18,007 research outputs found

    ScÚne et hors-scÚne : la tragédie grecque entre théùtre et cinéma

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    On tente ici un essai de dramaturgie comparĂ©e : de la tragĂ©die grecque en tant que texte Ă  sa mise en scĂšne, fondĂ©e sur une opposition entre espace visible et espace hors scĂšne. Ce hors-scĂšne du passĂ© ou des actions lointaines est parfois mĂ©diĂ© par l’intrusion de l’image vidĂ©ographique. Que devient la tragĂ©die, lorsque la possibilitĂ© d’une narration double, articulant la scĂšne et le hors-scĂšne, devient l’enjeu d’une proposition cinĂ©matographique ? C’est ce que tente d’expliquer Philippe Brunet Ă  travers ses propres mises en scĂšne thĂ©Ăątrales d’Antigone abyssinienne (2010), d’ƒdipe roi (2014), et expĂ©riences de cinĂ©ma, dont le Double destin du roi ƒdipe, en voie d’achĂšvement en 2020.Here will P. Brunet explain how ancient greek tragedy oppose stage and off-stage. Contemporary way of staging ancient tragedy uses sometimes screens on stage in order to open the stage to the off-stage. Can we try to put into a cinematographic narration the staged scenes and the off-stage pictures of past or remote actions? This is the purpose of P. Brunet, commenting his staging of Antigone abyssinienne (2010), Oedipe roi (2014) and his movie The double destiny of king Oedipus, almost finished in 2020

    Perspective and Perception: Terrorism Then and Now in Conrad, Chesterton, Hamid and Shamsie.

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    The aim of this thesis is to develop a perspectival and perceptional approach to terrorism through its literary representations. The understanding of terrorism is characterised by a unidirectional perspective that prevents inclusive and varied interpretation of the intricacies of terrorism. In the aim of achieving the intention of this study, four primary texts have been selected: The Secret Agent: Simple Tale (1907), The Man Who Was Thursday: A Nightmare (1908), The Reluctant Fundamentalist (2007) and Home Fire (2017). The textual analysis of the novels is based on different aspects of perspective and perception that include pictorial metaphors structured around disguise, deceit and the changing insights that these suggest, as a way of mirroring the existing multidimensional aspect of terrorism. Sound as in narrative points of view, being an element that contributes to the formation of perception, is another analytical apparatus that serves to uncover the multifaceted character of terrorism. The primary texts, although not covering the period of colonial and postcolonial period, pave the way for the wider purpose of this study. They cover both representations of anarchist and contemporary violence. They are geographically diverse, which permits the exploration of the influence of geopolitics on the perception of terrorism. Moreover, the research analyses the representation of the terrorist from different contexts in the aim of revealing the different perceptions that can be associated with the choice of terrorism. This research aims at exploring the literary representation of all voices existing within terrorism but are absent from the mainstream terrorism discourse and perspective. It creates a literary grey space outside the unidirectional formulation of terrorism, that paints the images, the sounds and silence within terrorism to mimic the kaleidoscope effect of perspectives and perceptions through Conrad, Chesterton, Hamid and Shamsie

    Infrapolitika na kraju est-etike: o najnovijem delu Alberto Moreirasa

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    In this paper I will offer a reading of Alberto Moreiras’ recently published books, but within the context of his life’s work as a whole: which I will consider from the point of view of a questioning of the idea of the time/ history difference. After briefly tracing that overarching concern in his early work, I move to a consideration of a move away from Hegelianism in the more recent publications. This non-Hegelianism is not simply an anti-Hegelian stance. Understanding the difference will take us into the true dimension of infrapolitics. This aspect of Moreiras’ contribution to contemporary debates will be illustrated by way of his paradoxical and unrecognizable Antigone.U ovom radu ću ponuditi čitanje nedavno objavljenih knjiga Alberta Moreirasa, ali u kontekstu njegovog ĆŸivotnog dela u celini. Razmatraću njegovo delo sa stanoviĆĄta preispitivanja ideje razlike između vremena i istorije. Nakon kratkog osvrta na tu sveobuhvatnu tematiku njegovog ranog dela, preći ću na razmatranje udaljavanja od hegelijanstva u njegovim novijim publikacijama. Ovaj nehegelijanski stav nije samo antihegelijanski stav. Razumevanje ove razlike odveĆĄć e nas u pravu dimenziju infrapolitike. Ovaj aspekt Moreirasovog doprinosa savremenim raspravama bić e ilustrovan njegovom paradoksalnom i neprepoznatljivom Antigonom

