751 research outputs found
Computer Models for Musical Instrument Identification
PhDA particular aspect in the perception of sound is concerned with what is commonly
termed as texture or timbre. From a perceptual perspective, timbre is what allows us
to distinguish sounds that have similar pitch and loudness. Indeed most people are
able to discern a piano tone from a violin tone or able to distinguish different voices
or singers.
This thesis deals with timbre modelling. Specifically, the formant theory of timbre
is the main theme throughout. This theory states that acoustic musical instrument
sounds can be characterised by their formant structures. Following this principle, the
central point of our approach is to propose a computer implementation for building
musical instrument identification and classification systems.
Although the main thrust of this thesis is to propose a coherent and unified
approach to the musical instrument identification problem, it is oriented towards the
development of algorithms that can be used in Music Information Retrieval (MIR)
frameworks. Drawing on research in speech processing, a complete supervised system
taking into account both physical and perceptual aspects of timbre is described.
The approach is composed of three distinct processing layers. Parametric models
that allow us to represent signals through mid-level physical and perceptual representations
are considered. Next, the use of the Line Spectrum Frequencies as spectral
envelope and formant descriptors is emphasised. Finally, the use of generative and
discriminative techniques for building instrument and database models is investigated.
Our system is evaluated under realistic recording conditions using databases of isolated
notes and melodic phrases
Prosodic detail in Neapolitan Italian
Recent findings on phonetic detail have been taken as supporting exemplar-based approaches to prosody. Through four experiments on both production and perception of both melodic and temporal detail in Neapolitan Italian, we show that prosodic detail is not incompatible with abstractionist approaches either. Specifically, we suggest that the exploration of prosodic detail leads to a refined understanding of the relationships between the richly specified and continuous varying phonetic information on one side, and coarse phonologically structured contrasts on the other, thus offering insights on how pragmatic information is conveyed by prosody
The effect of selected auditory presentation conditions of a picture song-book on preschool children's word recall
Submitted to the Department of Music and Dance and the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Music Education
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