Automatic transcription of multi-genre media archives

This paper describes some recent results of our collaborative work on developing a speech recognition system for the automatic transcription or media archives from the British Broadcasting Corporation (BBC). The material includes a wide diversity of shows with their associated metadata. The latter are highly diverse in terms of completeness, reliability and accuracy. First, we investigate how to improve lightly supervised acoustic training, when timestamp information is inaccurate and when speech deviates significantly from the transcription, and how to perform evaluations when no reference transcripts are available. An automatic timestamp correction method as well as a word and segment level combination approaches between the lightly supervised transcripts and the original programme scripts are presented which yield improved metadata. Experimental results show that systems trained using the improved metadata consistently outperform those trained with only the original lightly supervised decoding hypotheses. Secondly, we show that the recognition task may benefit from systems trained on a combination of in-domain and out-of-domain data. Working with tandem HMMs, we describe Multi-level Adaptive Networks, a novel technique for incorporating information from out-of domain posterior features using deep neural network. We show that it provides a substantial reduction in WER over other systems including a PLP-based baseline, in-domain tandem features, and the best out-of-domain tandem features.This research was supported by EPSRC Programme Grant EP/I031022/1 (Natural Speech Technology).This paper was presented at the First Workshop on Speech, Language and Audio in Multimedia, August 22-23, 2013; Marseille. It was published in CEUR Workshop Proceedings at http://ceur-ws.org/Vol-1012/

Methodological considerations concerning manual annotation of musical audio in function of algorithm development

In research on musical audio-mining, annotated music databases are needed which allow the development of computational tools that extract from the musical audiostream the kind of high-level content that users can deal with in Music Information Retrieval (MIR) contexts. The notion of musical content, and therefore the notion of annotation, is ill-defined, however, both in the syntactic and semantic sense. As a consequence, annotation has been approached from a variety of perspectives (but mainly linguistic-symbolic oriented), and a general methodology is lacking. This paper is a step towards the definition of a general framework for manual annotation of musical audio in function of a computational approach to musical audio-mining that is based on algorithms that learn from annotated data. 1

Access to recorded interviews: A research agenda

Recorded interviews form a rich basis for scholarly inquiry. Examples include oral histories, community memory projects, and interviews conducted for broadcast media. Emerging technologies offer the potential to radically transform the way in which recorded interviews are made accessible, but this vision will demand substantial investments from a broad range of research communities. This article reviews the present state of practice for making recorded interviews available and the state-of-the-art for key component technologies. A large number of important research issues are identified, and from that set of issues, a coherent research agenda is proposed

The MGB Challenge: Evaluating Multi-genre Broadcast Media Recognition

This paper describes the Multi-Genre Broadcast (MGB) Challenge at ASRU 2015, an evaluation focused on speech recognition, speaker diarization, and "lightly supervised" alignment of BBC TV recordings. The challenge training data covered the whole range of seven weeks BBC TV output across four channels, resulting in about 1,600 hours of broadcast audio. In addition several hundred million words of BBC subtitle text was provided for language modelling. A novel aspect of the evaluation was the exploration of speech recognition and speaker diarization in a longitudinal setting - i.e. recognition of several episodes of the same show, and speaker diarization across these episodes, linking speakers. The longitudinal tasks also offered the opportunity for systems to make use of supplied metadata including show title, genre tag, and date/time of transmission. This paper describes the task data and evaluation process used in the MGB challenge, and summarises the results obtained

Latent Dirichlet Allocation Based Organisation of Broadcast Media Archives for Deep Neural Network Adaptation

This paper presents a new method for the discovery of latent domains in diverse speech data, for the use of adaptation of Deep Neural Networks (DNNs) for Automatic Speech Recognition. Our work focuses on transcription of multi-genre broadcast media, which is often only categorised broadly in terms of high level genres such as sports, news, documentary, etc. However, in terms of acoustic modelling these categories are coarse. Instead, it is expected that a mixture of latent domains can better represent the complex and diverse behaviours within a TV show, and therefore lead to better and more robust performance. We propose a new method, whereby these latent domains are discovered with Latent Dirichlet Allocation, in an unsupervised manner. These are used to adapt DNNs using the Unique Binary Code (UBIC) representation for the LDA domains. Experiments conducted on a set of BBC TV broadcasts, with more than 2,000 shows for training and 47 shows for testing, show that the use of LDA-UBIC DNNs reduces the error up to 13% relative compared to the baseline hybrid DNN models