    Ratio und similitudo: die vernunftkonforme Argumentation im Dialogus des Petrus Alfonsi

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    Anders als in religionspolemischen Werken frĂŒherer Autoren, die auf die exegetische Diskussion zentriert sind, argumentiert Petrus Alfonsi in seinem Dialogus (um 1110 verfasst) gleichermaßen auf der Grundlage von auctoritas (der Bibel) und von ratio. In diesem Beitrag wird diskutiert, wie Petrus Alfonsi die vernunftbasierte Argumentation begrifflich fasst und umsetzt. An einer Stelle prĂ€zisiert Petrus Alfonsi drei Quellen der rationalen Erkenntnis. Die Aussage wird anhand einer genauen LektĂŒre und durch die Heranziehung der Quelle, das Werk des jĂŒdischen Philosophen Saadia Gaon, Emunoth we-Deoth, interpretiert. Petrus Alfonsi unterscheidet darin die spontane Erkenntnis durch die Sinne, die deduktive Argumentation auf der Grundlage von allgemein anerkannten PrĂ€missen (necessariae rationes) und die similitudo, die sich als die evidenzbasierte Argumentation verstehen lĂ€sst. Im Dialogus argumentiert Petrus Alfonsi nur selten auf der Grundlage von PrĂ€missen, immer wieder findet sich eine Argumentation, die auf beobachtbaren PhĂ€nomenen basiert. HĂ€ufig legt Petrus Erkenntnisse der Naturphilosophie dar, die er durch Naturbespiele erlĂ€utert. FĂŒr dieses Verfahren setzt er auch den Begriff similitudo ein

    Freedom and Neighbourhood: Reflecting on the Example of Fred Dewey

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    Content Private and Public Memories of Fred DeweyRafael KasperGeneral Public - A Fable of SanctuaryFred DeweyGeneral Public – Eine Fabel von einem (un-)geschĂŒtzen OrtFred DeweyFred und wirWolfgang HeuerFred and usWolfgang HeuerMemoriesSue SpaidErinnerungenSue SpaidMemoriesJF PaquayMemoriesRenĂ©e PetropoulosThe Twelve Mortal MenPilar Petropoulos-WhiteHannah Arendt on Being Human and Political PowerJerome Kohn‘Touch With Your Hands His Things’Fergal GaynorIn memoriam Fred DeweyHelgard Mahrd

    PSYKODRAMA - Tanker omkring en bogudgivelse:

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    En anmeldelse af PSYKODRAMA - Om Ă„ spille hovedrollen i sitt eget livAf Eva RĂžineArtemis forlag, Oslo 1992.En anmeldelse af PSYKODRAMA - Om Ă„ spille hovedrollen i sitt eget livAf Eva RĂžineArtemis forlag, Oslo 1992

    La difficile sagesse du politique chez Emmanuel Levinas

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    L’éthique lĂ©vinassienne peut-elle s’articuler Ă  la vie sociale, pratique et publique ? A-t-elle une quelconque influence possible dans le champ politique, surtout Ă  l’égard de la tentation totalitaire de tout État, bien dĂ©crite par Levinas ? Dans cet article, nous tentons de montrer en quoi les rĂ©flexions d’Emmanuel Levinas pour articuler l’éthique et le politique – Ă  travers la question du tiers et de la justice – permet de produire une forme de sagesse politique.   Mots-clĂ©s : Politique, Justice, Tiers, État, Totalitarisme, Sagesse
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