750 research outputs found

    Critique of Creativity: Precarity, Subjectivity and Resistance in the ‘Creative Industries’

    Get PDF
    234 p. : il., Tablas.Libro ElectrónicoLa creatividad siempre está en movimiento: surge, se establece en el ente colectivo, palidece y desaparece a veces en el olvido; renace, vuelve con innovaciones, se reformula y resurge iniciando de nuevo el ciclo. Los viejos mitos de la creación y los creadores, los trabajos consagrados y los organismos privilegiados de los demiurgos están de nuevo en marcha, produciendo nuevos cambios. Los ensayos recogidos en este libro analizan ese resurgimiento complejo del mito de la creación y proponen una crítica contemporánea de la creatividad.Creativity is astir: reborn, re-conjured, re-branded, resurgent. The old myths of creation and creators – the hallowed labors and privileged agencies of demiurges and prime movers, of Biblical world-makers and self-fashioning artist-geniuses – are back underway, producing effects, circulating appeals. Much as the Catholic Church dresses the old creationism in the new gowns of ‘intelligent design’, the Creative Industries sound the clarion call to the Cultural Entrepreneurs. In the hype of the ‘creative class’ and the high flights of the digital bohemians, the renaissance of ‘the creatives’ is visibly enacted. The essays collected in this book analyze this complex resurgence of creation myths and formulate a contemporary critique of creativity.Contents vii Contributors ix Acknowledgements xv Introduction: On the Strange Case of ‘Creativity’ and its Troubled Resurrection 1 PART ONE: CREATIVITY 7 1 Immanent Effects: Notes on Cre-activity 9 2 The Geopolitics of Pimping 23 3 The Misfortunes of the ‘Artistic Critique’ and of Cultural Employment 41 4 ‘Creativity and Innovation’ in the Nineteenth Century: Harrison C. White and the Impressionist Revolution Reconsidered 57 PART TWO: PRECARIZATION 77 5 Virtuosos of Freedom: On the Implosion of Political Virtuosity and Productive Labour 79 6 Experiences Without Me, or, the Uncanny Grin of Precarity 91 7 Wit and Innovation 101 PART THREE: CREATIVITY INDUSTRIES 107 8 GovernCreativity, or, Creative Industries Austrian Style 109 9 The Los Angelesation of London: Three Short Waves of Young People’s Micro-Economies of Culture and Creativity in the UK 119 10 Unpredictable Outcomes / Unpredictable Outcasts: On Recent Debates over Creativity and the Creative Industries 133 11 Chanting the Creative Mantra: The Accelerating Economization of EU Cultural Policy 147 PART FOUR: CULTURE INDUSTRY 165 12 Culture Industry and the Administration of Terror 167 13 Add Value to Contents: The Valorization of Culture Today 183 14 Creative Industries as Mass Deception 191 Bibliography 20

    An investigation into the spectral music idiom and its association with visual imagery, particularly that of film and video

    Get PDF
    The exploration of timbre became increasingly significant throughout the 20th century, with some composers making it the essence of their music. This artistic development occurred in conjunction with a technological advancement that together would contribute to the birth of what is now called `spectral music\u27 . Using computers, composers have been able to discover the spectra of frequencies that exist at different strengths for various sounds. The information realised then became the spectral musician\u27 s primary ingredients for composing some extraordinary works. Despite its innovative quality, spectral music is yet to gain widespread interest amongst ensembles, orchestras and ultimately the public. The first two chapters of this thesis are dedicated to the emergence of this largely unknown compositional discipline, its principal composers and the direction spectral music has taken since its inception

    A Natural Image Pointillism with Controlled Ellipse Dots

    Get PDF
    This paper presents an image-based artistic rendering algorithm for the automatic Pointillism style. At first, ellipse dot locations are randomly generated based on a source image; then dot orientations are precalculated with help of a direction map; a saliency map of the source image decides long and short radius of the ellipse dot. At last, the rendering runs layer-by-layer from large size dots to small size dots so as to reserve the detailed parts of the image. Although only ellipse dot shape is adopted, the final Pointillism style performs well because of variable characteristics of the dot

    MoNGeometrija 2016

    Get PDF

    Digital transformation and art: a market evolution analysis.

