The Audio Degradation Toolbox and its Application to Robustness Evaluation

We introduce the Audio Degradation Toolbox (ADT) for the controlled degradation of audio signals, and propose its usage as a means of evaluating and comparing the robustness of audio processing algorithms. Music recordings encountered in practical applications are subject to varied, sometimes unpredictable degradation. For example, audio is degraded by low-quality microphones, noisy recording environments, MP3 compression, dynamic compression in broadcasting or vinyl decay. In spite of this, no standard software for the degradation of audio exists, and music processing methods are usually evaluated against clean data. The ADT fills this gap by providing Matlab scripts that emulate a wide range of degradation types. We describe 14 degradation units, and how they can be chained to create more complex, `real-world' degradations. The ADT also provides functionality to adjust existing ground-truth, correcting for temporal distortions introduced by degradation. Using four different music informatics tasks, we show that performance strongly depends on the combination of method and degradation applied. We demonstrate that specific degradations can reduce or even reverse the performance difference between two competing methods. ADT source code, sounds, impulse responses and definitions are freely available for download

Non-linear echo cancellation - a Bayesian approach

Echo cancellation literature is reviewed, then a Bayesian model is introduced and it is shown how how it can be used to model and fit nonlinear channels. An algorithm for cancellation of echo over a nonlinear channel is developed and tested. It is shown that this nonlinear algorithm converges for both linear and nonlinear channels and is superior to linear echo cancellation for canceling an echo through a nonlinear echo-path channel

The DiTME Project: interdisciplinary research in music technology

This paper profiles the emergence of a significant body of research in audio engineering within the Faculties of Engineering and Applied Arts at Dublin Institute of Technology. Over a period of five years the group has had significant success in completing a Strand 3 research project entitled Digital Tools for Music Education (DiTME)

Automatic annotation of musical audio for interactive applications

PhDAs machines become more and more portable, and part of our everyday life, it becomes apparent that developing interactive and ubiquitous systems is an important aspect of new music applications created by the research community. We are interested in developing a robust layer for the automatic annotation of audio signals, to be used in various applications, from music search engines to interactive installations, and in various contexts, from embedded devices to audio content servers. We propose adaptations of existing signal processing techniques to a real time context. Amongst these annotation techniques, we concentrate on low and mid-level tasks such as onset detection, pitch tracking, tempo extraction and note modelling. We present a framework to extract these annotations and evaluate the performances of different algorithms. The first task is to detect onsets and offsets in audio streams within short latencies. The segmentation of audio streams into temporal objects enables various manipulation and analysis of metrical structure. Evaluation of different algorithms and their adaptation to real time are described. We then tackle the problem of fundamental frequency estimation, again trying to reduce both the delay and the computational cost. Different algorithms are implemented for real time and experimented on monophonic recordings and complex signals. Spectral analysis can be used to label the temporal segments; the estimation of higher level descriptions is approached. Techniques for modelling of note objects and localisation of beats are implemented and discussed. Applications of our framework include live and interactive music installations, and more generally tools for the composers and sound engineers. Speed optimisations may bring a significant improvement to various automated tasks, such as automatic classification and recommendation systems. We describe the design of our software solution, for our research purposes and in view of its integration within other systems.EU-FP6-IST-507142 project SIMAC (Semantic Interaction with Music Audio Contents); EPSRC grants GR/R54620; GR/S75802/01

Speech Enhancement By Exploiting The Baseband Phase Structure Of Voiced Speech For Effective Non-Stationary Noise Estimation

Speech enhancement is one of the most important and challenging issues in the speech communication and signal processing field. It aims to minimize the effect of additive noise on the quality and intelligibility of the speech signal. Speech quality is the measure of noise remaining after the processing on the speech signal and of how pleasant the resulting speech sounds, while intelligibility refers to the accuracy of understanding speech. Speech enhancement algorithms are designed to remove the additive noise with minimum speech distortion.The task of speech enhancement is challenging due to lack of knowledge about the corrupting noise. Hence, the most challenging task is to estimate the noise which degrades the speech. Several approaches has been adopted for noise estimation which mainly fall under two categories: single channel algorithms and multiple channel algorithms. Due to this, the speech enhancement algorithms are also broadly classified as single and multiple channel enhancement algorithms.In this thesis, speech enhancement is studied in acoustic and modulation domains along with both amplitude and phase enhancement. We propose a noise estimation technique based on the spectral sparsity, detected by using the harmonic property of voiced segment of the speech. We estimate the frame to frame phase difference for the clean speech from available corrupted speech. This estimated frame-to-frame phase difference is used as a means of detecting the noise-only frequency bins even in voiced frames. This gives better noise estimation for the highly non-stationary noises like babble, restaurant and subway noise. This noise estimation along with the phase difference as an additional prior is used to extend the standard spectral subtraction algorithm. We also verify the effectiveness of this noise estimation technique when used with the Minimum Mean Squared Error Short Time Spectral Amplitude Estimator (MMSE STSA) speech enhancement algorithm. The combination of MMSE STSA and spectral subtraction results in further improvement of speech quality