102 research outputs found

    Development of variable voltage variable frequency drive system for induction motor speed control

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    This project describes the development of a Variable Voltage Variable Frequency (VVVF) system that controls the speed of Induction Motor (IM) at specific speed. Texas Instrument C2000 Microcontroller (TMS320F28335) has been used in this project as the interface between the control design with the IM. The Texas Instrument microcontroller has been combined with the MATLAB/Simulink and the VVVF system as the communication interface for processing the speed control system. The combination between power electronic circuits and microcontroller along with variable voltage variable frequency (VVVF) technique is able to control the target speed of IM. The target value of VVVF is implemented inside Lookup table and has been combined with the Proportional Integral (PI) speed control that generates the signal into the sinusoidal pulse width modulation (SPWM) for inverter operation. The SPWM signal is produced from the microcontroller with the instruction from MATLAB/Simulink, where the controller performs the output of the motor speed. The PI speed control receives the output of a closed loop feedback system from the motor speed and the error signal is reduced to achieve the value of desired speed reference. In the conclusion, the VVVF closed loop system is very useful to control the desired speed of motor at different variable voltage and variable frequency value. As collected for the results, its show, the VVVF with PI speed control can achieve the actual speed for the IM at 1297rpm and 1499rpm when the reference speeds have been set at 1300rpm and 1500rpm respectively. At the end it can be concluded that the VVVF combined with microcontroller have created an ecosystem for speed control that have achieved the objectives

    Multimedia Forensics

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    This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

    Image and Video Forensics

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    Nowadays, images and videos have become the main modalities of information being exchanged in everyday life, and their pervasiveness has led the image forensics community to question their reliability, integrity, confidentiality, and security. Multimedia contents are generated in many different ways through the use of consumer electronics and high-quality digital imaging devices, such as smartphones, digital cameras, tablets, and wearable and IoT devices. The ever-increasing convenience of image acquisition has facilitated instant distribution and sharing of digital images on digital social platforms, determining a great amount of exchange data. Moreover, the pervasiveness of powerful image editing tools has allowed the manipulation of digital images for malicious or criminal ends, up to the creation of synthesized images and videos with the use of deep learning techniques. In response to these threats, the multimedia forensics community has produced major research efforts regarding the identification of the source and the detection of manipulation. In all cases (e.g., forensic investigations, fake news debunking, information warfare, and cyberattacks) where images and videos serve as critical evidence, forensic technologies that help to determine the origin, authenticity, and integrity of multimedia content can become essential tools. This book aims to collect a diverse and complementary set of articles that demonstrate new developments and applications in image and video forensics to tackle new and serious challenges to ensure media authenticity

    Multimedia Forensics

    Get PDF
    This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

    A comparison of discrete cosine transform and discrete wavelet transform algorithm in watermarking against common attacks

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    Digital watermarking is a technique to embed additional data to digital images, audios and videos without affecting the quality of the original image. Watermark can be extracted for ownership verification or authentication. Currently, there is no comparison documented done between Discrete Cosine Transform (DCT) and Discrete Wavelet Transform (DWT). In this report, the DCT watermarking algorithms and DWT watermarking algorithms were compared based on robustness and imperceptibility criteria. With DCT, the watermark bits were embedded into the mid-band coefficients of the DCT in the cover image where the DWT algorithm was embedded the watermark bits into the horizontal and vertical sub-bands of DWT in the cover image. Experimental results had shown that the watermark is robust to geometric attacks and removal attacks. DCT and DWT are compared with regard to peak signal to noise ratio (PSNR), Mean Square Error (MSE) and Normalized Correlation (NC). The PSNR value of the watermarked Lena image in DWT is 47, higher than the DCT which is 44. The Normalized Correlation (NC) also had clarified that the extracted watermark in DWT 0.9964 is greater than the extracted watermark in DCT 0.2057. Thus, the results had indicated that the DWT gives better image quality than DCT

    Digital Watermarking for Verification of Perception-based Integrity of Audio Data

