Voice lessons with Carlo Bergonzi, April 18, 1989

This is the concert program of the Voice Lessons with Carlo Bergonzi performance on Tuesday, April 18, 1989 at 1:00 p.m., at the Marshall Room, 855 Commonwealth Avenue. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Graduate Masterclass with Carlo Bergonzi, February 2, 1990

This is the concert program of Graduate Masterclass with Carlo Bergonzi performance on Friday, February 2, 1990 at 8:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Nebbie by Ottorino Respighi, Come scoglio, from Cosi fan tutte by Wolfgang Amadeus Mozart, La Preghiera, from Nabucco by Giuseppe Verdi, Una voce poco fa, from Il Barbiere di Siviglia by Gioachino Rossini, Vaga luna, he inargenti by Vincenzo Bellini, O mio babbino caro, from Gianni Schicchi by Giacomo Puccini, Di Provenza il mar, from La Traviata by Giuseppe Verdi, and Ebben? Ne andrò lontano, from La Wally by Alfredo Catalani. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Towards a More Inclusive Music Education: Experiences of LGBTQQIAA Students in Music Teacher Education Programs Across Pennsylvania

During the past decade, the field of music education has seen an increase in the amount of scholarship surrounding LGBTQ studies in music teaching and learning. For example, the University of Illinois hosted three symposia for the field of music education dedicated to LGBTQ studies (2010, 2012, 2016), and proceedings from these symposia were published in three separate issues of the of the Bulletin of the Council for Research in Music Education (2011, 2014, 2016). Other notable scholarship has been published in Action, Criticism, and Theory for Music Education (Gould 2005); the Music Educators Journal (Bergonzi, 2009; Carter, 2011; McBride, 2016); the Journal of Research in Music Education (Carter, 2013; Nicholas, 2013); and UPDATE: Applications of Research in Music Education (Garrett, 2012). (excerpt

Aria Masterclass with Carlo Bergonzi, April 22, 1989

This is the concert program of the Aria Masterclass with Carlo Bergonzi performance on Saturday, April 22, 1989 at 1:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Non so più from "Le nozze di Figaro" by Wolfgang Amadeus Mozart, Porgi Amor from "Le nozze di Figaro" by W. A. Mozart, Spirto gentil from "La Favorita" by Gaetano Donizetti, Caro Nome from "Rigoletto" by Giuseppe Verdi, Liber scriptus from "Requiem" by G. Verdi, and Ebben? Ne andrò lontano from "La Wally" by Alfred Catalani. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Neurasthenia, Robert Graves, and Poetic Therapy in the Great War

Though Robert Graves is remembered primarily for his memoir, Good-bye to All That, his First World War poetry is equally relevant. Comparably to the more famous writings of Sassoon and Owen, Graves\u27 war poems depict the trauma of the trenches, marked by his repressed neurasthenia (colloquially, shell-shock), and foreshadow his later remarkable poetic talents

Opera Scene Workshop with Carlo Bergonzi, April 21, 1989

This is the concert program of the Opera Scene Workshop with Carlo Bergonzi performance on Friday, April 21, 1989 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Scenes performed were chosen from the following: Aria - Oh! Quante volte and Duet - Miglior patria avrem di questa from "I Capuletti ed i Montecchi" by Vincenzo Bellini, Aria - Zeffiretti lusinghieri and Duet - S'io non moro questi accenti from "Idomeneo" by Wolfgang Amadeus Mozart, Aria - In quelle trine morbide from "Manon Lescaut" by Giacomo Puccini, Duet - Dunque io son and Trio - Zitti, zitti, piano, piano "Il barbiere di Siviglia" by Gioacchino Rossini, Act III, Duet from "La Bohème" by G. Puccini, Act III, Duet from "Don Pasquale" by Gaetano Donizetti, Recitative and Duet - Han della porpora from "L'Amico Fritz" by Pietro Mascagni, and Quartet - Bevo al tuo sorriso from "La Rondine" by G. Puccini. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Starting young?: links between childhood and adult participation in culture and science: a literature review

A selective review of research literature on the extent of childhood exposure to and experience of culture and science and subsequent adult cultural or science participation

Undergraduate Masterclass with Carlo Bergonzi, February 1, 1990

This is the concert program of Undergraduate Masterclass with Carlo Bergonzi performance on Thursday, February 1, 1990 at 8:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Questo amor, from Edgar by Giacomo Puccini, Noi donne poverine, from La Finta Giardiniera by Wolfgang Amadeus Mozart, Ma rendi pur contento by Vincenzo Bellini, O del mio dolce ardor by Christoph Willibald Gluck, Perchè dolce, caro bene by Stefano Donaudy, O mio babbino caro, from Gianni Schicchi by Giacomo Puccini, Come Paride vezzoso, from L'Elisir d'Amore by Gaetano Donizetti, and Non so più cosa son, from Le Nozze di Figaro by Wolfgang Amadeus Mozart. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Italian Art Song Masterclass with Carlo Bergonzi, November 16, 1988

This is the concert program of the Italian Art Song Masterclass with Carlo Bergonzi performance on Wednesday, November 16, 1988 at 10:00 a.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Se tu m'ami by Giovanni Battista Pergolesi, Cangiò d'aspetto, from Admeto by George Frederic Handel, Lascia ch'io pianga, from Rinaldo by George Frederic Handel, Piangerò la sorte mia, from Giulio Cesare by George Frederic Handel, L'alba Separa dalla luca l'omba by Paolo Tosti, Sole e Amore by Giacomo Puccini, and I pastori by Ildebrando Pizzetti. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Italian art song masterclass with Carlo Bergonzi, April 19, 1989

This is the concert program of the Italian Art Song Masterclass with Carlo Bergonzi on Wednesday, April 19, 1989 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Delizie contente by Pietro Francesco Cavalli, La Zingara by Gaetano Donizetti, Spirate pur, spirate by Stephano Donaudy, Un moto di gioja by Wolfgang Amadeus Mozart, Vado, ma dove? by W. A. Mozart, and O del mio amato ben by S. Donaudy. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund