252 research outputs found

    Association Mining of Folk Music Genres and Toponyms

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    This paper demonstrates how association rule mining can be applied to discover relations between two ontologies of folk music: a genre and a region ontology. Genre– region associations have been widely studied in folk music research but have been neglected in music information retrieval. We present a method of association rule min- ing with constraints consisting of rule templates and rule evaluation measures to identify different, musicologically motivated, categories of genre–region associations. The method is applied to a corpus of 1902 Basque folk tunes, and several interesting rules and rule sets are discovere

    Antipattern discovery in Basque folk tunes

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    This paper presents a new pattern discovery method for labelled folk song corpora. The method discovers general patterns that are rare or even entirely absent in a corpus, and among those the ones that are the most general or frequent in the background set. The method is applied to two parallel ontologies of a large corpus of Basque folk tunes

    A Survey of Evaluation in Music Genre Recognition

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    Characterizing and classifying music genres and subgenres via association analysis

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    In this thesis, we investigate the problem of automatic music genre classification in the field of Music Information Retrieval (MIR). MIR seeks to apply convenient automated solutions to many music-related tasks that are too tedious to perform by hand. These tasks often deal with vast quantities of music data. An effective automatic music genre classification approach may be useful for other tasks in MIR as well. Association analysis is a technique used to explore the inherent relationships among data objects in a problem domain. We present two novel approaches which capture genre characteristics through the use of association analysis on large music datasets. The first approach extracts the characteristic features of genres and uses these features to perform classification. The second approach attempts to improve on the first one by utilizing a pairwise dichotomy-like strategy. We then consider applying the second approach to the problem of automatic subgenre classification

    Verifying tag annotation and performing genre classification in music data via association analysis

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    Music Information Retrieval aims to automate the access to large-volume music data, including browsing, retrieval, storage, etc. The work presented in this thesis tackles two non-trivial problems in the field. First problem deals with music tags, which provide descriptive and rich information about a music piece, including its genre, artist, emotion, instrument, etc. At present, tag annotation is largely a manual process, which often results in tags that are subjective, ambiguous, and error-prone. We propose a novel approach to verify the quality of tag annotation in a music dataset through association analysis. Second, we employ association analysis to predict music genres based on features extracted directly from music. We build an association-based classifier, which finds inherent associations between music features and genres. We demonstrate the effectiveness of our approaches through a series of simulations and experiments using various benchmark music datasets

    Prolegomena To The Automated Analysis Of A Bilingual Poetry Corpus, With Particular Reference To An Annotated Edition Of “the Cantos” Of Ezra Pound

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    Standing at the intersection of a theoretical investigation into the possibilities of applying the tools and methods of automated analysis to a large plurilingual poetry corpus and of a set of observables gleaned along the creation of a digitally annotated edition of The Cantos of Ezra Pound — a robust test-case for the TEI — the present dissertation can be read under different guises. One of them, for instance, would be that of a comedy, divina commedia or com�dia de Deus, in which the computer plays — Leibnizian harmonics! — the part of supreme intellect. A: The selva oscura is that of newly born “Digital Humanities” — burgeoning yet obscured already by two dominant paradigms. On the one hand, the constructivism inherited from poststructuralist theory; on the other, a na�ve return to the most trivial kind of linguistic realism. There, the literary text is construed as an object of absolute singularity, transcending any possible analysis based on explicit methods; here, it becomes a mere point in a network of quodities. Literariness is gone. The second circle revolves around a singular, and singularly marked, exemple of antinomian discourse — the concomitant use of the notions of error and genius in respect to The Cantos — the uniqueness of the modernist project supposed to defeat all generalizing claims made by philology. Alas, facts are stubborn things; so are mistakes. These must be corrected, but on what grounds? We plead for the necessity of a genetic — a digital genetic — edition, which only can transcend the arbitrary organizational imperialism of standard sheets of paper. B. The purgatory of labor, the attempts to analyze the text without betraying its intricacies. What is a line? What is a proper name? What is a quotation? The path is steep, but the air starts to clear up. C. Ascension — Love supreme — Paradise in sight: the realm of results. Through graphs, colors appear, in the stead of black ink on white paper — beautifully, but oh so fleetingly

    “Dh’fheumadh iad àit’ a dheanamh” (They would have to make a Place): land and belonging in Gaelic Nova Scotia

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    This thesis explores the way land has been perceived, described and experienced by Scottish Gaels in Nova Scotia. It examines how attitudes towards land are maintained and perpetuated through oral traditions and how oral history, legends and place names have fostered a sense of belonging in an adopted environment. Drawing on archival research and contemporary ethnographic fieldwork in Gaelic and English, it explores how people give anonymous aspects of the natural and built environment meaning, how personal and cultural significance is attached to landscapes, and how oral traditions contribute to a sense of place. Exploring a largely unofficial tradition, my thesis includes a survey of Gaelic place names in Nova Scotia that shows how settlers and their descendants have interpreted their surroundings and instilled them with a sense of Gaelic identity. It also considers local traditions about emigration and settlement, reflecting on the messages these stories convey to modern residents and how they are used to construct an image of the past that is acceptable to the present. Given its focus on land, this work investigates the protective attitude towards property long ascribed to Highland Gaels in the province, considering local perspectives of this claim and evaluating its origins. It also examines the personal and cultural impact of social stratification based on land in the region, namely between properties located along the shore and those in the backlands. Providing a more holistic understanding of rural depopulation, my thesis challenges romantic views that frame out-migration as a symptom of cultural wanderlust, demonstrating connections to linguistic and cultural loss and making clear the continued importance land plays in the lives of those who moved away. Taken together, this material explores the complex and highly developed connection to land expressed by Gaels in Nova Scotia and provides a case study of how an immigrant group can invest a landscape with meaning over time

    Rituals of the Past

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    Through the study of archaeological, ethnographic, linguistic, and historical evidence from northern Peru to northern Chile, Bolivia, and northwest Argentina, the authors in this volume show the significance of ritual from pre-contact to present day in the Andes. These volume essays deal with theoretical and methodological concerns in anthropology and archaeology including non-human and human agency, the development and maintenance of political and religious authority, ideology, cosmologies, and social memory, and their relationships with ritual action. By providing a diachronic and widely regional perspective on ritual in the Andes, this volume shows how ritual is both persistent and dynamic and is key in understanding many aspects of the formation, reproduction, and change of life in past Andean societies

    Culture, Heritage and Territorial Identities for Urban Development

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    From the 1970s onwards, many towns and cities have experienced deindustrialization processes, while seeing a gradual growth of tertiarization and diversification of services, including cultural ones. With the different, both positive and negative, effects introduced by new cultural interpretations of cities (e.g., culture in public spaces, cultural and creative industries, culture as marketing tools, cultural commodification, etc.), the concept of culture has become increasingly associated with urban image and identity. In finding solutions within regeneration processes, policies often rely on tools from the cultural and creative fields. Additionally, built material and immaterial heritage can have significant roles: e.g., by converting heritage sites and buildings through cultural projects or new functions, or capitalizing on specific traditions and place memory for local identity and place attachment. This SI focuses on cultural approaches in connection with urban development and gather contributions from various research fields. It addresses researchers and academics from social sciences who are interested in topics such as: cultural activities and their role in urban development; cities (re)constructing their identity; culture as a relevant component of current spatial planning policies; urban strategies, attracting creative people; urban image, heritage and culture; culture, local memory and local identities; heritage and industrial culture; subcultures within cities and processes of urban change
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