TRECVID: evaluating the effectiveness of information retrieval tasks on digital video

TRECVID is an annual exercise which encourages research in information retrieval from digital video by providing a large video test collection, uniform scoring procedures, and a forum for organizations interested in comparing their results. TRECVID benchmarking covers both interactive and manual searching by end users, as well as the benchmarking of some supporting technologies including shot boundary detection, extraction of some semantic features, and the automatic segmentation of TV news broadcasts into non-overlapping news stories. TRECVID has a broad range of over 40 participating groups from across the world and as it is now (2004) in its 4th annual cycle it is opportune to stand back and look at the lessons we have learned from the cumulative activity. In this paper we shall present a brief and high-level overview of the TRECVID activity covering the data, the benchmarked tasks, the overall results obtained by groups to date and an overview of the approaches taken by selective groups in some tasks. While progress from one year to the next cannot be measured directly because of the changing nature of the video data we have been using, we shall present a summary of the lessons we have learned from TRECVID and include some pointers on what we feel are the most important of these lessons

The 2015 Sheffield System for Transcription of Multi–Genre Broadcast Media

We describe the University of Sheffield system for participation in the 2015 Multi-Genre Broadcast (MGB) challenge task of transcribing multi-genre broadcast shows. Transcription was one of four tasks proposed in the MGB challenge, with the aim of advancing the state of the art of automatic speech recognition, speaker diarisation and automatic alignment of subtitles for broadcast media. Four topics are investigated in this work: Data selection techniques for training with unreliable data, automatic speech segmentation of broadcast media shows, acoustic modelling and adaptation in highly variable environments, and language modelling of multi-genre shows. The final system operates in multiple passes, using an initial unadapted decoding stage to refine segmentation, followed by three adapted passes: a hybrid DNN pass with input features normalised by speaker-based cepstral normalisation, another hybrid stage with input features normalised by speaker feature-MLLR transformations, and finally a bottleneck-based tandem stage with noise and speaker factorisation. The combination of these three system outputs provides a final error rate of 27.5% on the official development set, consisting of 47 multi-genre shows

Preservation and Promotion of Opera Cultural Heritage: The Experience of La Scala Theatre

This paper focuses on music and music-related cultural heritage typically preserved by opera houses, starting from the experience achieved during the long-lasting collaboration between La Scala theater and the Laboratory of Music Informatics of the University of Milan. First, we will mention the most significant results achieved by the project in the fields of preservation, information retrieval and dissemination of cultural heritage through computer-based approaches. Moreover, we will discuss the possibilities offered by new technologies applied to the conservative context of an opera house, including: the multi-layer representation of music information to foster the accessibility of musical content also by non-experts; the adoption of 5G networks to deliver spherical videos of live events, thus opening new scenarios for cultural heritage enjoyment and dissemination; deep learning approaches both to improve internal processes (e.g., back-office applications for music information retrieval) and to offer advanced services to users (e.g., highly-customized experiences)

Improving lightly supervised training for broadcast transcription

This paper investigates improving lightly supervised acoustic model training for an archive of broadcast data. Standard lightly supervised training uses automatically derived decoding hypotheses using a biased language model. However, as the actual speech can deviate significantly from the original programme scripts that are supplied, the quality of standard lightly supervised hypotheses can be poor. To address this issue, word and segment level combination approaches are used between the lightly supervised transcripts and the original programme scripts which yield improved transcriptions. Experimental results show that systems trained using these improved transcriptions consistently outperform those trained using only the original lightly supervised decoding hypotheses. This is shown to be the case for both the maximum likelihood and minimum phone error trained systems.The research leading to these results was supported by EPSRC Programme Grant EP/I031022/1 (Natural Speech Technology).This is the accepted manuscript version. The final version is available at http://www.isca-speech.org/archive/interspeech_2013/i13_2187.html