171,435 research outputs found
Deep Learning for Audio Signal Processing
Given the recent surge in developments of deep learning, this article
provides a review of the state-of-the-art deep learning techniques for audio
signal processing. Speech, music, and environmental sound processing are
considered side-by-side, in order to point out similarities and differences
between the domains, highlighting general methods, problems, key references,
and potential for cross-fertilization between areas. The dominant feature
representations (in particular, log-mel spectra and raw waveform) and deep
learning models are reviewed, including convolutional neural networks, variants
of the long short-term memory architecture, as well as more audio-specific
neural network models. Subsequently, prominent deep learning application areas
are covered, i.e. audio recognition (automatic speech recognition, music
information retrieval, environmental sound detection, localization and
tracking) and synthesis and transformation (source separation, audio
enhancement, generative models for speech, sound, and music synthesis).
Finally, key issues and future questions regarding deep learning applied to
audio signal processing are identified.Comment: 15 pages, 2 pdf figure
Actions on Landing Pages
Systems and methods described herein allow for using audio overlay to provide actionable audio extensions with primary audio content. A data processing system can receive a first input audio signal from a client device of a user, and identify a user request from the first input audio signal. The data processing system can generate an audio response to the user’s request, and one or more audio extensions for presenting with the audio response. The data processing can then transmit the audio response and the audio extensions to the client device. The data processing system may receive a second audio signal indicative of an interaction with one of the audio extensions. In response, the data processing system can execute an operation associated with the interaction provided in the second audio signal
General Purpose Audio Effect Removal
Although the design and application of audio effects is well understood, the inverse problem of removing these effects is significantly more challenging and far less studied. Recently, deep learning has been applied to audio effect removal; however, existing approaches have focused on narrow formulations considering only one effect or source type at a time. In realistic scenarios, multiple effects are applied with varying source content. This motivates a more general task, which we refer to as general purpose audio effect removal. We developed a dataset for this task using five audio effects across four different sources and used it to train and evaluate a set of existing architectures. We found that no single model performed optimally on all effect types and sources. To address this, we introduced RemFX, an approach designed to mirror the compositionality of applied effects. We first trained a set of the best-performing effect-specific removal models and then leveraged an audio effect classification model to dynamically construct a graph of our models at inference. We found our approach to outperform single model baselines, although examples with many effects present remain challenging
Audio-visual speech recognition with background music using single-channel source separation
In this paper, we consider audio-visual speech recognition with background music. The proposed algorithm is an integration of audio-visual speech recognition and single channel source separation (SCSS). We apply the proposed algorithm to recognize spoken speech that is mixed with music signals. First, the SCSS algorithm based on nonnegative matrix factorization (NMF) and spectral masks is used to separate the audio speech signal from the background music in magnitude spectral domain. After speech audio is separated from music, regular audio-visual speech recognition (AVSR) is employed using multi-stream hidden
Markov models. Employing two approaches together, we try to improve recognition accuracy by both processing the audio signal with SCSS and supporting the recognition task with visual information. Experimental results show that combining audio-visual speech recognition with source separation gives remarkable improvements in the accuracy of the speech recognition system
A Generative Product-of-Filters Model of Audio
We propose the product-of-filters (PoF) model, a generative model that
decomposes audio spectra as sparse linear combinations of "filters" in the
log-spectral domain. PoF makes similar assumptions to those used in the classic
homomorphic filtering approach to signal processing, but replaces hand-designed
decompositions built of basic signal processing operations with a learned
decomposition based on statistical inference. This paper formulates the PoF
model and derives a mean-field method for posterior inference and a variational
EM algorithm to estimate the model's free parameters. We demonstrate PoF's
potential for audio processing on a bandwidth expansion task, and show that PoF
can serve as an effective unsupervised feature extractor for a speaker
identification task.Comment: ICLR 2014 conference-track submission. Added link to the source cod
Python for audio signal processing
This paper discusses the use of Python for developing audio signal processing applications. Overviews of Python language, NumPy, SciPy and Matplotlib are given, which together form a powerful platform for scientic computing. We then show how SciPy was used to create two audio programming libraries,
and describe ways that Python can be integrated with the SndObj library and Pure Data, two existing environments for music composition and signal processing
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