Novel Pitch Detection Algorithm With Application to Speech Coding

This thesis introduces a novel method for accurate pitch detection and speech segmentation, named Multi-feature, Autocorrelation (ACR) and Wavelet Technique (MAWT). MAWT uses feature extraction, and ACR applied on Linear Predictive Coding (LPC) residuals, with a wavelet-based refinement step. MAWT opens the way for a unique approach to modeling: although speech is divided into segments, the success of voicing decisions is not crucial. Experiments demonstrate the superiority of MAWT in pitch period detection accuracy over existing methods, and illustrate its advantages for speech segmentation. These advantages are more pronounced for gain-varying and transitional speech, and under noisy conditions

Voice source characterization for prosodic and spectral manipulation

The objective of this dissertation is to study and develop techniques to decompose the speech signal into its two main components: voice source and vocal tract. Our main efforts are on the glottal pulse analysis and characterization. We want to explore the utility of this model in different areas of speech processing: speech synthesis, voice conversion or emotion detection among others. Thus, we will study different techniques for prosodic and spectral manipulation. One of our requirements is that the methods should be robust enough to work with the large databases typical of speech synthesis. We use a speech production model in which the glottal flow produced by the vibrating vocal folds goes through the vocal (and nasal) tract cavities and its radiated by the lips. Removing the effect of the vocal tract from the speech signal to obtain the glottal pulse is known as inverse filtering. We use a parametric model fo the glottal pulse directly in the source-filter decomposition phase. In order to validate the accuracy of the parametrization algorithm, we designed a synthetic corpus using LF glottal parameters reported in the literature, complemented with our own results from the vowel database. The results show that our method gives satisfactory results in a wide range of glottal configurations and at different levels of SNR. Our method using the whitened residual compared favorably to this reference, achieving high quality ratings (Good-Excellent). Our full parametrized system scored lower than the other two ranking in third place, but still higher than the acceptance threshold (Fair-Good). Next we proposed two methods for prosody modification, one for each of the residual representations explained above. The first method used our full parametrization system and frame interpolation to perform the desired changes in pitch and duration. The second method used resampling on the residual waveform and a frame selection technique to generate a new sequence of frames to be synthesized. The results showed that both methods are rated similarly (Fair-Good) and that more work is needed in order to achieve quality levels similar to the reference methods. As part of this dissertation, we have studied the application of our models in three different areas: voice conversion, voice quality analysis and emotion recognition. We have included our speech production model in a reference voice conversion system, to evaluate the impact of our parametrization in this task. The results showed that the evaluators preferred our method over the original one, rating it with a higher score in the MOS scale. To study the voice quality, we recorded a small database consisting of isolated, sustained Spanish vowels in four different phonations (modal, rough, creaky and falsetto) and were later also used in our study of voice quality. Comparing the results with those reported in the literature, we found them to generally agree with previous findings. Some differences existed, but they could be attributed to the difficulties in comparing voice qualities produced by different speakers. At the same time we conducted experiments in the field of voice quality identification, with very good results. We have also evaluated the performance of an automatic emotion classifier based on GMM using glottal measures. For each emotion, we have trained an specific model using different features, comparing our parametrization to a baseline system using spectral and prosodic characteristics. The results of the test were very satisfactory, showing a relative error reduction of more than 20% with respect to the baseline system. The accuracy of the different emotions detection was also high, improving the results of previously reported works using the same database. Overall, we can conclude that the glottal source parameters extracted using our algorithm have a positive impact in the field of automatic emotion classification

Modelling and extraction of fundamental frequency in speech signals

This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University.One of the most important parameters of speech is the fundamental frequency of vibration of voiced sounds. The audio sensation of the fundamental frequency is known as the pitch. Depending on the tonal/non-tonal category of language, the fundamental frequency conveys intonation, pragmatics and meaning. In addition the fundamental frequency and intonation carry speaker gender, age, identity, speaking style and emotional state. Accurate estimation of the fundamental frequency is critically important for functioning of speech processing applications such as speech coding, speech recognition, speech synthesis and voice morphing. This thesis makes contributions to the development of accurate pitch estimation research in three distinct ways: (1) an investigation of the impact of the window length on pitch estimation error, (2) an investigation of the use of the higher order moments and (3) an investigation of an analysis-synthesis method for selection of the best pitch value among N proposed candidates. Experimental evaluations show that the length of the speech window has a major impact on the accuracy of pitch estimation. Depending on the similarity criteria and the order of the statistical moment a window length of 37 to 80 ms gives the least error. In order to avoid excessive delay as a consequence of using a longer window, a method is proposed ii where the current short window is concatenated with the previous frames to form a longer signal window for pitch extraction. The use of second order and higher order moments, and the magnitude difference function, as the similarity criteria were explored and compared. A novel method of calculation of moments is introduced where the signal is split, i.e. rectified, into positive and negative valued samples. The moments for the positive and negative parts of the signal are computed separately and combined. The new method of calculation of moments from positive and negative parts and the higher order criteria provide competitive results. A challenging issue in pitch estimation is the determination of the best candidate from N extrema of the similarity criteria. The analysis-synthesis method proposed in this thesis selects the pitch candidate that provides the best reproduction (synthesis) of the harmonic spectrum of the original speech. The synthesis method must be such that the distortion increases with the increasing error in the estimate of the fundamental frequency. To this end a new method of spectral synthesis is proposed using an estimate of the spectral envelop and harmonically spaced asymmetric Gaussian pulses as excitation. The N-best method provides consistent reduction in pitch estimation error. The methods described in this thesis result in a significant improvement in the pitch accuracy and outperform the benchmark YIN method

