Automatic Video Classification

Within the past few years video usage has grown in a multi-fold fashion. One of the major reasons for this explosive video growth is the rising Internet bandwidth speeds. As of today, a significant human effort is needed to categorize these video data files. A successful automatic video classification method can substantially help to reduce the growing amount of cluttered video data on the Internet. This research project is based on finding a successful model for video classification. We have utilized various schemes of visual and audio data analysis methods to build a successful classification model. As far as the classification classes are concerned, we have handpicked News, Animation and Music video classes to carry out the experiments. A total number of 445 video files from all three classes were analyzed to build classification models based on Naïve Bayes and Support Vector Machine classifiers. In order to gather the final results we developed a “weighted voting - meta classifier” model. Our approach attained an average of 90% success rate among all three classification classes

Weakly-Supervised Alignment of Video With Text

Suppose that we are given a set of videos, along with natural language descriptions in the form of multiple sentences (e.g., manual annotations, movie scripts, sport summaries etc.), and that these sentences appear in the same temporal order as their visual counterparts. We propose in this paper a method for aligning the two modalities, i.e., automatically providing a time stamp for every sentence. Given vectorial features for both video and text, we propose to cast this task as a temporal assignment problem, with an implicit linear mapping between the two feature modalities. We formulate this problem as an integer quadratic program, and solve its continuous convex relaxation using an efficient conditional gradient algorithm. Several rounding procedures are proposed to construct the final integer solution. After demonstrating significant improvements over the state of the art on the related task of aligning video with symbolic labels [7], we evaluate our method on a challenging dataset of videos with associated textual descriptions [36], using both bag-of-words and continuous representations for text.Comment: ICCV 2015 - IEEE International Conference on Computer Vision, Dec 2015, Santiago, Chil

Webly Supervised Learning of Convolutional Networks

We present an approach to utilize large amounts of web data for learning CNNs. Specifically inspired by curriculum learning, we present a two-step approach for CNN training. First, we use easy images to train an initial visual representation. We then use this initial CNN and adapt it to harder, more realistic images by leveraging the structure of data and categories. We demonstrate that our two-stage CNN outperforms a fine-tuned CNN trained on ImageNet on Pascal VOC 2012. We also demonstrate the strength of webly supervised learning by localizing objects in web images and training a R-CNN style detector. It achieves the best performance on VOC 2007 where no VOC training data is used. Finally, we show our approach is quite robust to noise and performs comparably even when we use image search results from March 2013 (pre-CNN image search era)

