The importance of "scaffolding" in clinical approach to deafness across the lifespan

Throughout the present work of thesis, the concept of scaffolding will be used as a fil rouge through the chapters. What I mean for “scaffolding approach”, therefore, is an integrated and multidisciplinary clinical and research methodology to hearing impairments that could take into account persons as a whole; an approach that needs to be continuously adapted and harmonized with the individuals, pursuant to their progress, their limits and resources, in consideration of their audiological, cognitive, emotional, personal, and social characteristics. The following studies of our research group will be presented: A study (2020) designed to assess the effects of parent training (PT) on enhancing children’s communication development (chapter two); Two studies of our research group (2016; 2020) concerning variables influencing comprehension of emotions and nuclear executive functions in deaf children with cochlear implant (chapter three and chapter four) In chapter five a presentation and description of our Mind-Active Communication program, main topics and aims, multidisciplinary organizations of group and individual sessions with a description of used materials and methodology is given. Finally, a preliminary evaluation to explore the use of this multidisciplinary rehabilitative program on quality of life, psychological wellbeing, and hearing abilities in a sample of cochlear implanted elderly persons is reported

Music and the transhuman ear: Ultrasonics, material bodies, and the limits of sensation

Amid recent moves toward sound as vibrational force, this article argues that hearing has a special role in determining our natural sensory limits, and that recent attempts to push against these limits foreground the underlying matter of what status the biological body has in music perception and performance during the technological age. Between 1876 and 1894, prominent German acousticians—including Helmholtz—argued that humans could hear vibrations as high as 40,960Hz. While this was ultimately discredited, recent post-tonal works have notated pitches that explicitly play with, or exceed, the ordinary range of human hearing; (cf. Schoenberg, Per Nørgård, and Salvatore Sciarrino). In the context of existing ecological approaches to listening, this article asks what kind of listener such works imply. Specifically, it investigates the musical relevance of Umwelt theory by the Baltic German biologist Jakob von Uexküll, in which individuals “create” the bubble of their perceivable environment according to a reciprocal interchange between limited sense capacity and mental habit. I contrast Uexküll’s acceptance of human limits with a transhumanist worldview which anticipates the enhancement of biological sense capacities through technology. Such “morphological freedom - the right to modify and enhance one’s body” (Bostrum 2009) putatively includes augmentation of the auditory system. Finally, by tracing the genealogy of human prosthesis back to the founder of a philosopher of technology (Kapp 1877), I critique the potential for technologies in clinical audiology to grant access to ultrasonic frequencies, and assess the implications of augmented, prosthetic hearing for non-impaired listeners. The discourse of transhumanism poses questions for musical listening as soon as the body becomes an assemblage subject to variation. It raises the question of how identity—ours as well as that of musical works—might be affected by “morphological freedom,” the extent to which self-identity becomes the lost referential when agency is distributed between biological and non-biological parts, and it asks what value are the new intellectual vistas that emerge when musical experience is conceived in material terms as communication between bodies

Music and the Transhuman Ear: Ultrasonics, Material Bodies, and the Limits of Sensation

Amid recent moves toward sound as vibrational force, this article argues that hearing has a special role in determining our natural sensory limits, and that recent attempts to push against these limits foreground the underlying matter of what status the biological body has in music perception and performance during the technological age. Between 1876 and 1894, prominent German acousticians—including Helmholtz—argued that humans could hear vibrations as high as 40,960Hz. While this was ultimately discredited, recent post-tonal works have notated pitches that explicitly play with, or exceed, the ordinary range of human hearing; (cf. Schoenberg, Per Nørgård, and Salvatore Sciarrino). In the context of existing ecological approaches to listening, this article asks what kind of listener such works imply. Specifically, it investigates the musical relevance of Umwelt theory by the Baltic German biologist Jakob von Uexküll, in which individuals “create” the bubble of their perceivable environment according to a reciprocal interchange between limited sense capacity and mental habit. I contrast Uexküll’s acceptance of human limits with a transhumanist worldview which anticipates the enhancement of biological sense capacities through technology. Such “morphological freedom - the right to modify and enhance one’s body” (Bostrum 2009) putatively includes augmentation of the auditory system. Finally, by tracing the genealogy of human prosthesis back to the founder of a philosopher of technology (Kapp 1877), I critique the potential for technologies in clinical audiology to grant access to ultrasonic frequencies, and assess the implications of augmented, prosthetic hearing for non-impaired listeners. The discourse of transhumanism poses questions for musical listening as soon as the body becomes an assemblage subject to variation. It raises the question of how identity—ours as well as that of musical works—might be affected by “morphological freedom,” the extent to which self-identity becomes the lost referential when agency is distributed between biological and non-biological parts, and it asks what value are the new intellectual vistas that emerge when musical experience is conceived in material terms as communication between bodies

Hearing Loss

Authored by 17 international researchers and research teams, the book provides up-to-date insights on topics in five different research areas related to normal hearing and deafness. Techniques for assessment of hearing and the appropriateness of the Mongolian gerbil as a model for age-dependent hearing loss in humans are presented. Parental attitudes to childhood deafness and role of early intervention for better treatment of hearing loss are also discussed. Comprehensive details are provided on the role of different environmental insults including injuries in causing deafness. Additionally, many genes involved in hearing loss are reviewed and the genetics of recessively inherited moderate to severe and progressive deafness is covered for the first time. The book also details established and evolving therapies for treatment of deafness