High-quality face capture, animation and editing from monocular video

Digitization of virtual faces in movies requires complex capture setups and extensive manual work to produce superb animations and video-realistic editing. This thesis pushes the boundaries of the digitization pipeline by proposing automatic algorithms for high-quality 3D face capture and animation, as well as photo-realistic face editing. These algorithms reconstruct and modify faces in 2D videos recorded in uncontrolled scenarios and illumination. In particular, advances in three main areas offer solutions for the lack of depth and overall uncertainty in video recordings. First, contributions in capture include model-based reconstruction of detailed, dynamic 3D geometry that exploits optical and shading cues, multilayer parametric reconstruction of accurate 3D models in unconstrained setups based on inverse rendering, and regression-based 3D lip shape enhancement from high-quality data. Second, advances in animation are video-based face reenactment based on robust appearance metrics and temporal clustering, performance-driven retargeting of detailed facial models in sync with audio, and the automatic creation of personalized controllable 3D rigs. Finally, advances in plausible photo-realistic editing are dense face albedo capture and mouth interior synthesis using image warping and 3D teeth proxies. High-quality results attained on challenging application scenarios confirm the contributions and show great potential for the automatic creation of photo-realistic 3D faces.Die Digitalisierung von Gesichtern zum Einsatz in der Filmindustrie erfordert komplizierte Aufnahmevorrichtungen und die manuelle Nachbearbeitung von Rekonstruktionen, um perfekte Animationen und realistische Videobearbeitung zu erzielen. Diese Dissertation erweitert vorhandene Digitalisierungsverfahren durch die Erforschung von automatischen Verfahren zur qualitativ hochwertigen 3D Rekonstruktion, Animation und Modifikation von Gesichtern. Diese Algorithmen erlauben es, Gesichter in 2D Videos, die unter allgemeinen Bedingungen und unbekannten Beleuchtungsverhältnissen aufgenommen wurden, zu rekonstruieren und zu modifizieren. Vor allem Fortschritte in den folgenden drei Hauptbereichen tragen zur Kompensation von fehlender Tiefeninformation und der allgemeinen Mehrdeutigkeit von 2D Videoaufnahmen bei. Erstens, Beiträge zur modellbasierten Rekonstruktion von detaillierter und dynamischer 3D Geometrie durch optische Merkmale und die Shading-Eigenschaften des Gesichts, mehrschichtige parametrische Rekonstruktion von exakten 3D Modellen mittels inversen Renderings in allgemeinen Szenen und regressionsbasierter 3D Lippenformverfeinerung mittels qualitativ hochwertigen Daten. Zweitens, Fortschritte im Bereich der Computeranimation durch videobasierte Gesichtsausdrucksübertragung und temporaler Clusterbildung, Übertragung von detaillierten Gesichtsmodellen, deren Mundbewegung mit Ton synchronisiert ist, und die automatische Erstellung von personalisierten "3D Face Rigs". Schließlich werden Fortschritte im Bereich der realistischen Videobearbeitung vorgestellt, welche auf der dichten Rekonstruktion von Hautreflektionseigenschaften und der Mundinnenraumsynthese mittels bildbasierten und geometriebasierten Verfahren aufbauen. Qualitativ hochwertige Ergebnisse in anspruchsvollen Anwendungen untermauern die Wichtigkeit der geleisteten Beiträgen und zeigen das große Potential der automatischen Erstellung von realistischen digitalen 3D Gesichtern auf

Visual object category discovery in images and videos

textThe current trend in visual recognition research is to place a strict division between the supervised and unsupervised learning paradigms, which is problematic for two main reasons. On the one hand, supervised methods require training data for each and every category that the system learns; training data may not always be available and is expensive to obtain. On the other hand, unsupervised methods must determine the optimal visual cues and distance metrics that distinguish one category from another to group images into semantically meaningful categories; however, for unlabeled data, these are unknown a priori. I propose a visual category discovery framework that transcends the two paradigms and learns accurate models with few labeled exemplars. The main insight is to automatically focus on the prevalent objects in images and videos, and learn models from them for category grouping, segmentation, and summarization. To implement this idea, I first present a context-aware category discovery framework that discovers novel categories by leveraging context from previously learned categories. I devise a novel object-graph descriptor to model the interaction between a set of known categories and the unknown to-be-discovered categories, and group regions that have similar appearance and similar object-graphs. I then present a collective segmentation framework that simultaneously discovers the segmentations and groupings of objects by leveraging the shared patterns in the unlabeled image collection. It discovers an ensemble of representative instances for each unknown category, and builds top-down models from them to refine the segmentation of the remaining instances. Finally, building on these techniques, I show how to produce compact visual summaries for first-person egocentric videos that focus on the important people and objects. The system leverages novel egocentric and high-level saliency features to predict important regions in the video, and produces a concise visual summary that is driven by those regions. I compare against existing state-of-the-art methods for category discovery and segmentation on several challenging benchmark datasets. I demonstrate that we can discover visual concepts more accurately by focusing on the prevalent objects in images and videos, and show clear advantages of departing from the status quo division between the supervised and unsupervised learning paradigms. The main impact of my thesis is that it lays the groundwork for building large-scale visual discovery systems that can automatically discover visual concepts with minimal human supervision.Electrical and Computer Engineerin