Video Categorization Using Semantics and Semiotics

There is a great need to automatically segment, categorize, and annotate video data, and to develop efficient tools for browsing and searching. We believe that the categorization of videos can be achieved by exploring the concepts and meanings of the videos. This task requires bridging the gap between low-level content and high-level concepts (or semantics). Once a relationship is established between the low-level computable features of the video and its semantics, the user would be able to navigate through videos through the use of concepts and ideas (for example, a user could extract only those scenes in an action film that actually contain fights) rat her than sequentially browsing the whole video. However, this relationship must follow the norms of human perception and abide by the rules that are most often followed by the creators (directors) of these videos. These rules are called film grammar in video production literature. Like any natural language, this grammar has several dialects, but it has been acknowledged to be universal. Therefore, the knowledge of film grammar can be exploited effectively for the understanding of films. To interpret an idea using the grammar, we need to first understand the symbols, as in natural languages, and second, understand the rules of combination of these symbols to represent concepts. In order to develop algorithms that exploit this film grammar, it is necessary to relate the symbols of the grammar to computable video features. In this dissertation, we have identified a set of computable features of videos and have developed methods to estimate them. A computable feature of audio-visual data is defined as any statistic of available data that can be automatically extracted using image/signal processing and computer vision techniques. These features are global in nature and are extracted using whole images, therefore, they do not require any object detection, tracking and classification. These features include video shots, shot length, shot motion content, color distribution, key-lighting, and audio energy. We use these features and exploit the knowledge of ubiquitous film grammar to solve three related problems: segmentation and categorization of talk and game shows; classification of movie genres based on the previews; and segmentation and representation of full-length Hollywood movies and sitcoms. We have developed a method for organizing videos of talk and game shows by automatically separating the program segments from the commercials and then classifying each shot as the host\u27s or guest\u27s shot. In our approach, we rely primarily on information contained in shot transitions and utilize the inherent difference in the scene structure (grammar) of commercials and talk shows. A data structure called a shot connectivity graph is constructed, which links shots over time using temporal proximity and color similarity constraints. Analysis of the shot connectivity graph helps us to separate commercials from program segments. This is done by first detecting stories, and then assigning a weight to each story based on its likelihood of being a commercial or a program segment. We further analyze stories to distinguish shots of the hosts from those of the guests. We have performed extensive experiments on eight full-length talk shows (e.g. Larry King Live, Meet the Press, News Night) and game shows (Who Wants To Be A Millionaire), and have obtained excellent classification with 96% recall and 99% precision. http://www.cs.ucf.edu/~vision/projects/LarryKing/LarryKing.html Secondly, we have developed a novel method for genre classification of films using film previews. In our approach, we classify previews into four broad categories: comedies, action, dramas or horror films. Computable video features are combined in a framework with cinematic principles to provide a mapping to these four high-level semantic classes. We have developed two methods for genre classification; (a) a hierarchical method and (b) an unsupervised classification met hod. In the hierarchical method, we first classify movies into action and non-action categories based on the average shot length and motion content in the previews. Next, non-action movies are sub-classified into comedy, horror or drama categories by examining their lighting key. Finally, action movies are ranked on the basis of number of explosions/gunfire events. In the unsupervised method for classifying movies, a mean shift classifier is used to discover the structure of the mapping between the computable features and each film genre. We have conducted extensive experiments on over a hundred film previews and demonstrated that low-level features can be efficiently utilized for movie classification. We achieved about 87% successful classification. http://www.cs.ucf.edu/-vision/projects/movieClassification/movieClmsification.html Finally, we have addressed the problem of detecting scene boundaries in full-length feature movies. We have developed two novel approaches to automatically find scenes in the videos. Our first approach is a two-pass algorithm. In the first pass, shots are clustered by computing backward shot coherence; a shot color similarity measure that detects potential scene boundaries (PSBs) in the videos. In the second pass we compute scene dynamics for each scene as a function of shot length and the motion content in the potential scenes. In this pass, a scene-merging criterion is used to remove weak PSBs in order to reduce over-segmentation. In our second approach, we cluster shots into scenes by transforming this task into a graph-partitioning problem. This is achieved by constructing a weighted undirected graph called a shot similarity graph (SSG), where each node represents a shot and the edges between the shots are weighted by their similarities (color and motion). The SSG is then split into sub-graphs by applying the normalized cut technique for graph partitioning. The partitions obtained represent individual scenes in the video. We further extend the framework to automatically detect the best representative key frames of identified scenes. With this approach, we are able to obtain a compact representation of huge videos in a small number of key frames. We have performed experiments on five Hollywood films (Terminator II, Top Gun, Gone In 60 Seconds, Golden Eye, and A Beautiful Mind) and one TV sitcom (Seinfeld) that demonstrate the effectiveness of our approach. We achieved about 80% recall and 63% precision in our experiments. http://www.cs.ucf.edu/~vision/projects/sceneSeg/sceneSeg.htm

Language and Perceptual Categorization in Computational Visual Recognition

Computational visual recognition or giving computers the ability to understand images as well as humans do is a core problem in Computer Vision. Traditional recognition systems often describe visual content by producing a set of isolated labels, object locations, or by even trying to annotate every pixel in an image with a category. People instead describe the visual world using language. The rich visually descriptive language produced by people incorporates information from human intuition, world knowledge, visual saliency, and common sense that go beyond detecting individual visual concepts like objects, attributes, or scenes. Moreover, due to the rising popularity of social media, there exist billions of images with associated text on the web, yet systems that can leverage this type of annotations or try to connect language and vision are scarce. In this dissertation, we propose new approaches that explore the connections between language and vision at several levels of detail by combining techniques from Computer Vision and Natural Language Understanding. We first present a data-driven technique for understanding and generating image descriptions using natural language, including automatically collecting a big-scale dataset of images with visually descriptive captions. Then we introduce a system for retrieving short visually descriptive phrases for describing some part or aspect of an image, and a simple technique to generate full image descriptions by stitching short phrases. Next we introduce an approach for collecting and generating referring expressions for objects in natural scenes at a much larger scale than previous studies. Finally, we describe methods for learning how to name objects by using intuitions from perceptual categorization related to basic-level and entry-level categories. The main contribution of this thesis is in advancing our knowledge on how to leverage language and intuitions from human perception to create visual recognition systems that can better learn from and communicate with people.Doctor of Philosoph

Finding Actors and Actions in Movies

International audienceWe address the problem of learning a joint model of actors and actions in movies using weak supervision provided by scripts. Specifically, we extract actor/action pairs from the script and use them as constraints in a discriminative clustering framework. The corresponding optimization problem is formulated as a quadratic program under linear constraints. People in video are represented by automatically extracted and tracked faces together with corresponding motion features. First, we apply the proposed framework to the task of learning names of characters in the movie and demonstrate significant improvements over previous methods used for this task. Second, we explore the joint actor/action constraint and show its advantage for weakly supervised action learning. We validate our method in the challenging setting of localizing and recognizing characters and their actions in feature length movies Casablanca and American Beauty