Adaptiiviset läpikuuluvuuskuulokkeet

Hear-through equalization can be used to make a headset acoustically transparent, i.e.~to produce sound perception that is similar to perception without the headset. The headset must have microphones outside the earpieces to capture the ambient sounds, which is then reproduced with the headset transducers after the equalization. The reproduced signal is called the hear-through signal. Equalization is needed, since the headset affects the acoustics of the outer ear. \\ In addition to the external microphones, the headset used in this study has additional internal microphones. Together these microphones can be used to estimate the attenuation of the headset online and to detect poor fit. Since the poor fit causes leaks and decreased attenuation, the combined effect of the leaked sound and the hear-through signal changes, when compared to proper fit situation. Therefore, the isolation estimate is used to control the hear-through equalization in order to produce better acoustical transparency. Furthermore, the proposed adaptive hear-through algorithm includes manual controls for the equalizers and the volume of the hear-through signal. \\ The proposed algorithm is found to transform the used headset acoustically transparent. The equalization controls improve the performance of the headset, when the fit is poor or when the volume of the hear-through signal is adjusted, by reducing the comb-filtering effect due to the summation of the leaked sound and the hear-through signal inside the ear canal. The behavior of the proposed algorithm can be demonstrated with an implemented Matlab simulator.Läpikuuluvuusekvalisoinnilla voidaan saavuttaa akustinen läpinäkyvyys kuulokkeita käytettäessä, eli tuottaa samankaltainen ääniaistimus kuin mikä havaittaisiin ilman kuulokkeita. Käytetyissä kuulokkeissa tulee olla mikrofonit kuulokkeen ulkopinnalla, joiden avulla voidaan tallentaa ympäröiviä ääniä. Mikrofonisignaalit ekvalisoidaan, jolloin niistä tulee läpikuuluvuussignaalit, ja toistetaan kuulokkeista. Ekvalisointi on tarpeellista, sillä kuulokkeet muuttavat ulkokorvan akustiikka ja siten myös äänihavaintoa. \\ Tässä diplomityössä käytetyssä prototyyppikuulokeparissa on edellä mainittujen mikrofonien lisäksi myös toiset, korvakäytävän sisälle asettuvat mikrofonit. Yhdessä näiden kahden mikrofonin avulla voidaan määrittää reaaliaikainen estimaatti kuulokkeen vaimennukselle ja tunnistaa huono istuvuus. Koska huonosti asetettu kuuloke vuotaa enemmän ääntä korvakäytävän sisään kuin kunnolla asetettu, kuulokkeen äänen ja vuotavan äänen yhteisvaikutus muuttuu. Tästä syystä vaimennusestimaattia käytetään läpikuuluvuusekvalisoinnin säätöön, jotta akustinen läpinäkyvyys ei kärsisi. Lisäksi esitellyssä algoritmissa on manuaaliset säädöt ekvalisaattoreille ja läpikuuluvuussignaalin voimakkuudelle.\\ Esitetyn algoritmin havaitaan tuottavan akustinen läpinäkyvyys, kun sitä käytetään prototyyppikuulokkeiden kanssa. Ekvalisointisäädöt parantavat kuulokkeiden toimintaa istuvuuden ollessa huono tai säädettäessä läpikuuluvuussignaalin voimakkuutta, koska ne vähentävät kampasuodatusefektiä, joka voi aiheutua vuotavan äänen ja läpikuuluvuussignaalin summautuessa. Esitellyn algoritmin toimintaa voidaan havainnollistaa toteutetulla Matlab-simulaattorilla

A Constrained Optimal Hear-Through Filter Design Approach for Earphones

Signal characteristics can be altered when sound from environment transmits through earphones to the ear canal. A hear-through filter is usually implemented in an earphone to create a more natural hearing experience. Hear-through filter is also important in augmented reality audio applications. In this paper, a constrained optimal hear-through filter design approach is proposed, where the hear-through filter is designed using a formulation similar to that for a constrained active noise control filter design. One advantage of such a filter design approach is that, compared with the commonly used direct plant response inversion method, the leakage sound around and through earphone will be attenuated in the proposed method, so that the comb-filtering effect is alleviated. Another advantage of the proposed method is that multiple practical constraints can be applied conveniently by formulating a constrained optimization problem and it can be solved efficiently. The proposed design approach can specify the desired delays of reproduced sound in each earphone channel, if a spatial sound impression is desired. The designed hear-through filter can be directly implemented in an active noise control system framework so that the requirement for additional electronic hardware and software components can be minimal for an active noise control earphone

