Sequence learning recodes cortical representations instead of strengthening initial ones.

We contrast two computational models of sequence learning. The associative learner posits that learning proceeds by strengthening existing association weights. Alternatively, recoding posits that learning creates new and more efficient representations of the learned sequences. Importantly, both models propose that humans act as optimal learners but capture different statistics of the stimuli in their internal model. Furthermore, these models make dissociable predictions as to how learning changes the neural representation of sequences. We tested these predictions by using fMRI to extract neural activity patterns from the dorsal visual processing stream during a sequence recall task. We observed that only the recoding account can explain the similarity of neural activity patterns, suggesting that participants recode the learned sequences using chunks. We show that associative learning can theoretically store only very limited number of overlapping sequences, such as common in ecological working memory tasks, and hence an efficient learner should recode initial sequence representations

Making tools and making sense: complex, intentional behaviour in human evolution

Stone tool-making is an ancient and prototypically human skill characterized by multiple levels of intentional organization. In a formal sense, it displays surprising similarities to the multi-level organization of human language. Recent functional brain imaging studies of stone tool-making similarly demonstrate overlap with neural circuits involved in language processing. These observations consistent with the hypothesis that language and tool-making share key requirements for the construction of hierarchically structured action sequences and evolved together in a mutually reinforcing way

Music adapting to the brain: From diffusion chains to neurophysiology

During the last decade, the use of experimental approaches on cultural evolution research has provided novel insights, and supported theoretical predictions, on the principles driving the evolution of human cultural systems. Laboratory simulations of language evolution showed how general-domain constraints on learning, in addition to pressures for language to be expressive, may be responsible for the emergence of linguistic structure. Languages change when culturally transmitted, adapting to fit, among all, the cognitive abilities of their users. As a result, they become regular and compressed, easier to acquire and reproduce. Although a similar theory has been recently extended to the musical domain, the empirical investigation in this field is still scarce. In addition, no study to our knowledge directly addressed the role of cognitive constraints in cultural transmission with neurophysiological investigation. In my thesis I addressed both these issues with a combination of behavioral and neurophysiological methods, in three experimental studies. In study 1 (Chapter 2), I examined the evolution of structural regularities in artificial melodic systems while they were being transmitted across individuals via coordination and alignment. To this purpose I used a new laboratory model of music transmission: the multi-generational signaling games (MGSGs), a variant of the signaling games. This model combines classical aspects of lab-based semiotic models of communication, coordination and interaction (horizontal transmission), with the vertical transmission across generations of the iterated learning model (vertical transmission). Here, two-person signaling games are organized in diffusion chains of several individuals (generations). In each game, the two players (a sender and a receiver) must agree on a common code - here a miniature system where melodic riffs refer to emotions. The receiver in one game becomes the sender in the next game, possibly retransmitting the code previously learned to another generation of participants, and so on to complete the diffusion chain. I observed the gradual evolution of several structures features of musical phrases over generations: proximity, continuity, symmetry, and melodic compression. Crucially, these features are found in most of musical cultures of the world. I argue that we tapped into universal processing mechanisms of structured sequence processing, possibly at work in the evolution of real music. In study 2 (Chapter 3), I explored the link between cultural adaptation and neural information processing. To this purpose, I combined behavioral and EEG study on 2 successive days. I show that the latency of the mismatch negativity (MMN) recorded in a pre-attentive auditory sequence processing task on day 1, predicts how well participants learn and transmit an artificial tone system with affective semantics in two signaling games on day 2. Notably, MMN latencies also predict which structural changes are introduced by participants into the artificial tone system. In study 3 (Chapter 4), I replicated and extended behavioral and neurophysiological findings on the temporal domain of music, with two independent experiments. In the first experiment, I used MGSGs as a laboratory model of cultural evolution of rhythmic equitone patterns referring to distinct emotions. As a result of transmission, rhythms developed a universal property of music structure, namely temporal regularity (or isochronicity). In the second experiment, I anchored this result with neural predictors. I showed that neural information processing capabilities of individuals, as measured with the MMN on day 1, can predict learning, transmission, and regularization of rhythmic patterns in signaling games on day 2. In agreement with study 2, I observe that MMN brain timing may reflect the efficiency of sensory systems to process auditory patterns. Functional differences in those systems, across individuals, may produce a different sensitivity to pressures for regularities in the cultural system. Finally, I argue that neural variability can be an important source of variability of cultural traits in a population. My work is the first to systematically describe the emergence of structural properties of melodic and rhythmic systems in the laboratory, using an explicit game-theoretic model of cultural transmission in which agents freely interact and exchange information. Critically, it provides the first demonstration that social learning, transmission, and cultural adaptation are constrained and driven by individual differences in the functional organization of sensory systems

Language learning in aphasia: A narrative review and critical analysis of the literature with implications for language therapy

People with aphasia (PWA) present with language deficits including word retrieval difficulties after brain damage. Language learning is an essential life-long human capacity that may support treatment-induced lan-guage recovery after brain insult. This prospect has motivated a growing interest in the study of language learning in PWA during the last few decades. Here, we critically review the current literature on language learning ability in aphasia. The existing studies in this area indicate that (i) language learning can remain functional in some PWA, (ii) inter-individual variability in learning performance is large in PWA, (iii) language processing, short-term memory and lesion site are associated with learning ability, (iv) preliminary evidence suggests a relationship between learning ability and treatment outcomes in this population. Based on the reviewed evidence, we propose a potential account for the interplay between language and memory/learning systems to explain spared/impaired language learning and its relationship to language therapy in PWA. Finally, we indicate potential avenues for future research that may promote more cross-talk between cognitive neuro-science and aphasia rehabilitation

Self-Supervised Vision-Based Detection of the Active Speaker as Support for Socially-Aware Language Acquisition

This paper presents a self-supervised method for visual detection of the active speaker in a multi-person spoken interaction scenario. Active speaker detection is a fundamental prerequisite for any artificial cognitive system attempting to acquire language in social settings. The proposed method is intended to complement the acoustic detection of the active speaker, thus improving the system robustness in noisy conditions. The method can detect an arbitrary number of possibly overlapping active speakers based exclusively on visual information about their face. Furthermore, the method does not rely on external annotations, thus complying with cognitive development. Instead, the method uses information from the auditory modality to support learning in the visual domain. This paper reports an extensive evaluation of the proposed method using a large multi-person face-to-face interaction dataset. The results show good performance in a speaker dependent setting. However, in a speaker independent setting the proposed method yields a significantly lower performance. We believe that the proposed method represents an essential component of any artificial cognitive system or robotic platform engaging in social interactions.Comment: 10 pages, IEEE Transactions on Cognitive and Developmental System