1,008 research outputs found

    The Crescent Student Newspaper, November 13, 1978

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    Student newspaper of Pacific College (later George Fox University). 8 pages, black and white.https://digitalcommons.georgefox.edu/the_crescent/1957/thumbnail.jp

    The House of Blue Leaves

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    Winner of the 1971 Critics Award and Obie Award as best American play, this brilliantly wacky comedy examines the zany but desperately sad attempt of a middle aged zoo attendant to break into the “big time” as a serious song writer. John Guare mixes hilarity and tragedy to achieve a touching and poignant story not to be forgotten. Adult entertainment.https://digitalcommons.otterbein.edu/summer_production_1978/1004/thumbnail.jp

    A Little Unwell: Madness in the World of Tennessee Williams

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    Tennessee Williams is a prolific playwright and an American literary icon. He is second only to Shakespeare in the amount of scholarly analyses of his work. Although I am writing my thesis in a crowded field, I am pursuing a fresh topic by studying madness in Williams\u27 works, specifically the subcategories of Eccentrics/Acutes and Chronics - a construct put forth in the novel One Flew Over the Cuckoo\u27s Nest by Ken Kesey. By applying Cuckoo\u27s Nest and other texts involving madness to Tennessee Williams’ plays, I will explore the character of the mad individual, the impact of society upon the mad individual, and the mad individual\u27s impact upon society

    The Messianic Figure in Film: Christology Beyond the Biblical Epic

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    With the decline and fall of the religious epic, christology (the study of the person of Christ) in film has moved into genres outside of the biblical spectacular. Deliberate attempts to harmonize the Gospels and offer a literal rendition of the life of Jesus have proven mediocre to some and offensive to others. What has proven more successful is the Messianic Figure: a formula in which the central character is a non-conformist or unlikely redeemer who transforms lives and ultimately undergoes martyrdom. Four films offer the prototype of such a character: Cool Hand Luke (1967), One Flew Over the Cuckoo\u27s Nest (1975), Dead Poets Society (1989), and most recently Sling Blade (1997)
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