    Get PDF
    Digitalization and digital technologies are a growing and developing trend, able to invest all markets, included the art sector. The convergence of art and digital transformation is leading and will lead in the future to change the rules of this market and the players operating in it will have to innovate to keep in line with their competitors and meet the needs of a new, broad and multiform audience. The primary objective of this thesis is to represent and analyze the evolution over the years of the art market, focusing on the influence that the process of technological innovation, an increasingly important and indispensable factor for this traditional sector, has had. In order to do this, the structure is organized according to four chapters, starting with the two main themes, the digital transformation and the art market, and then representing the combination of these two worlds, both from a theoretical and empirical point of view.Digitalization and digital technologies are a growing and developing trend, able to invest all markets, included the art sector. The convergence of art and digital transformation is leading and will lead in the future to change the rules of this market and the players operating in it will have to innovate to keep in line with their competitors and meet the needs of a new, broad and multiform audience. The primary objective of this thesis is to represent and analyze the evolution over the years of the art market, focusing on the influence that the process of technological innovation, an increasingly important and indispensable factor for this traditional sector, has had. In order to do this, the structure is organized according to four chapters, starting with the two main themes, the digital transformation and the art market, and then representing the combination of these two worlds, both from a theoretical and empirical point of view

    POSTMODERN TRENDS IN SET DESIGNS OF SELECTED PRODUCTIONS IN ULTIMA STUDIOS AND ZMIRAGE, LAGOS

    Get PDF
    The need for technical input, particularly set design in the overall theatrical process cannot be overemphasised in the pursuit of an aesthetically pleasing stage performance. This is because set design (flats and platforms) is the first place of contact irrespective of the medium of production. This work, therefore, examines postmodern trends in set designs within the backdrop of emerging set design concepts and interpretations via the use of sophisticated technology (such as light emitting diode screen, green-hippo software, 3D digital model among others), in our contemporary society, using selected productions in Ultima Studios and Zmirage, Lagos. The study employs the descriptive and participantobservation methods while the interview instrument complements the two methods. The two methods enable us to study the trends, dimensions and techniques of set designs in Ultima Studios and Zmirage, Lagos. This study also relies on relevant journals, articles, textbooks and appropriate internet materials. More so, Sunnie Enessi Ododo’s (2002) Representational and Presentational Performance Styles, is adopted as our theoretical framework. Our findings show that set design for the stage or screen production goes beyond physical set design method to include the virtual set design. Postmodern trends in set design such as media mapping projection set design are also recognised. We also discover that, set design is a make-believe world that requires expertise, experience and professionalism in the process of its artistic utilisation within the postmodern age. The work concludes that, technical experts in the theatre should advance with the new trends of set design for both stage and screen production by studying and learning various trends and dimensions of postmodern set design. The study recommends that postmodern set design should not be downplayed in any production either screen or stage in the Nigerian theatre

    A cat directory of art movements: As visualised by AI

    Get PDF
    This directory explore the use of AI text to image generators by prompting these systems to generate images in the style of specific art movements. This book is an exploratory work in prompt engineering as well as a practical guide to art movements

    Aesthetics of Experiment: Imagism, Vorticism and the European Avant-Garde

    Get PDF
    This dissertation is a critical re-assessment of Imagism and Vorticism in relation to the European avant-garde, which both movements aspired towards in their reactions against the contemporary English arts and letters. I explore the implementation of such aspirations in the English arts by chronicling the complex relationship between the English movements and Cubism, the Parisian avant-garde, Italian Futurism and German Expressionism. The thesis argues that Imagism and Vorticism simultaneously modelled themselves on and reacted against their Continental counterparts, in terms of aesthetic concepts, artistic techniques and promotional tactics in creating a modern art. As movements with contributors of different nationalities and working in different artistic media, including poetry, painting and sculpture, there necessarily exists many aesthetic varieties within Imagism and Vorticism apart from foundational consensus shared by group members. In order to address the complexity of the groups’ make-up and the interdisciplinarity of their avant-garde aesthetics, the enquiry is made through a two-fold approach: firstly, by conducting contextual and comparative studies of significant individuals of the movements, including T. E. Hulme, Wyndham Lewis and Ezra Pound, to gauge their individual perspectives on literature, visual arts and aesthetic theories; secondly, by considering the heterogeneous nature of these movements and exploring the group dynamics, tensions and rivalries within the movements and with other contemporary groups. With this dual focus, my thesis reconstructs the cultural milieu through the artists’ works and correspondence, as well as the circulation network of little magazines, publicity and patronage, in order to reconcile the aesthetic and social contexts of Imagism and Vorticism, both in England and beyond. Ultimately, my thesis provides a more comprehensive analysis of the evolution of the English movements’ aesthetics, their relationship with the European avant-garde, and their impact on artistic and literary experimentation in modernist English literature and visual arts
    • 

    corecore