Towards a more effective detective

The characteristics that detectives believe are required to be an 'effective detective' were explored in this study. A Repertory Grid Technique and Critical Incident Technique were used to explore in detail the views of experienced detectives (N = 30) from five different police services in Australia and New Zealand about what makes an effective detective. The findings suggest that detectives hold a complex and challenging role that requires 11 key skills. By far, the most important factor was communication skills, particularly how to communicate effectively with a variety of people varying from victims and suspects to colleagues and scientific experts. High levels of motivation and thoroughness closely followed communication as essential skills. The implications of these findings for the recruitment, training and management of detectives are discussed.Arts, Education & Law Group, School of Criminology and Criminal JusticeFull Tex

Soft reboot : the making of Hard Reset

textDirector, Writer and MFA Candidate Deepak Chetty will discuss his history as a filmmaker from an early age up until present day as well as the entire process of conceptualizing, creating, producing and finishing Hard Reset. Hard Reset, a science fiction thriller is the first short film out of UT3D and the first graduate thesis film shot natively in stereoscopic 3D in North America.Radio-Television-Fil

Comprehension and the silent reader

Dr Elspeth Jajdelska's work on the rise of silent reading in the 18th century has shown that writers who assume a silent reader, as almost all writers do in the present day, construct their texts differently from those who write for readers to speak the text aloud to themselves or an audience, as almost all writers did before the 18th century.Elspeth Jajdelska's work explains in detail exactly which kinds of textual features are likely to be difficult for people (both now and in the past) who have learned the mechanics of reading but find it hard to follow texts written for silent readers. These findings arose in an academic field unconnected to educational studies and this knowledge exchange project was established to explore how the research can be made useful to teachers. The project was funded by the Arts and Humanities Research Council

'“A strange enough region wherein to wander and muse": Mapping Clerkenwell in Victorian Popular Fictions'

Drawing on the work of Bertrand Westphal, this essay attempts to perform a geocritical reading of the London district of Clerkenwell. After discussing the spatial turn in the Humanities and introducing a range of spatial critical approaches, the essay “maps” literary Clerkenwell from the perspectives of genre hybridity and intertextuality, spatially articulate cartography, multifocal and historically aware public perception and potentially transgressive connection to outside areas. Clerkenwell is seen to have stimulated a range of genre fiction, including Newgate, realist, penny and slum fiction, and social exploration journalism. In much of this writing, the district was defined by its negative associations with crime, poverty, incarceration and slaughter. Such negative imageability, the essay suggests, was self-perpetuating, since authors would be influenced by their reading to create literary worlds repeating existing tropes; these literary representations, in turn, influenced readers’ perceptions of the area.Intertextual, multi-layered and polysensorial geocritical readings,the essay concludes, can producepowerful andnuanced pictures of literary placesbut also face a formidable challenge in defining an adequate geocentric corpus

Republican Monsters: The Cultural Construction of American Positivist Criminology, 1767-1920

This dissertation examines the history of and cultural influences on positivist criminology in the United States. From Benjamin Rush to the present day, the U.S. has produced an extensive corpus of empirical and theoretical studies that seeks to discern an objective, scientifically-grounded basis for criminal behavior. American positivist criminology has drawn on numerous subfields and theories, including rational choice / economic theory, biology, and psychology, but in all cases, maintains that a purely scientific explanation of offending is possible. This study proceeds from the perspective that divisions between scientific and non-scientific thought are untenable. Drawing on scholarship in literary criticism and sociology, I argue that positivist criminology confronts an inherent contradiction in purporting to develop a purely scientific account of phenomena that are defined by the moral and cultural sentiments of a society. I thus hypothesize that positivist criminology is in fact reliant on the irrational and fictive cultural tropes and images of crime that it claims to exorcize. The dissertation proceeds by reviewing the literature on the history of criminology, developing a set of functional types or tropes for character analysis, and then examining four separate periods in the development of scientific criminology: eighteenth century studies of rational action, nineteenth century studies of defective reasoning, early twentieth century studies of race and crime, and the development of scientifically informed criminalistics programs. Each of these cases captures a different period and focus in the development of scientific criminology. In threading continuity between these cases, I show how criminological positivism is consistently reliant on culturally informed tropes and characters to render itself sensible and coherent