Towards Automatic Face-to-Face Translation

In light of the recent breakthroughs in automatic machine translation systems, we propose a novel approach that we term as "Face-to-Face Translation". As today's digital communication becomes increasingly visual, we argue that there is a need for systems that can automatically translate a video of a person speaking in language A into a target language B with realistic lip synchronization. In this work, we create an automatic pipeline for this problem and demonstrate its impact on multiple real-world applications. First, we build a working speech-to-speech translation system by bringing together multiple existing modules from speech and language. We then move towards "Face-to-Face Translation" by incorporating a novel visual module, LipGAN for generating realistic talking faces from the translated audio. Quantitative evaluation of LipGAN on the standard LRW test set shows that it significantly outperforms existing approaches across all standard metrics. We also subject our Face-to-Face Translation pipeline, to multiple human evaluations and show that it can significantly improve the overall user experience for consuming and interacting with multimodal content across languages. Code, models and demo video are made publicly available. Demo video: https://www.youtube.com/watch?v=aHG6Oei8jF0 Code and models: https://github.com/Rudrabha/LipGANComment: 9 pages (including references), 5 figures, Published in ACM Multimedia, 201

Final Report to NSF of the Standards for Facial Animation Workshop

The human face is an important and complex communication channel. It is a very familiar and sensitive object of human perception. The facial animation field has increased greatly in the past few years as fast computer graphics workstations have made the modeling and real-time animation of hundreds of thousands of polygons affordable and almost commonplace. Many applications have been developed such as teleconferencing, surgery, information assistance systems, games, and entertainment. To solve these different problems, different approaches for both animation control and modeling have been developed

Automatic Video Self Modeling for Voice Disorder

Video self modeling (VSM) is a behavioral intervention technique in which a learner models a target behavior by watching a video of him- or herself. In the field of speech language pathology, the approach of VSM has been successfully used for treatment of language in children with Autism and in individuals with fluency disorder of stuttering. Technical challenges remain in creating VSM contents that depict previously unseen behaviors. In this paper, we propose a novel system that synthesizes new video sequences for VSM treatment of patients with voice disorders. Starting with a video recording of a voice-disorder patient, the proposed system replaces the coarse speech with a clean, healthier speech that bears resemblance to the patient’s original voice. The replacement speech is synthesized using either a text-to-speech engine or selecting from a database of clean speeches based on a voice similarity metric. To realign the replacement speech with the original video, a novel audiovisual algorithm that combines audio segmentation with lip-state detection is proposed to identify corresponding time markers in the audio and video tracks. Lip synchronization is then accomplished by using an adaptive video re-sampling scheme that minimizes the amount of motion jitter and preserves the spatial sharpness. Results of both objective measurements and subjective evaluations on a dataset with 31 subjects demonstrate the effectiveness of the proposed techniques

The computer synthesis of expressive three-dimensional facial character animation.

This present research is concerned with the design, development and implementation of three-dimensional computer-generated facial images capable of expression gesture and speech. A review of previous work in chapter one shows that to date the model of computer-generated faces has been one in which construction and animation were not separated and which therefore possessed only a limited expressive range. It is argued in chapter two that the physical description of the face cannot be seen as originating from a single generic mould. Chapter three therefore describes data acquisition techniques employed in the computer generation of free-form surfaces which are applicable to three-dimensional faces. Expressions are the result of the distortion of the surface of the skin by the complex interactions of bone, muscle and skin. Chapter four demonstrates with static images and short animation sequences in video that a muscle model process algorithm can simulate the primary characteristics of the facial muscles. Three-dimensional speech synchronization was the most complex problem to achieve effectively. Chapter five describes two successful approaches: the direct mapping of mouth shapes in two dimensions to the model in three dimensions, and geometric distortions of the mouth created by the contraction of specified muscle combinations. Chapter six describes the implementation of software for this research and argues the case for a parametric approach. Chapter seven is concerned with the control of facial articulations and discusses a more biological approach to these. Finally chapter eight draws conclusions from the present research and suggests further extensions

Lip syncing method for realistic expressive 3D face model

Lip synchronization of 3D face model is now being used in a multitude of important fields. It brings a more human, social and dramatic reality to computer games, films and interactive multimedia, and is growing in use and importance. High level of realism can be used in demanding applications such as computer games and cinema. Authoring lip syncing with complex and subtle expressions is still difficult and fraught with problems in terms of realism. This research proposed a lip syncing method of realistic expressive 3D face model. Animated lips requires a 3D face model capable of representing the myriad shapes the human face experiences during speech and a method to produce the correct lip shape at the correct time. The paper presented a 3D face model designed to support lip syncing that align with input audio file. It deforms using Raised Cosine Deformation (RCD) function that is grafted onto the input facial geometry. The face model was based on MPEG-4 Facial Animation (FA) Standard. This paper proposed a method to animate the 3D face model over time to create animated lip syncing using a canonical set of visemes for all pairwise combinations of a reduced phoneme set called ProPhone. The proposed research integrated emotions by the consideration of Ekman model and Plutchik’s wheel with emotive eye movements by implementing Emotional Eye Movements Markup Language (EEMML) to produce realistic 3D face model. © 2017 Springer Science+Business Media New Yor

Synchronizing Keyframe Facial Animation to Multiple Text-to-Speech Engines and Natural Voice with Fast Response Time

This thesis aims to create an automated lip-synchronization system for real-time applications. Specifically, the system is required to be fast, consist of a limited number of keyframes with small memory requirements, and create fluid and believable animations that synchronize with text-to-speech engines as well as raw voice data. The algorithms utilize traditional keyframe animation and a novel method of keyframe selection. Additionally, phoneme-to-keyframe mapping, synchronization, and simple blending rules are employed. The algorithms provide blending between keyframe images, borrow information from neighboring phonemes, accentuate phonemes b, p and m, differentiate between keyframes for phonemes with allophonic variations, and provide prosodromic variation by including emotion while speaking. The lip-sync animation synchronizes with multiple synthesized voices and human speech. A fast and versatile online real-time java chat interface is created to exhibit vivid facial animation. Results show that the animation algorithms are fast and show accurate lip-synchronization. Additionally, surveys showed that the animations are visually pleasing and improve speech understandability 96% of the time. Applications for this project include internet chat capabilities, interactive teaching of foreign languages, animated news broadcasting, enhanced game technology, and cell phone messaging