Coherent Semantic Attention for Image Inpainting

The latest deep learning-based approaches have shown promising results for the challenging task of inpainting missing regions of an image. However, the existing methods often generate contents with blurry textures and distorted structures due to the discontinuity of the local pixels. From a semantic-level perspective, the local pixel discontinuity is mainly because these methods ignore the semantic relevance and feature continuity of hole regions. To handle this problem, we investigate the human behavior in repairing pictures and propose a fined deep generative model-based approach with a novel coherent semantic attention (CSA) layer, which can not only preserve contextual structure but also make more effective predictions of missing parts by modeling the semantic relevance between the holes features. The task is divided into rough, refinement as two steps and model each step with a neural network under the U-Net architecture, where the CSA layer is embedded into the encoder of refinement step. To stabilize the network training process and promote the CSA layer to learn more effective parameters, we propose a consistency loss to enforce the both the CSA layer and the corresponding layer of the CSA in decoder to be close to the VGG feature layer of a ground truth image simultaneously. The experiments on CelebA, Places2, and Paris StreetView datasets have validated the effectiveness of our proposed methods in image inpainting tasks and can obtain images with a higher quality as compared with the existing state-of-the-art approaches

Image Inpainting via Generative Multi-column Convolutional Neural Networks

In this paper, we propose a generative multi-column network for image inpainting. This network synthesizes different image components in a parallel manner within one stage. To better characterize global structures, we design a confidence-driven reconstruction loss while an implicit diversified MRF regularization is adopted to enhance local details. The multi-column network combined with the reconstruction and MRF loss propagates local and global information derived from context to the target inpainting regions. Extensive experiments on challenging street view, face, natural objects and scenes manifest that our method produces visual compelling results even without previously common post-processing.Comment: Accepted in NIPS 201

Free-Form Image Inpainting with Gated Convolution

We present a generative image inpainting system to complete images with free-form mask and guidance. The system is based on gated convolutions learned from millions of images without additional labelling efforts. The proposed gated convolution solves the issue of vanilla convolution that treats all input pixels as valid ones, generalizes partial convolution by providing a learnable dynamic feature selection mechanism for each channel at each spatial location across all layers. Moreover, as free-form masks may appear anywhere in images with any shape, global and local GANs designed for a single rectangular mask are not applicable. Thus, we also present a patch-based GAN loss, named SN-PatchGAN, by applying spectral-normalized discriminator on dense image patches. SN-PatchGAN is simple in formulation, fast and stable in training. Results on automatic image inpainting and user-guided extension demonstrate that our system generates higher-quality and more flexible results than previous methods. Our system helps user quickly remove distracting objects, modify image layouts, clear watermarks and edit faces. Code, demo and models are available at: https://github.com/JiahuiYu/generative_inpaintingComment: Accepted in ICCV 2019 Oral; open sourced; interactive demo available: http://jiahuiyu.com/deepfill

VORNet: Spatio-temporally Consistent Video Inpainting for Object Removal

Video object removal is a challenging task in video processing that often requires massive human efforts. Given the mask of the foreground object in each frame, the goal is to complete (inpaint) the object region and generate a video without the target object. While recently deep learning based methods have achieved great success on the image inpainting task, they often lead to inconsistent results between frames when applied to videos. In this work, we propose a novel learning-based Video Object Removal Network (VORNet) to solve the video object removal task in a spatio-temporally consistent manner, by combining the optical flow warping and image-based inpainting model. Experiments are done on our Synthesized Video Object Removal (SVOR) dataset based on the YouTube-VOS video segmentation dataset, and both the objective and subjective evaluation demonstrate that our VORNet generates more spatially and temporally consistent videos compared with existing methods.Comment: Accepted to CVPRW 201

Align-and-Attend Network for Globally and Locally Coherent Video Inpainting

We propose a novel feed-forward network for video inpainting. We use a set of sampled video frames as the reference to take visible contents to fill the hole of a target frame. Our video inpainting network consists of two stages. The first stage is an alignment module that uses computed homographies between the reference frames and the target frame. The visible patches are then aggregated based on the frame similarity to fill in the target holes roughly. The second stage is a non-local attention module that matches the generated patches with known reference patches (in space and time) to refine the previous global alignment stage. Both stages consist of large spatial-temporal window size for the reference and thus enable modeling long-range correlations between distant information and the hole regions. Therefore, even challenging scenes with large or slowly moving holes can be handled, which have been hardly modeled by existing flow-based approach. Our network is also designed with a recurrent propagation stream to encourage temporal consistency in video results. Experiments on video object removal demonstrate that our method inpaints the holes with globally and locally coherent contents

