A Review of Audio Features and Statistical Models Exploited for Voice Pattern Design

Audio fingerprinting, also named as audio hashing, has been well-known as a powerful technique to perform audio identification and synchronization. It basically involves two major steps: fingerprint (voice pattern) design and matching search. While the first step concerns the derivation of a robust and compact audio signature, the second step usually requires knowledge about database and quick-search algorithms. Though this technique offers a wide range of real-world applications, to the best of the authors' knowledge, a comprehensive survey of existing algorithms appeared more than eight years ago. Thus, in this paper, we present a more up-to-date review and, for emphasizing on the audio signal processing aspect, we focus our state-of-the-art survey on the fingerprint design step for which various audio features and their tractable statistical models are discussed.Comment: http://www.iaria.org/conferences2015/PATTERNS15.html ; Seventh International Conferences on Pervasive Patterns and Applications (PATTERNS 2015), Mar 2015, Nice, Franc

Text-informed audio source separation. Example-based approach using non-negative matrix partial co-factorization

International audienceThe so-called informed audio source separation, where the separation process is guided by some auxiliary information, has recently attracted a lot of research interest since classical blind or non-informed approaches often do not lead to satisfactory performances in many practical applications. In this paper we present a novel text-informed framework in which a target speech source can be separated from the background in the mixture using the corresponding textual information. First, given the text, we propose to produce a speech example via either a speech synthesizer or a human. We then use this example to guide source separation and, for that purpose, we introduce a new variant of the non-negative matrix partial co-factorization (NMPCF) model based on a so-called excitation-filter-channel speech model. Such a modeling allows sharing the linguistic information between the speech example and the speech in the mixture. The corresponding multiplicative update (MU) rules are eventually derived for the parameters estimation and several extensions of the model are proposed and investigated. We perform extensive experiments to assess the effectiveness of the proposed approach in terms of source separation and alignment performance

Score-Informed Source Separation for Music Signals

In recent years, the processing of audio recordings by exploiting additional musical knowledge has turned out to be a promising research direction. In particular, additional note information as specified by a musical score or a MIDI file has been employed to support various audio processing tasks such as source separation, audio parameterization, performance analysis, or instrument equalization. In this contribution, we provide an overview of approaches for score-informed source separation and illustrate their potential by discussing innovative applications and interfaces. Additionally, to illustrate some basic principles behind these approaches, we demonstrate how score information can be integrated into the well-known non-negative matrix factorization (NMF) framework. Finally, we compare this approach to advanced methods based on parametric models

A temporally-constrained convolutive probabilistic model for pitch detection

A method for pitch detection which models the temporal evolution of musical sounds is presented in this paper. The proposed model is based on shift-invariant probabilistic latent component analysis, constrained by a hidden Markov model. The time-frequency representation of a produced musical note can be expressed by the model as a temporal sequence of spectral templates which can also be shifted over log-frequency. Thus, this approach can be effectively used for pitch detection in music signals that contain amplitude and frequency modulations. Experiments were performed using extracted sequences of spectral templates on monophonic music excerpts, where the proposed model outperforms a non-temporally constrained convolutive model for pitch detection. Finally, future directions are given for multipitch extensions of the proposed model