1,245 research outputs found
Access to recorded interviews: A research agenda
Recorded interviews form a rich basis for scholarly inquiry. Examples include oral histories, community memory projects, and interviews conducted for broadcast media. Emerging technologies offer the potential to radically transform the way in which recorded interviews are made accessible, but this vision will demand substantial investments from a broad range of research communities. This article reviews the present state of practice for making recorded interviews available and the state-of-the-art for key component technologies. A large number of important research issues are identified, and from that set of issues, a coherent research agenda is proposed
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MUSCLE movie-database: a multimodal corpus with rich annotation for dialogue and saliency detection
Automatic Synchronization of Multi-User Photo Galleries
In this paper we address the issue of photo galleries synchronization, where
pictures related to the same event are collected by different users. Existing
solutions to address the problem are usually based on unrealistic assumptions,
like time consistency across photo galleries, and often heavily rely on
heuristics, limiting therefore the applicability to real-world scenarios. We
propose a solution that achieves better generalization performance for the
synchronization task compared to the available literature. The method is
characterized by three stages: at first, deep convolutional neural network
features are used to assess the visual similarity among the photos; then, pairs
of similar photos are detected across different galleries and used to construct
a graph; eventually, a probabilistic graphical model is used to estimate the
temporal offset of each pair of galleries, by traversing the minimum spanning
tree extracted from this graph. The experimental evaluation is conducted on
four publicly available datasets covering different types of events,
demonstrating the strength of our proposed method. A thorough discussion of the
obtained results is provided for a critical assessment of the quality in
synchronization.Comment: ACCEPTED to IEEE Transactions on Multimedi
Movie Description
Audio Description (AD) provides linguistic descriptions of movies and allows
visually impaired people to follow a movie along with their peers. Such
descriptions are by design mainly visual and thus naturally form an interesting
data source for computer vision and computational linguistics. In this work we
propose a novel dataset which contains transcribed ADs, which are temporally
aligned to full length movies. In addition we also collected and aligned movie
scripts used in prior work and compare the two sources of descriptions. In
total the Large Scale Movie Description Challenge (LSMDC) contains a parallel
corpus of 118,114 sentences and video clips from 202 movies. First we
characterize the dataset by benchmarking different approaches for generating
video descriptions. Comparing ADs to scripts, we find that ADs are indeed more
visual and describe precisely what is shown rather than what should happen
according to the scripts created prior to movie production. Furthermore, we
present and compare the results of several teams who participated in a
challenge organized in the context of the workshop "Describing and
Understanding Video & The Large Scale Movie Description Challenge (LSMDC)", at
ICCV 2015
Foundations and Recent Trends in Multimodal Machine Learning: Principles, Challenges, and Open Questions
Multimodal machine learning is a vibrant multi-disciplinary research field
that aims to design computer agents with intelligent capabilities such as
understanding, reasoning, and learning through integrating multiple
communicative modalities, including linguistic, acoustic, visual, tactile, and
physiological messages. With the recent interest in video understanding,
embodied autonomous agents, text-to-image generation, and multisensor fusion in
application domains such as healthcare and robotics, multimodal machine
learning has brought unique computational and theoretical challenges to the
machine learning community given the heterogeneity of data sources and the
interconnections often found between modalities. However, the breadth of
progress in multimodal research has made it difficult to identify the common
themes and open questions in the field. By synthesizing a broad range of
application domains and theoretical frameworks from both historical and recent
perspectives, this paper is designed to provide an overview of the
computational and theoretical foundations of multimodal machine learning. We
start by defining two key principles of modality heterogeneity and
interconnections that have driven subsequent innovations, and propose a
taxonomy of 6 core technical challenges: representation, alignment, reasoning,
generation, transference, and quantification covering historical and recent
trends. Recent technical achievements will be presented through the lens of
this taxonomy, allowing researchers to understand the similarities and
differences across new approaches. We end by motivating several open problems
for future research as identified by our taxonomy
Fusion of Multimodal Information in Music Content Analysis
Music is often processed through its acoustic realization. This is restrictive in the sense that music is clearly a highly multimodal concept where various types of heterogeneous information can be associated to a given piece of music (a musical score, musicians\u27 gestures, lyrics, user-generated metadata, etc.). This has recently led researchers to apprehend music through its various facets, giving rise to "multimodal music analysis" studies. This article gives a synthetic overview of methods that have been successfully employed in multimodal signal analysis. In particular, their use in music content processing is discussed in more details through five case studies that highlight different multimodal integration techniques. The case studies include an example of cross-modal correlation for music video analysis, an audiovisual drum transcription system, a description of the concept of informed source separation, a discussion of multimodal dance-scene analysis, and an example of user-interactive music analysis. In the light of these case studies, some perspectives of multimodality in music processing are finally suggested
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