Nostalgin: Extracting 3D City Models from Historical Image Data

What did it feel like to walk through a city from the past? In this work, we describe Nostalgin (Nostalgia Engine), a method that can faithfully reconstruct cities from historical images. Unlike existing work in city reconstruction, we focus on the task of reconstructing 3D cities from historical images. Working with historical image data is substantially more difficult, as there are significantly fewer buildings available and the details of the camera parameters which captured the images are unknown. Nostalgin can generate a city model even if there is only a single image per facade, regardless of viewpoint or occlusions. To achieve this, our novel architecture combines image segmentation, rectification, and inpainting. We motivate our design decisions with experimental analysis of individual components of our pipeline, and show that we can improve on baselines in both speed and visual realism. We demonstrate the efficacy of our pipeline by recreating two 1940s Manhattan city blocks. We aim to deploy Nostalgin as an open source platform where users can generate immersive historical experiences from their own photos

Semantic Image Inpainting Through Improved Wasserstein Generative Adversarial Networks

Image inpainting is the task of filling-in missing regions of a damaged or incomplete image. In this work we tackle this problem not only by using the available visual data but also by incorporating image semantics through the use of generative models. Our contribution is twofold: First, we learn a data latent space by training an improved version of the Wasserstein generative adversarial network, for which we incorporate a new generator and discriminator architecture. Second, the learned semantic information is combined with a new optimization loss for inpainting whose minimization infers the missing content conditioned by the available data. It takes into account powerful contextual and perceptual content inherent in the image itself. The benefits include the ability to recover large regions by accumulating semantic information even it is not fully present in the damaged image. Experiments show that the presented method obtains qualitative and quantitative top-tier results in different experimental situations and also achieves accurate photo-realism comparable to state-of-the-art works.Comment: Accepted as Oral Presentation in VISAPP 201

Shift-Net: Image Inpainting via Deep Feature Rearrangement

Deep convolutional networks (CNNs) have exhibited their potential in image inpainting for producing plausible results. However, in most existing methods, e.g., context encoder, the missing parts are predicted by propagating the surrounding convolutional features through a fully connected layer, which intends to produce semantically plausible but blurry result. In this paper, we introduce a special shift-connection layer to the U-Net architecture, namely Shift-Net, for filling in missing regions of any shape with sharp structures and fine-detailed textures. To this end, the encoder feature of the known region is shifted to serve as an estimation of the missing parts. A guidance loss is introduced on decoder feature to minimize the distance between the decoder feature after fully connected layer and the ground-truth encoder feature of the missing parts. With such constraint, the decoder feature in missing region can be used to guide the shift of encoder feature in known region. An end-to-end learning algorithm is further developed to train the Shift-Net. Experiments on the Paris StreetView and Places datasets demonstrate the efficiency and effectiveness of our Shift-Net in producing sharper, fine-detailed, and visually plausible results. The codes and pre-trained models are available at https://github.com/Zhaoyi-Yan/Shift-Net.Comment: 25 pages, 17 figures, 1 table, main paper + supplementary materia

Computer Vision Accelerators for Mobile Systems based on OpenCL GPGPU Co-Processing

In this paper, we present an OpenCL-based heterogeneous implementation of a computer vision algorithm -- image inpainting-based object removal algorithm -- on mobile devices. To take advantage of the computation power of the mobile processor, the algorithm workflow is partitioned between the CPU and the GPU based on the profiling results on mobile devices, so that the computationally-intensive kernels are accelerated by the mobile GPGPU (general-purpose computing using graphics processing units). By exploring the implementation trade-offs and utilizing the proposed optimization strategies at different levels including algorithm optimization, parallelism optimization, and memory access optimization, we significantly speed up the algorithm with the CPU-GPU heterogeneous implementation, while preserving the quality of the output images. Experimental results show that heterogeneous computing based on GPGPU co-processing can significantly speed up the computer vision algorithms and makes them practical on real-world mobile devices.Comment: 15 pages, 15 figures. Submitted and accepted for publication in Journal of Signal Processing Systems, 201

Foreground-aware Image Inpainting

Existing image inpainting methods typically fill holes by borrowing information from surrounding pixels. They often produce unsatisfactory results when the holes overlap with or touch foreground objects due to lack of information about the actual extent of foreground and background regions within the holes. These scenarios, however, are very important in practice, especially for applications such as the removal of distracting objects. To address the problem, we propose a foreground-aware image inpainting system that explicitly disentangles structure inference and content completion. Specifically, our model learns to predict the foreground contour first, and then inpaints the missing region using the predicted contour as guidance. We show that by such disentanglement, the contour completion model predicts reasonable contours of objects, and further substantially improves the performance of image inpainting. Experiments show that our method significantly outperforms existing methods and achieves superior inpainting results on challenging cases with complex compositions.Comment: Camera Ready version of CVPR 2019 with supplementary material