Singing voice analysis/synthesis

Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2003.Includes bibliographical references (p. 109-115).The singing voice is the oldest and most variable of musical instruments. By combining music, lyrics, and expression, the voice is able to affect us in ways that no other instrument can. As listeners, we are innately drawn to the sound of the human voice, and when present it is almost always the focal point of a musical piece. But the acoustic flexibility of the voice in intimating words, shaping phrases, and conveying emotion also makes it the most difficult instrument to model computationally. Moreover, while all voices are capable of producing the common sounds necessary for language understanding and communication, each voice possesses distinctive features independent of phonemes and words. These unique acoustic qualities are the result of a combination of innate physical factors and expressive characteristics of performance, reflecting an individual's vocal identity. A great deal of prior research has focused on speech recognition and speaker identification, but relatively little work has been performed specifically on singing. There are significant differences between speech and singing in terms of both production and perception. Traditional computational models of speech have focused on the intelligibility of language, often sacrificing sound quality for model simplicity. Such models, however, are detrimental to the goal of singing, which relies on acoustic authenticity for the non-linguistic communication of expression and emotion. These differences between speech and singing dictate that a different and specialized representation is needed to capture the sound quality and musicality most valued in singing.(cont.) This dissertation proposes an analysis/synthesis framework specifically for the singing voice that models the time-varying physical and expressive characteristics unique to an individual voice. The system operates by jointly estimating source-filter voice model parameters, representing vocal physiology, and modeling the dynamic behavior of these features over time to represent aspects of expression. This framework is demonstrated to be useful for several applications, such as singing voice coding, automatic singer identification, and voice transformation.by Youngmoo Edmund Kim.Ph.D

Audio Processing and Loudness Estimation Algorithms with iOS Simulations

abstract: The processing power and storage capacity of portable devices have improved considerably over the past decade. This has motivated the implementation of sophisticated audio and other signal processing algorithms on such mobile devices. Of particular interest in this thesis is audio/speech processing based on perceptual criteria. Specifically, estimation of parameters from human auditory models, such as auditory patterns and loudness, involves computationally intensive operations which can strain device resources. Hence, strategies for implementing computationally efficient human auditory models for loudness estimation have been studied in this thesis. Existing algorithms for reducing computations in auditory pattern and loudness estimation have been examined and improved algorithms have been proposed to overcome limitations of these methods. In addition, real-time applications such as perceptual loudness estimation and loudness equalization using auditory models have also been implemented. A software implementation of loudness estimation on iOS devices is also reported in this thesis. In addition to the loudness estimation algorithms and software, in this thesis project we also created new illustrations of speech and audio processing concepts for research and education. As a result, a new suite of speech/audio DSP functions was developed and integrated as part of the award-winning educational iOS App 'iJDSP." These functions are described in detail in this thesis. Several enhancements in the architecture of the application have also been introduced for providing the supporting framework for speech/audio processing. Frame-by-frame processing and visualization functionalities have been developed to facilitate speech/audio processing. In addition, facilities for easy sound recording, processing and audio rendering have also been developed to provide students, practitioners and researchers with an enriched DSP simulation tool. Simulations and assessments have been also developed for use in classes and training of practitioners and students.Dissertation/ThesisM.S. Electrical Engineering 201

An investigation into glottal waveform based speech coding

Coding of voiced speech by extraction of the glottal waveform has shown promise in improving the efficiency of speech coding systems. This thesis describes an investigation into the performance of such a system. The effect of reverberation on the radiation impedance at the lips is shown to be negligible under normal conditions. Also, the accuracy of the Image Method for adding artificial reverberation to anechoic speech recordings is established. A new algorithm, Pre-emphasised Maximum Likelihood Epoch Detection (PMLED), for Glottal Closure Instant detection is proposed. The algorithm is tested on natural speech and is shown to be both accurate and robust. Two techniques for giottai waveform estimation, Closed Phase Inverse Filtering (CPIF) and Iterative Adaptive Inverse Filtering (IAIF), are compared. In tandem with an LF model fitting procedure, both techniques display a high degree of accuracy However, IAIF is found to be slightly more robust. Based on these results, a Glottal Excited Linear Predictive (GELP) coding system for voiced speech is proposed and tested. Using a differential LF parameter quantisation scheme, the system achieves speech quality similar to that of U S Federal Standard 1016 CELP at a lower mean bit rate while incurring no extra delay