking periodicals and pamphlets. This thesis recovers some of that material. Retrieving the influence of such "low culture" ephemera on the "high" culture of Pre-Raphaelite creativity allows the Victorian Blake to emerge as a multi-faceted, contradictory production: both secular iconoclast and mystical visionary, blasphemous sibyl and poet of social justice. Nineteenth-century readings and reproductions of Blake are a chronicle of freethought and freeform. The multiplicity of Blake in this period, in both reproduction and interpretation, enables a questioning of books and periodicals as mediums of representation. Blake's reproduction in the nineteenth century coincides with, and yet confounds, Foucauldian configurations of nineteenth-century representation. Although Blake is depicted as a lone, isolated individual - often labouring under the insane tag - this does not simply signify an epistemological nadir of vacuous, disconnected individualism, such as Foucault identifies. On the contrary, this thesis seeks to prove that the enthusiasm for Blake in the 1860s, 1870s and 1880s is facilitated by a deep connectivity of medium and message, and between different mediums and different messages. The political stance of Secularism meets the cultural concerns of Aestheticism, both reproducing Blake through technology that improvises upon and rejuvenates Blake's own unique craft

Bibliografie der nachgelassenen Privatbibliothek von Ernst Ludwig Ehrlich

Vorwort Bibliografie Register Editorische NotizDie Bibliografie umfasst rund 8.000 Titel, die sich ehemals im Besitz von Ernst Ludwig Ehrlich, einem bedeutenden Forscher im christlich-jüdischen Dialog, befanden und dem Seminar für Katholische Theologie geschenkt wurden.August 201