Text-to-Image Generation: Perceptions and Realities

Generative AI is an emerging technology that will have a profound impact on society and individuals. Only a decade ago, it was thought that creative work would be among the last to be automated - yet today, we see AI encroaching on creative domains. In this paper, we present the key findings of a survey study on people's perceptions of text-to-image generation. We touch on participants' technical understanding of the emerging technology, their ideas for potential application areas, as well as concerns, risks, and dangers of text-to-image generation to society and the individual. The study found that participants were aware of the risks and dangers associated with the technology, but only few participants considered the technology to be a risk to themselves. Additionally, those who had tried the technology rated its future importance lower than those who had not.Comment: Accepted at Generative AI in HCI workshop, CHI '2

The Integration of Digital Technologies into Designer-Maker Practice: a Study of Access, Attitudes and Implications

This research is a focused investigation of the use of digital production technologies by UK designer-makers. The Critical and Contextual Review begins by examining what is known about the UK designer-maker sector. It considers how making practices relate to history and theories of craft, exploring meanings of key concepts such as ‘skill’ and ‘productive autonomy’. It reviews contemporary digital craft practice, identifying it as a genre and examines both digital economy and digital tool-use trends, relating to craft. The methodology Chapter 3 explains how the pragmatic philosophical approach taken justifies the focus on investigations of experiential practice and the specific mixed methods adopted. A series of experiential case studies looking at emergent practice is analysed using grounded theory techniques and concludes that in using digital tools the maker’s vision is the animating force in an inherently collective endeavour. This chapter is followed by an in-depth practicebased investigation looking specifically at the collaborative potential facilitated by digital possibilities. Chapter 6 presents an analysis of professional views based on interviews that probe the range and extent of technical and creative collaborations. At each stage of the research a reflective enquiry points towards the next step and provides successive iterations of evidence. The thesis that emerges from evidence is the contribution to knowledge of this research. It is that a cross-fertilisation between craft and digital technologies produces a hybrid networked practice that can amount to a new type of technology-enabled and networked craft – Technepractice – in which ‘negotiated collective engagement’ is the driving characteristic. This presents a fundamental challenge to the constructed authenticity of productive autonomy in 20th century studio craft practice. The animation of collective resources, from exteriorised skill embedded in technology to the expertise of technicians and machine operators and the use of digital data sources, requires a re-evaluation of the location and meaning of skill in digital craft practice. A full account of the digital ‘proposition’ for craft, both the opportunities and threats, places digital craft in the context of other digital creative industries and explores possibilities for extending practice from collaborations to digital business models