Audio for Virtual, Augmented and Mixed Realities: Proceedings of ICSA 2019 ; 5th International Conference on Spatial Audio ; September 26th to 28th, 2019, Ilmenau, Germany

The ICSA 2019 focuses on a multidisciplinary bringing together of developers, scientists, users, and content creators of and for spatial audio systems and services. A special focus is on audio for so-called virtual, augmented, and mixed realities. The fields of ICSA 2019 are: - Development and scientific investigation of technical systems and services for spatial audio recording, processing and reproduction / - Creation of content for reproduction via spatial audio systems and services / - Use and application of spatial audio systems and content presentation services / - Media impact of content and spatial audio systems and services from the point of view of media science. The ICSA 2019 is organized by VDT and TU Ilmenau with support of Fraunhofer Institute for Digital Media Technology IDMT

Singing in Space(s): Singing performance in real and virtual acoustic environments - Singers' evaluation, performance analysis and listeners' perception

The Virtual Singing Studio (VSS), a loudspeaker-based room acoustic simulation, was developed in order to facilitate investigations into the correlations and interactions between room acoustic characteristics and vocal performance parameters. To this end, the VSS provides a virtual performance space with interactivity in real-time for an active sound source - meaning that singers can hear themselves sing as if in a real performance space. An objective evaluation of the simulation was carried out through measurement and comparison of room acoustic parameters of the simulation and the real performance space. Furthermore a subjective evaluation involved a number of professional singers who sang in the virtual and real performance spaces and reported their impressions of the experience. Singing performances recorded in the real and virtual spaces were compared via the analysis of tempo, vibrato rate, vibrato extent and measures of intonation accuracy and precision. A stimuli sorting task evaluated listeners' perception of the similarity between singing performances recorded in the real and simulated spaces. A multi-dimensional scaling analysis was undertaken on the data obtained and dimensions of the common perceptual space were identified using property fitting techniques in order to assess the relationship between performance attributes and the perceived similarities. In general significant proportions of the perceived similarity between recordings could be explained by differences in global tempo, vibrato extent and intonation precision. Although there were few statistically significant effects of room acoustic condition all singers self-reported changes to their singing according to the different room acoustic configurations, and listeners perceived these differences, especially in vibrato extent and global tempo. The present VSS has been shown to be not fully ``realistic'' enough to elicit variations in singing performance according to room acoustic conditions. Therefore, further improvements are suggested including the incorporation of visual aspect to the simulation. Nonetheless, the VSS is already able to provide a ``plausible'' interactive room acoustic simulation for singers to hear themselves in real-time as if in a real performance venue

Footsteps through sacred heart college: surfacing archival heritage through walking and mapping

Submitted in part fulfillment of the degree of Master of Arts by Coursework and Research Report University of the Witwatersrand Johannesburg 2017MT 201

