Screened history: nostalgia as defensive formation

This article reconsiders the much-lauded transformative potential of nostalgia and proposes that an adequately psychological engagement with nostalgia is necessary if the critical capacities of this phenomenon are to be adequately assessed. To do this, the article identifies parallels between the concept of nostalgia and a series of psychoanalytic concepts (the imaginary, fetishism, fantasy, affect, screen-memories, and retroaction). Such a comparative analysis allows both for a critique of sociological notions of nostalgia and a series of speculations on how nostalgia as a defensive formation may aid rather than overcome types of structured forgetting. The use of psychoanalytic concepts enables us to grasp how nostalgia may operate: 1) in the economy of the ego, 2) in the mode of the fetish, 3) in the service of fantasy, 4) as an affect concealing anxiety, 5) as screen-memory, and 6) as means of reifying the past or present rather than attending to relations of causation obtaining between past, present, and future. One should thus investigate each of these possible defensive functions within any given instance of nostalgia before proclaiming its transformative potential

Landscapes and Sublime Memories: Revisiting Liang Xiaosheng's "A Land of Wonder and Mystery"

This essay suggests memory studies, ecocriticism, and trauma studies as new avenues for the study of rusticated youth narratives. Towards reaching this goal, I first introduce a meditation on memory by Paul Ricoeur (1913-2005), especially his sketch of memory and imagination with classical Greek philosophy. His ideas on affective and practical memories are then telescoped into individual and communal memories. Onze Fleurs (Wo shiyi, 2011), directed by Wang Xiaoshuai (1966- ), and The River without Buoys (Meiyou hangbiao de heliu, 1984), directed by Wu Tianming (1939-2014) provide illustrative examples of each. Building upon these notions of personal memory I turn to the popular memory of rustication, especially that of the natural environment in Liang Xiaosheng's "A Land of Wonder and Mystery" ("Zhe shi yipian shenqi de tudi," 1985). More specifically I examine the evocation of the ghost marsh, narratives of departure, the family left in the city, and the menace of nature in Liang's short story to force not only a reconsideration of rustication, but also of nature in contemporary China. Moreover, in addition to noting the questioning of the sanitization of rusticated memories as a means of conforming to dominant state ideological discourses, I introduce a comparison of the story of doomed rusticated youth to the doomed youth in Sean Penn's Into the Wild, in order to force a comparison of youth and the environment often overlooked in rusticated youth studies. Finally, this essay concludes by suggesting that by more carefully considering the interplay between memory and place more nuanced and perhaps more ecologically and critically engaged assessments of rusticated youth fiction become possible

The Power of the Past How Nostalgia Shapes European Public Opinion. eupinions #2018/2

The Eurozone crisis has pushed reform of the European Union (EU) to the forefront of political debate. How can a Union of 28 states with a population of over half a billion be reformed to weather future economic crises and political challenges? Finding an answer to this question is extremely difficult not only because current reform proposals are so varied, but even more so because we lack insights into the preferences for reform amongst national elites and publics. Although EU support has interested scholars for over three decades now, we virtually know nothing about public support for EU reform. Current research focuses almost exclusively on the causes of support for the current project and fails to provide a sufficient basis for effective reform decisions. Surely, the feasibility and sustainability of EU reform crucially hinges on the support amongst national publics. eupinions examines public support for EU reform by developing a theoretical model and employing cutting-edge data collection techniques. Our findings will aid policy makers to craft EU reform proposals that can secure widespread public support

Eco-nostalgia in Popular Turkish Cinema

Book Summary: Ecomedia: Key Issues is a comprehensive textbook introducing the burgeoning field of ecomedia studies to provide an overview of the interface between environmental issues and the media globally. Linking the world of media production, distribution, and consumption to environmental understandings, the book addresses ecological meanings encoded in media texts, the environmental impacts of media production, and the relationships between media and cultural perceptions of the environment. [From the publisher

Thresholds of memory: Birch and Hawthorn in the poetry of Robert Burns

Robert Burns’s status as a poet sufficiently close to rural poverty to be able to represent himself as its product, and sufficiently distant from it to be able to manipulate that product, is increasingly being realized. In this essay, Burns’s use of the country lore associated with the birch and hawthorn trees in Scotland and indeed in Europe more generally, is analyzed in terms of its deceptively simple representation of emotion, and the manner in which it acts as a point of access for Burns’s view of the tragic status of being human, caught between the cyclical natural world and our own narratives of being, which demand a linear time ending in a “forever” which on earth can only become loss

