Alignment using an uncalibrated camera system

We describe a method for the visual control of a robotic system which does not require the formulation of an explicit calibration between image coordinates and the world coordinates. By extracting control information directly from the image, we free our technique from the errors normally associated with a fixed calibration. We attach a camera system to a robot such that the camera system and the robot's gripper rotate simultaneously. As the camera system rotates about the gripper's rotational axis, the circular path traced out by a point-like feature projects to an elliptical path in image space. We gather the projected feature points over part of a rotation and fit the gathered data to an ellipse. The distance from the rotational axis to the feature point in world space is proportional to the size of the generated ellipse. As the rotational axis gets closer to the feature, the feature's projected path will form smaller and smaller ellipses. When the rotational axis is directly above the object, the trajectory degenerates from an ellipse to a single point. We demonstrate the efficacy of the algorithm on the peg-in-hole problem

Image based visual servoing using bitangent points applied to planar shape alignment

We present visual servoing strategies based on bitangents for aligning planar shapes. In order to acquire bitangents we use convex-hull of a curve. Bitangent points are employed in the construction of a feature vector to be used in visual control. Experimental results obtained on a 7 DOF Mitsubishi PA10 robot, verifies the proposed method

Visual servoing of aerial manipulators

The final publication is available at link.springer.comThis chapter describes the classical techniques to control an aerial manipulator by means of visual information and presents an uncalibrated image-based visual servo method to drive the aerial vehicle. The proposed technique has the advantage that it contains mild assumptions about the principal point and skew values of the camera, and it does not require prior knowledge of the focal length, in contrast to traditional image-based approaches.Peer ReviewedPostprint (author's final draft

Hierarchical structure-and-motion recovery from uncalibrated images

This paper addresses the structure-and-motion problem, that requires to find camera motion and 3D struc- ture from point matches. A new pipeline, dubbed Samantha, is presented, that departs from the prevailing sequential paradigm and embraces instead a hierarchical approach. This method has several advantages, like a provably lower computational complexity, which is necessary to achieve true scalability, and better error containment, leading to more stability and less drift. Moreover, a practical autocalibration procedure allows to process images without ancillary information. Experiments with real data assess the accuracy and the computational efficiency of the method.Comment: Accepted for publication in CVI

Cross-calibration of Time-of-flight and Colour Cameras

Time-of-flight cameras provide depth information, which is complementary to the photometric appearance of the scene in ordinary images. It is desirable to merge the depth and colour information, in order to obtain a coherent scene representation. However, the individual cameras will have different viewpoints, resolutions and fields of view, which means that they must be mutually calibrated. This paper presents a geometric framework for this multi-view and multi-modal calibration problem. It is shown that three-dimensional projective transformations can be used to align depth and parallax-based representations of the scene, with or without Euclidean reconstruction. A new evaluation procedure is also developed; this allows the reprojection error to be decomposed into calibration and sensor-dependent components. The complete approach is demonstrated on a network of three time-of-flight and six colour cameras. The applications of such a system, to a range of automatic scene-interpretation problems, are discussed.Comment: 18 pages, 12 figures, 3 table