Analysis of non-aligned double JPEG artifacts for the localization of image forgeries

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Re-compression Based JPEG Forgery Detection and Localization with Optimal Reconstruction

In today’s media–saturated society, digital images act as the primary carrier for majority of information that flows around us. However, because of the advent of highly sophisticated easy–to–use image processing tools, modifying images has become easy. Joint Photographic Experts Group (JPEG) is the most widely used format, prevalent today as a world–wide standard, for compression and storage of digital images. Almost all present–day digital cameras use the JPEG format for image acquisition and storage, due to its efficient compression features and optimal space requirement. In this propose work we aim to detect malicious tampering of JPEG images, and subsequently reconstruct the forged image optimally. We deal with lossy JPEG image format in this paper, which is more widely adopted compared to its lossless counter–part. The proposed technique is capable of detecting single as well as multiple forged regions in a JPEG image. We aim to achieve optimal reconstruction since the widely used JPEG being a lossy technique, under no condition would allow 100% reconstruction. The proposed reconstruction is optimal in the sense that we aim to obtain a form of the image, as close to its original form as possible, apart from eliminating the effects of forgery from the image. In this work, we exploit the inherent characteristics of JPEG compression and re–compression, for forgery detection and reconstruction of JPEG images. To prove the efficiency of our proposed technique we compare it with the other JPEG forensic techniques and using quality metric measures we assess the visual quality of the reconstructed image

Image Forgery Localization via Block-Grained Analysis of JPEG Artifacts

In this paper, we propose a forensic algorithm to discriminate between original and forged regions in JPEG images, under the hypothesis that the tampered image presents a double JPEG compression, either aligned (A-DJPG) or non-aligned (NA-DJPG). Unlike previous approaches, the proposed algorithm does not need to manually select a suspect region in order to test the presence or the absence of double compression artifacts. Based on an improved and unified statistical model characterizing the artifacts that appear in the presence of both A-DJPG or NA-DJPG, the proposed algorithm automatically computes a likelihood map indicating the probability for each $8 \times 8$ discrete cosine transform block of being doubly compressed. The validity of the proposed approach has been assessed by evaluating the performance of a detector based on thresholding the likelihood map, considering different forensic scenarios. The effectiveness of the proposed method is also confirmed by tests carried on realistic tampered images. An interesting property of the proposed Bayesian approach is that it can be easily extended to work with traces left by other kinds of processin

Aligned and Non-Aligned Double JPEG Detection Using Convolutional Neural Networks

Due to the wide diffusion of JPEG coding standard, the image forensic community has devoted significant attention to the development of double JPEG (DJPEG) compression detectors through the years. The ability of detecting whether an image has been compressed twice provides paramount information toward image authenticity assessment. Given the trend recently gained by convolutional neural networks (CNN) in many computer vision tasks, in this paper we propose to use CNNs for aligned and non-aligned double JPEG compression detection. In particular, we explore the capability of CNNs to capture DJPEG artifacts directly from images. Results show that the proposed CNN-based detectors achieve good performance even with small size images (i.e., 64x64), outperforming state-of-the-art solutions, especially in the non-aligned case. Besides, good results are also achieved in the commonly-recognized challenging case in which the first quality factor is larger than the second one.Comment: Submitted to Journal of Visual Communication and Image Representation (first submission: March 20, 2017; second submission: August 2, 2017