79,684 research outputs found
Learning to Synthesize a 4D RGBD Light Field from a Single Image
We present a machine learning algorithm that takes as input a 2D RGB image
and synthesizes a 4D RGBD light field (color and depth of the scene in each ray
direction). For training, we introduce the largest public light field dataset,
consisting of over 3300 plenoptic camera light fields of scenes containing
flowers and plants. Our synthesis pipeline consists of a convolutional neural
network (CNN) that estimates scene geometry, a stage that renders a Lambertian
light field using that geometry, and a second CNN that predicts occluded rays
and non-Lambertian effects. Our algorithm builds on recent view synthesis
methods, but is unique in predicting RGBD for each light field ray and
improving unsupervised single image depth estimation by enforcing consistency
of ray depths that should intersect the same scene point. Please see our
supplementary video at https://youtu.be/yLCvWoQLnmsComment: International Conference on Computer Vision (ICCV) 201
Steered mixture-of-experts for light field images and video : representation and coding
Research in light field (LF) processing has heavily increased over the last decade. This is largely driven by the desire to achieve the same level of immersion and navigational freedom for camera-captured scenes as it is currently available for CGI content. Standardization organizations such as MPEG and JPEG continue to follow conventional coding paradigms in which viewpoints are discretely represented on 2-D regular grids. These grids are then further decorrelated through hybrid DPCM/transform techniques. However, these 2-D regular grids are less suited for high-dimensional data, such as LFs. We propose a novel coding framework for higher-dimensional image modalities, called Steered Mixture-of-Experts (SMoE). Coherent areas in the higher-dimensional space are represented by single higher-dimensional entities, called kernels. These kernels hold spatially localized information about light rays at any angle arriving at a certain region. The global model consists thus of a set of kernels which define a continuous approximation of the underlying plenoptic function. We introduce the theory of SMoE and illustrate its application for 2-D images, 4-D LF images, and 5-D LF video. We also propose an efficient coding strategy to convert the model parameters into a bitstream. Even without provisions for high-frequency information, the proposed method performs comparable to the state of the art for low-to-mid range bitrates with respect to subjective visual quality of 4-D LF images. In case of 5-D LF video, we observe superior decorrelation and coding performance with coding gains of a factor of 4x in bitrate for the same quality. At least equally important is the fact that our method inherently has desired functionality for LF rendering which is lacking in other state-of-the-art techniques: (1) full zero-delay random access, (2) light-weight pixel-parallel view reconstruction, and (3) intrinsic view interpolation and super-resolution
DeLight-Net: Decomposing Reflectance Maps into Specular Materials and Natural Illumination
In this paper we are extracting surface reflectance and natural environmental
illumination from a reflectance map, i.e. from a single 2D image of a sphere of
one material under one illumination. This is a notoriously difficult problem,
yet key to various re-rendering applications. With the recent advances in
estimating reflectance maps from 2D images their further decomposition has
become increasingly relevant.
To this end, we propose a Convolutional Neural Network (CNN) architecture to
reconstruct both material parameters (i.e. Phong) as well as illumination (i.e.
high-resolution spherical illumination maps), that is solely trained on
synthetic data. We demonstrate that decomposition of synthetic as well as real
photographs of reflectance maps, both in High Dynamic Range (HDR), and, for the
first time, on Low Dynamic Range (LDR) as well. Results are compared to
previous approaches quantitatively as well as qualitatively in terms of
re-renderings where illumination, material, view or shape are changed.Comment: Stamatios Georgoulis and Konstantinos Rematas contributed equally to
this wor
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