Proceedings of the 11th Toulon-Verona International Conference on Quality in Services

The Toulon-Verona Conference was founded in 1998 by prof. Claudio Baccarani of the University of Verona, Italy, and prof. Michel Weill of the University of Toulon, France. It has been organized each year in a different place in Europe in cooperation with a host university (Toulon 1998, Verona 1999, Derby 2000, Mons 2001, Lisbon 2002, Oviedo 2003, Toulon 2004, Palermo 2005, Paisley 2006, Thessaloniki 2007, Florence, 2008). Originally focusing on higher education institutions, the research themes have over the years been extended to the health sector, local government, tourism, logistics, banking services. Around a hundred delegates from about twenty different countries participate each year and nearly one thousand research papers have been published over the last ten years, making of the conference one of the major events in the field of quality in services

Becoming Soil: Five Contemporary Cases in Eco Materialism (On Art, Fermentation, and Soil Remediation)

This dissertation proposes a new approach to soil remediation that I term becoming soil. Becoming soil seeks to help reclaim soil’s aesthetic dimensions, dimensions where soil is dynamic and alive. I argue that soil remediation is an artistic, creative, and collaborative practice that goes well beyond a romantic attempt to recover a lost fertile ground. Instead, it invites the senses to become invested in the continuous processes that keep soil alive. Furthermore, the dissertation reveals the hidden aesthetic underpinning of soil depletion, a crucial environmental problem, while offering creative means to resist the massive and adverse impact that humans have on soil. To this end, the subject of Becoming Soil is examined through five operational questions: a) What is Value? b) What Hides? c) What Remains? d) What Resurfaces? and e) What is Recovered? That correspond to the five artworks by artists Claire Pentecost’s Soil-Erg (2012), Frances Whitehead’s SLOW Clean-up (2008-10), Mel Chin’s Revival Field (1991—ongoing), Jea Rhim Lee’s Infinity Burial Project (2009—ongoing), and Wormfarm Institute creative initiatives on art and agriculture, Fermentation Fest (2010—ongoing). I answer these questions in the light of contemporary ecological theory; more precisely, eco criticism and eco materialism, than like fermentation, are methods of transformation (a giving and and taking in reciprocity) that benefit both the aesthetic and scientific aspects of soil remediation. These methods make tangible transdisciplinary collaborations possible. Illuminate the impact of humans on soil, becoming soil reveals the possibilities for new artistic, scientific, economic, social, and political engagements that are soil centric. Moreover, becoming soil amplifies the aesthetic dimensions of soil remediation, helping to restore the sensual experiences of eating nutritious food, standing on solid ground, and the enigmatic return to the soil in death.https://digitalmaine.com/academic/1044/thumbnail.jp