Beiträge zu breitbandigen Freisprechsystemen und ihrer Evaluation

This work deals with the advancement of wideband hands-free systems (HFS’s) for mono- and stereophonic cases of application. Furthermore, innovative contributions to the corr. field of quality evaluation are made. The proposed HFS approaches are based on frequency-domain adaptive filtering for system identification, making use of Kalman theory and state-space modeling. Functional enhancement modules are developed in this work, which improve one or more of key quality aspects, aiming at not to harm others. In so doing, these modules can be combined in a flexible way, dependent on the needs at hand. The enhanced monophonic HFS is evaluated according to automotive ITU-T recommendations, to prove its customized efficacy. Furthermore, a novel methodology and techn. framework are introduced in this work to improve the prototyping and evaluation process of automotive HF and in-car-communication (ICC) systems. The monophonic HFS in several configurations hereby acts as device under test (DUT) and is thoroughly investigated, which will show the DUT’s satisfying performance, as well as the advantages of the proposed development process. As current methods for the evaluation of HFS’s in dynamic conditions oftentimes still lack flexibility, reproducibility, and accuracy, this work introduces “Car in a Box” (CiaB) as a novel, improved system for this demanding task. It is able to enhance the development process by performing high-resolution system identification of dynamic electro-acoustical systems. The extracted dyn. impulse response trajectories are then applicable to arbitrary input signals in a synthesis operation. A realistic dynamic automotive auralization of a car cabin interior is available for HFS evaluation. It is shown that this system improves evaluation flexibility at guaranteed reproducibility. In addition, the accuracy of evaluation methods can be increased by having access to exact, realistic imp. resp. trajectories acting as a so-called “ground truth” reference. If CiaB is included into an automotive evaluation setup, there is no need for an acoustical car interior prototype to be present at this stage of development. Hency, CiaB may ease the HFS development process. Dynamic acoustic replicas may be provided including an arbitrary number of acoustic car cabin interiors for multiple developers simultaneously. With CiaB, speech enh. system developers therefore have an evaluation environment at hand, which can adequately replace the real environment.Diese Arbeit beschäftigt sich mit der Weiterentwicklung breitbandiger Freisprechsysteme für mono-/stereophone Anwendungsfälle und liefert innovative Beiträge zu deren Qualitätsmessung. Die vorgestellten Verfahren basieren auf im Frequenzbereich adaptierenden Algorithmen zur Systemidentifikation gemäß Kalman-Theorie in einer Zustandsraumdarstellung. Es werden funktionale Erweiterungsmodule dahingehend entwickelt, dass mindestens eine Qualitätsanforderung verbessert wird, ohne andere eklatant zu verletzen. Diese nach Anforderung flexibel kombinierbaren algorithmischen Erweiterungen werden gemäß Empfehlungen der ITU-T (Rec. P.1110/P.1130) in vorwiegend automotiven Testszenarien getestet und somit deren zielgerichtete Wirksamkeit bestätigt. Es wird eine Methodensammlung und ein technisches System zur verbesserten Prototypentwicklung/Evaluation von automotiven Freisprech- und Innenraumkommunikationssystemen vorgestellt und beispielhaft mit dem monophonen Freisprechsystem in diversen Ausbaustufen zur Anwendung gebracht. Daraus entstehende Vorteile im Entwicklungs- und Testprozess von Sprachverbesserungssystem werden dargelegt und messtechnisch verifiziert. Bestehende Messverfahren zum Verhalten von Freisprechsystemen in zeitvarianten Umgebungen zeigten bisher oft nur ein unzureichendes Maß an Flexibilität, Reproduzierbarkeit und Genauigkeit. Daher wird hier das „Car in a Box“-Verfahren (CiaB) entwickelt und vorgestellt, mit dem zeitvariante elektro-akustische Systeme technisch identifiziert werden können. So gewonnene dynamische Impulsantworten können im Labor in einer Syntheseoperation auf beliebige Eingangsignale angewandt werden, um realistische Testsignale unter dyn. Bedingungen zu erzeugen. Bei diesem Vorgehen wird ein hohes Maß an Flexibilität bei garantierter Reproduzierbarkeit erlangt. Es wird gezeigt, dass die Genauigkeit von darauf basierenden Evaluationsverfahren zudem gesteigert werden kann, da mit dem Vorliegen von exakten, realen Impulsantworten zu jedem Zeitpunkt der Messung eine sogenannte „ground truth“ als Referenz zur Verfügung steht. Bei der Einbindung von CiaB in einen Messaufbau für automotive Freisprechsysteme ist es bedeutsam, dass zu diesem Zeitpunkt das eigentliche Fahrzeug nicht mehr benötigt wird. Es wird gezeigt, dass eine dyn. Fahrzeugakustikumgebung, wie sie im Entwicklungsprozess von automotiven Sprachverbesserungsalgorithmen benötigt wird, in beliebiger Anzahl vollständig und mind. gleichwertig durch CiaB ersetzt werden kann