Flabase: towards the creation of a flamenco music knowledge base

Online information about flamenco music is scattered overdifferent sites and knowledge bases. Unfortunately, thereis no common repository that indexes all these data. Inthis work, information related to flamenco music is gath-ered from general knowledge bases (e.g., Wikipedia, DB-pedia), music encyclopedias (e.g., MusicBrainz), and spe-cialized flamenco websites, and is then integrated into anew knowledge base called FlaBase. As resources fromdifferent data sources do not share common identifiers, aprocess of pair-wise entity resolution has been performed.FlaBase contains information about 1,174 artists, 76pa-los(flamenco genres), 2,913 albums, 14,078 tracks, and771 Andalusian locations. It is freely available in RDF andJSON formats. In addition, a method for entity recognitionand disambiguation for FlaBase has been created. The sys-tem can recognize and disambiguate FlaBase entity refer-ences in Spanish texts with an f-measure value of 0.77. Weapplied it to biographical texts present in Flabase. By usingthe extracted information, the knowledge base is populatedwith relevant information and a semantic graph is createdconnecting the entities of FlaBase. Artists relevance is thencomputed over the graph and evaluated according to a fla-menco expert criteria. Accuracy of results shows a highdegree of quality and completeness of the knowledge base

Sequential Complexity as a Descriptor for Musical Similarity

We propose string compressibility as a descriptor of temporal structure in audio, for the purpose of determining musical similarity. Our descriptors are based on computing track-wise compression rates of quantised audio features, using multiple temporal resolutions and quantisation granularities. To verify that our descriptors capture musically relevant information, we incorporate our descriptors into similarity rating prediction and song year prediction tasks. We base our evaluation on a dataset of 15500 track excerpts of Western popular music, for which we obtain 7800 web-sourced pairwise similarity ratings. To assess the agreement among similarity ratings, we perform an evaluation under controlled conditions, obtaining a rank correlation of 0.33 between intersected sets of ratings. Combined with bag-of-features descriptors, we obtain performance gains of 31.1% and 10.9% for similarity rating prediction and song year prediction. For both tasks, analysis of selected descriptors reveals that representing features at multiple time scales benefits prediction accuracy.Comment: 13 pages, 9 figures, 8 tables. Accepted versio

On the Modeling of Musical Solos as Complex Networks

Notes in a musical piece are building blocks employed in non-random ways to create melodies. It is the "interaction" among a limited amount of notes that allows constructing the variety of musical compositions that have been written in centuries and within different cultures. Networks are a modeling tool that is commonly employed to represent a set of entities interacting in some way. Thus, notes composing a melody can be seen as nodes of a network that are connected whenever these are played in sequence. The outcome of such a process results in a directed graph. By using complex network theory, some main metrics of musical graphs can be measured, which characterize the related musical pieces. In this paper, we define a framework to represent melodies as networks. Then, we provide an analysis on a set of guitar solos performed by main musicians. Results of this study indicate that the presented model can have an impact on audio and multimedia applications such as music classification, identification, e-learning, automatic music generation, multimedia entertainment.Comment: to appear in Information Science, Elsevier. Please cite the paper including such information. arXiv admin note: text overlap with arXiv:1603.0497

Knowledge Organization Systems (KOS) in the Semantic Web: A Multi-Dimensional Review

Since the Simple Knowledge Organization System (SKOS) specification and its SKOS eXtension for Labels (SKOS-XL) became formal W3C recommendations in 2009 a significant number of conventional knowledge organization systems (KOS) (including thesauri, classification schemes, name authorities, and lists of codes and terms, produced before the arrival of the ontology-wave) have made their journeys to join the Semantic Web mainstream. This paper uses "LOD KOS" as an umbrella term to refer to all of the value vocabularies and lightweight ontologies within the Semantic Web framework. The paper provides an overview of what the LOD KOS movement has brought to various communities and users. These are not limited to the colonies of the value vocabulary constructors and providers, nor the catalogers and indexers who have a long history of applying the vocabularies to their products. The LOD dataset producers and LOD service providers, the information architects and interface designers, and researchers in sciences and humanities, are also direct beneficiaries of LOD KOS. The paper examines a set of the collected cases (experimental or in real applications) and aims to find the usages of LOD KOS in order to share the practices and ideas among communities and users. Through the viewpoints of a number of different user groups, the functions of LOD KOS are examined from multiple dimensions. This paper focuses on the LOD dataset producers, vocabulary producers, and researchers (as end-users of KOS).Comment: 31 pages, 12 figures, accepted paper in International Journal on Digital Librarie