Beauty and Loss: Tolkien\u27s Eucatastrophe as a Mandate for the Church

In his writings, Tolkien affirms the presence of loss and longing, beauty and despair and analyzes the function they serve in both the secondary world of Middle-earth and the primary world. This thesis will explore his theories of the eucatastrophe and the dyscatastrophe, and his insistence that the joy and hope which are expressed by the eucatastrophe are dependent upon the dyscatastrophe—the presence of sorrow and despair. This thesis will also examine how Christians’ knowledge of Tolkien’s philosophy can better equip them to cope with the brokenness of a fallen world as well as provide motivation for developing and engaging a secular culture

Remembering Nostalgia : Trends of Nostalgia within contemporary animated films

The use of 2D animations visual designs within contemporary 3D animated films has become a vastly more popular and far-reaching trend, with big animation companies like Pixar and Disney, releasing several films since 1995 that reveal a re-emergence of 2D nostalgia in main-stream animation. I believe this is a result of a desire in audiences for a more nostalgic aesthetics, in the form of 2D aesthetics in the character designs and overall style choices within contemporary 3D animated films. I will endeavour to explore this trend within this research report by discussing two films from director Brad Bird, The Iron Giant (1999) and The Incredibles (2004), that I feel explore this contemporary trend of nostalgia specifically within the animation industry, stressing the importance of the visual signifiers that I believe incorporate this current trend of nostalgia. This paper does not, however, look at nostalgia as a broad based cultural phenomenon, but rather looks at the aesthetics of nostalgia specifically in terms of my two case studies and feature film animation. To do this, this paper will look to define nostalgia in terms of animation, exploring the sentimental nostalgia that I believe is evident in my two case studies, after which it will look at the history of 2D and 3D animation, and how the developments within these two mediums made the aesthetic of my case studies possible. The majority of this paper will be dedicated to discussing my chosen case studies in terms of the visual indicators of nostalgia that can be found within them. Throughout this paper, I will attempt to show that the aesthetic of these two films is a direct result of the nostalgia that contemporary audiences and animation studios have for a specific style of animation and the lifestyle associated with it, from a time that embodies this: 1950s and 60s America.GR201

Naïve and sentimental character: Schiller’s poetic phenomenology

[Excerpt] "Poets are, by definition, “the preservers of nature,” but when they can no longer completely be so, they serve as its witnesses” and “avengers.” In the former case, they are natural; in the latter, they seek the lost nature. In the former case, they imitate what is actual; in the latter, they portray something ideal. Every poet is accordingly “either naïve or sentimental.” Even in the present day, Schiller insists, “nature is the only flame that nourishes the poetic spirit,” a spirit that gathers all its power from nature and speaks to it alone even in the case of “artificial” human beings, caught in the grip of culture (NSD, 196/432, 200f/436f). In this way Schiller distinguishes between two basic kinds of poetry and poetic genius grounded in different relationships to nature. Indeed, the development in Schiller’s thinking from the Letters on the Aesthetic Education of Man to On Naïve and Sentimental Poetry is marked by the way that nature replaces reason as the center of gravity. Each form of poetry possesses a distinctive and constitutive moral dimension that is sustained by their respective relationships to nature."Accepted manuscrip

Absurdity and Metaphysical Rebellion in the Philosophies of Albert Camus and Omar Khayyam

The first time Omar Khayyam’s Rubaiyiat were brought to the Western world, it was through a translation from their original Persian to English by Edward Fitzgerald in 1859. Over the next century, Khayyam’s verses saw extraordinary popular success among intellectuals both in England and beyond. This paper, however, explores what these verses meant to Persians in Omar Khayyam’s context, long before the quatrains reached the West. Although whether the meaning of his poetry is esoteric or hedonistic in nature is debated, his quatrains express an existential longing and grieving that can be compared to parallel feelings described by Albert Camus in The Myth of Sisyphus and The Rebel. In this project, I explore the similarities in the notion of the absurd as defined by Albert Camus with the expressions of absurd experience in The Ruba\u27iyat of Omar Khayyam. Through this exploration of the absurdist experience across cultures and centuries, I propose Omar Khayyam\u27s Ruba\u27iyat as an example that the spirit of metaphysical rebellion can exist in a non-Western context, and that it existed nearly a millennium before Albert Camus developed it as an idea in the 20th century