Reports to the President

A compilation of annual reports for the 1989-1990 academic year, including a report from the President of the Massachusetts Institute of Technology, as well as reports from the academic and administrative units of the Institute. The reports outline the year's goals, accomplishments, honors and awards, and future plans

Metaphor in Education

Without metaphor there would be no legs on the table, no hands on the clock. These are dead metaphors. Even that expression is a metaphor, for how can something be dead that has never literally been born. It is an expression which cannot be taken literally. In its first use it was 'alive' in the sense of being new or witty or apt and memorable. Without metaphor we are reduced to the bare bones of language, to a kind of Orwellian Newspeak. One can hardly avoid using metaphors to explain them. Even scientists and mathematicians use metaphors but they usually refer to them as models. Metaphor is a function of language which enables us to be creative. Not only the person who coins, invents, or thinks of the new metaphor but also the listener or reader who constructs a personal meaning for him or her self. We speak of creativity in education, as a human capacity to be encouraged and developed. How creative can humans be? Do they ever really 'create' anything new apart from reproductions of themselves? Any creative activity such as painting, building or gardening is really re-organising elements already created. So humans enjoy 'creating' their own order, forms, or patterns which we call art. Language is capable of endless patterns. The basic patterns, usually known as grammar, appear to be innate and in speech and writing we use these 'inbuilt' structures to create new sentences of our own. At its highest level we call this literature. It has taken us some time to realise that a word in itself has no meaning as it is a symbol only. For those aspects of experience which are difficult to explain we turn to metaphor. Thus religions often use myths and symbols. Anthropology describes many human activities as metaphoric, for example myths or totemism. Practically every sphere of human activity is imbued with this magical quality of metaphor, for it extends our understanding of the world by giving us a kind of 'elastic' way of describing our experiences. It is not the prerogative of writers or poets but a power we all possess and one which has been derided and abused at times in our history. Only now is it increasingly being recognized as a human capacity worthy of study. In this work I delve into some aspects of the use of metaphor to show how we need to be aware of its potent, pervasive power, especially those of us involved in teaching for whom I will attempt to demonstrate that teaching is itself a metaphoric activity

Sublime Evil: The Immoral Writers' Celebration of Life

This thesis explores the problematic relationship between ethics and aesthetics as reflected in the works of six highly controversial French and American authors of the Twentieth century. The study sets out to investigate the possible reasons why we keep on reading, cherishing and rejoicing in the works of writers who present us with an extremely unsettling ethical situation. Using the notion of Sublime Evil as it plays out in the works of Louis-Ferdinand Celine, Pierre Drieu La Rochelle, Jean Genet, Vladimir Nabokov, William Burroughs and Michel Houellebecq, I explore the mechanism through which works of literature, thoroughly reprehensible from the point of view of conventional morality, prove to be compelling and irresistible. By analyzing at length the escape vaults of love, religion, art, ideology, drugs anti-social behavior such as Nazism, anti-Semitism, pedophilia, prostitution, homicide and theft, in the seven novels, I demonstrate that ultimate dejection ends up paradoxically and inextricably bound with supreme aesthetic beauty

The Music Sound

A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music