Incorporating Edge Information in Digital Halftoning

Digital halftoning is the process of generating a binary image preserving gray shade information so as to make the binary image appears visually similar to gray image. It was used in printing machines and display devices to produce binary images having gray shades. Ordered dithering and error diffusion methods are two most popular methods to generate halftone image. Generally, in a halftone image, the edges become blurred or loses its sharpness. Edges carry significant information of the foreground objects in an image and increase visual clarity by distinguishing the objects from background. A method is proposed to generate edge sharpened halftone images using a strong unsharp masks. Such edge sharpened halftone images are visually more pleasing and informative as compared with the normal halftone images. The proposed method is found to be better than Xin-Li’s edge-adaptive method of generating halftone images.Keywords: Digital halftoning, edge enhancement, unsharp masking, error diffusion, Sierra’s Filter*Cite as: Yumnam Kirani Singh, “Incorporating Edge Information in Digital Halftoning†ADBU J.Engg Tech., 1(2014) 0011403(6pp

Layer Decomposition Learning Based on Gaussian Convolution Model and Residual Deblurring for Inverse Halftoning

Layer decomposition to separate an input image into base and detail layers has been steadily used for image restoration. Existing residual networks based on an additive model require residual layers with a small output range for fast convergence and visual quality improvement. However, in inverse halftoning, homogenous dot patterns hinder a small output range from the residual layers. Therefore, a new layer decomposition network based on the Gaussian convolution model (GCM) and structure-aware deblurring strategy is presented to achieve residual learning for both the base and detail layers. For the base layer, a new GCM-based residual subnetwork is presented. The GCM utilizes a statistical distribution, in which the image difference between a blurred continuous-tone image and a blurred halftoned image with a Gaussian filter can result in a narrow output range. Subsequently, the GCM-based residual subnetwork uses a Gaussian-filtered halftoned image as input and outputs the image difference as residual, thereby generating the base layer, i.e., the Gaussian-blurred continuous-tone image. For the detail layer, a new structure-aware residual deblurring subnetwork (SARDS) is presented. To remove the Gaussian blurring of the base layer, the SARDS uses the predicted base layer as input and outputs the deblurred version. To more effectively restore image structures such as lines and texts, a new image structure map predictor is incorporated into the deblurring network to induce structure-adaptive learning. This paper provides a method to realize the residual learning of both the base and detail layers based on the GCM and SARDS. In addition, it is verified that the proposed method surpasses state-of-the-art methods based on U-Net, direct deblurring networks, and progressively residual networks

Digital Color Imaging

This paper surveys current technology and research in the area of digital color imaging. In order to establish the background and lay down terminology, fundamental concepts of color perception and measurement are first presented us-ing vector-space notation and terminology. Present-day color recording and reproduction systems are reviewed along with the common mathematical models used for representing these devices. Algorithms for processing color images for display and communication are surveyed, and a forecast of research trends is attempted. An extensive bibliography is provided

Digital halftoning using fibonacci-like sequence pertubation and using vision-models in different color spaces

A disadvantage in error diffusion is that it creates objectionable texture patterns at certain gray levels. An approach, threshold perturbation by Fibonacci-like sequences, was studied. This process is simpler than applying a vision model and it also decreases the visible patterns in error diffusion. Vector error diffusion guarantees minimum color distance in binarization provided that a uniform color space is used. Four color spaces were studied in this research. It was found that vector error diffusion in two linear color spaces made no reduction in the quality of halftoning compared with that in CIEL*a*b* or CIEL*u*v* color spaces. A luminance vision MTF and a chroma vision MTF were used in model-based error diffusion to further improve the halftone image quality

Emerging Methods for Color Image and Video Quality Enhancement

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Novel methods in image halftoning

Ankara : Department of Electrical and Electronics Engineering and Institute of Engineering and Science, Bilkent Univ., 1998.Thesis (Master's) -- Bilkent University, 1998.Includes bibliographical references leaves 97-101Halftoning refers to the problem of rendering continuous-tone (contone) images on display and printing devices which are capable of reproducing only a limited number of colors. A new adaptive halftoning method using the adaptive QR- RLS algorithm is developed for error diffusion which is one of the halftoning techniques. Also, a diagonal scanning strategy to exploit the human visual system properties in processing the image is proposed. Simulation results on color images demonstrate the superior quality of the new method compared to the existing methods. Another problem studied in this thesis is inverse halftoning which is the problem of recovering a contone image from a given halftoned image. A novel inverse halftoning method is developed for restoring a contone image from the halftoned image. A set theoretic formulation is used where sets are defined using the prior information about the problem. A new space domain projection is introduced assuming the halftoning is performed ,with error diffusion, and the error diffusion filter kernel is known. The space domain, frequency domain, and space-scale domain projections are used alternately to obtain a feasible solution for the inverse halftoning problem which does not have a unique solution. Simulation results for both grayscale and color images give good results, and demonstrate the effectiveness of the proposed inverse halftoning method.Bozkurt, GözdeM.S

Threshold modulation in 1-D error diffusion

Error diffusion (ED) is widely used in digital imaging as a binarization process which preserves fine detail and results in pleasant images. The process resembles the human visual system in that it exhibits an intrinsic edge enhancement An additional extrinsic edge enhancement can be controlled by varying the threshold. None of these characteristics has yet been fully explained due to the lack of a suitable mathematical model of the algorithm. The extrinsic sharpening introduced in 1-D error diffusion is the subject of this thesis. An available pulse density modulation(PDM) model generated from a frequency modulation is used to gain a better understanding of variables in ED. As a result, threshold variation fits the model as an additional phase modulation. Equivalent images are obtained by applying ED with threshold modulation or by preprocessing an image with an appropriate convolution mask and subsequently running standard ED

Visual-Based error diffusion for printers

An approach for halftoning is presented that incorporates a printer model and also explicitly uses the human visual model. Conventional methods, such as clustered-dot screening or dispersed-dot screening, do not solve the gray-level distortion of printers and just implicitly use the eye as a lowpass filter. Error diffusion accounts for errors when processing subsequent pixels to minimize the overall mean-square errors. Recently developed model-based halftoning technique eliminates the effect of printer luminance distortion, but this method does not consider the filtering action of the eye, that is, some artifacts of standard error diffusion still exist when the printing resolution and view distance change. Another visual error diffusion method incorporates the human visual filter into error diffusion and results in improved noise characteristics and better resolution for structured image regions, but gray levels are still distorted. Experiments prove that human viewers judge the quality of a halftoning image based mainly on the region which exhibits the worst local error, and low-frequency distortions introduced by the halftoning process are responsible for more visually annoying artifacts in the halftone image than high-frequency distortion. Consequently, we adjust the correction factors of the feedback filter by local characteristics and adjust the dot patterns for some gray levels to minimize the visual blurred local error. Based on the human visual model, we obtain the visual-based error diffusion algorithm, and further we will also incorporate the printer model to correct the printing distortion. The artifacts connected with standard error diffusion are expected to be eliminated or decreased and therefore better print quality should be achieved. In addition to qualitative analysis, we also introduce a subjective evaluation of algorithms. The tests show that the algorithms developed here have improved the performance of error diffusion for printers

M-lattice, a system for signal synthesis and processing based on reaction-diffusion

Thesis (Sc. D.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 1994.Includes bibliographical references (leaves 148-154).by Alexander Semyon Sherstinsky.Sc.D

Editorial : emerging methods for color image and video quality enhancement

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