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    In certain application fields digital audio recordings contain sensitive content. Examples are historical archival material in public archives that preserve our cultural heritage, or digital evidence in the context of law enforcement and civil proceedings. Because of the powerful capabilities of modern editing tools for multimedia such material is vulnerable to doctoring of the content and forgery of its origin with malicious intent. Also inadvertent data modification and mistaken origin can be caused by human error. Hence, the credibility and provenience in terms of an unadulterated and genuine state of such audio content and the confidence about its origin are critical factors. To address this issue, this PhD thesis proposes a mechanism for verifying the integrity and authenticity of digital sound recordings. It is designed and implemented to be insensitive to common post-processing operations of the audio data that influence the subjective acoustic perception only marginally (if at all). Examples of such operations include lossy compression that maintains a high sound quality of the audio media, or lossless format conversions. It is the objective to avoid de facto false alarms that would be expectedly observable in standard crypto-based authentication protocols in the presence of these legitimate post-processing. For achieving this, a feasible combination of the techniques of digital watermarking and audio-specific hashing is investigated. At first, a suitable secret-key dependent audio hashing algorithm is developed. It incorporates and enhances so-called audio fingerprinting technology from the state of the art in contentbased audio identification. The presented algorithm (denoted as ”rMAC” message authentication code) allows ”perception-based” verification of integrity. This means classifying integrity breaches as such not before they become audible. As another objective, this rMAC is embedded and stored silently inside the audio media by means of audio watermarking technology. This approach allows maintaining the authentication code across the above-mentioned admissible post-processing operations and making it available for integrity verification at a later date. For this, an existent secret-key ependent audio watermarking algorithm is used and enhanced in this thesis work. To some extent, the dependency of the rMAC and of the watermarking processing from a secret key also allows authenticating the origin of a protected audio. To elaborate on this security aspect, this work also estimates the brute-force efforts of an adversary attacking this combined rMAC-watermarking approach. The experimental results show that the proposed method provides a good distinction and classification performance of authentic versus doctored audio content. It also allows the temporal localization of audible data modification within a protected audio file. The experimental evaluation finally provides recommendations about technical configuration settings of the combined watermarking-hashing approach. Beyond the main topic of perception-based data integrity and data authenticity for audio, this PhD work provides new general findings in the fields of audio fingerprinting and digital watermarking. The main contributions of this PhD were published and presented mainly at conferences about multimedia security. These publications were cited by a number of other authors and hence had some impact on their works

    Digital audio watermarking for broadcast monitoring and content identification

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    Copyright legislation was prompted exactly 300 years ago by a desire to protect authors against exploitation of their work by others. With regard to modern content owners, Digital Rights Management (DRM) issues have become very important since the advent of the Internet. Piracy, or illegal copying, costs content owners billions of dollars every year. DRM is just one tool that can assist content owners in exercising their rights. Two categories of DRM technologies have evolved in digital signal processing recently, namely digital fingerprinting and digital watermarking. One area of Copyright that is consistently overlooked in DRM developments is 'Public Performance'. The research described in this thesis analysed the administration of public performance rights within the music industry in general, with specific focus on the collective rights and broadcasting sectors in Ireland. Limitations in the administration of artists' rights were identified. The impact of these limitations on the careers of developing artists was evaluated. A digital audio watermarking scheme is proposed that would meet the requirements of both the broadcast and collective rights sectors. The goal of the scheme is to embed a standard identifier within an audio signal via modification of its spectral properties in such a way that it would be robust and perceptually transparent. Modification of the audio signal spectrum was attempted in a variety of ways. A method based on a super-resolution frequency identification technique was found to be most effective. The watermarking scheme was evaluated for robustness and found to be extremely effective in recovering embedded watermarks in music signals using a semi-blind decoding process. The final digital audio watermarking algorithm proposed facilitates the development of other applications in the domain of broadcast monitoring for the purposes of equitable royalty distribution along with additional applications and extension to other domains
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