Towards a flexible open-source software library for multi-layered scholarly textual studies: An Arabic case study dealing with semi-automatic language processing

This paper presents both the general model and a case study of the Computational and Collaborative Philology Library (CoPhiLib), an ongoing initiative underway at the Institute for Computational Linguistics (ILC) of the National Research Council (CNR), Pisa, Italy. The library, designed and organized as a reusable, abstract and open-source software component, aims at solving the needs of multi-lingual and cross-lingual analysis by exposing common Application Programming Interfaces (APIs). The core modules, coded by the Java programming language, constitute the groundwork of a Web platform designed to deal with textual scholarly needs. The Web application, implemented according to the Java Enterprise specifications, focuses on multi-layered analysis for the study of literary documents and related multimedia sources. This ambitious challenge seeks to obtain the management of textual resources, on the one hand by abstracting from current language, on the other hand by decoupling from the specific requirements of single projects. This goal is achieved thanks to methodologies declared by the 'agile process', and by putting into effect suitable use case modeling, design patterns, and component-based architectures. The reusability and flexibility of the system have been tested on an Arabic case study: the system allows users to choose the morphological engine (such as AraMorph or Al-Khalil), along with linguistic granularity (i.e. with or without declension). Finally, the application enables the construction of annotated resources for further statistical engines (training set). © 2014 IEEE

Software tools for philological access of historical audio documents: virtual magnetic tape recorder developed using Web technologies

In this work we will first describe the concepts that stand at the very basis of the musical cultural heritage philological preservation processes. Then, after having introduced the state of art of Web technologies and web applications, we will show how their diffusion and evolution can be strengths towards the purpose of developing useful software tools for granting philiological access to audio documents, showcasing an example: the virtual magnetic tape recorde

Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment

This research advances the current state of knowledge in the field of early tape music both empirically and methodologically. The purpose of this study is to evaluate the impact that the electronic medium exerted in the musical thinking of Roberto Gerhard, one of the most outspoken, prolific and influential composers in the Spanish diaspora whose musical legacy, for the most part unknown, is a major landmark in the early history of electroacoustic music. Gerhard’s personal tape collection, one of the largest historical archives of its kind reported in the literature, is exceptional for both its antiquity (50+-year-old tapes) and its abundance of production materials. Through the digitisation and analysis of the composer’s tape collection this research argues that the empirical study of audio documents sets out a basis for a broader understanding of textual processes. More specifically, the research demonstrates that the reconstruction of works based on magnetic tape sketches is a powerful method to advance the understanding of early tape music. This research also examines Gerhard’s sound compositions in relation to the post-war context in which they were composed. Finally, this research presents performance documentation that proposes an approach to the electroacoustic music repertoire in which creativity is not at odds with rigor and critical discernment demonstrating that archival study can be closely aligned to the concept of re-enactment

Proceedings of the 15th Conference on Knowledge Organization WissOrg'17 of theGerman Chapter of the International Society for Knowledge Organization (ISKO),30th November - 1st December 2017, Freie Universität Berlin

Wissensorganisation is the name of a series of biennial conferences / workshops with a long tradition, organized by the German chapter of the International Society of Knowledge Organization (ISKO). The 15th conference in this series, held at Freie Universität Berlin, focused on knowledge organization for the digital humanities. Structuring, and interacting with, large data collections has become a major issue in the digital humanities. In these proceedings, various aspects of knowledge organization in the digital humanities are discussed, and the authors of the papers show how projects in the digital humanities deal with knowledge organization.Wissensorganisation ist der Name einer Konferenzreihe mit einer langjährigen Tradition, die von der Deutschen Sektion der International Society of Knowledge Organization (ISKO) organisiert wird. Die 15. Konferenz dieser Reihe, die an der Freien Universität Berlin stattfand, hatte ihren Schwerpunkt im Bereich Wissensorganisation und Digital Humanities. Die Strukturierung von und die Interaktion mit großen Datenmengen ist ein zentrales Thema in den Digital Humanities. In diesem Konferenzband werden verschiedene Aspekte der Wissensorganisation in den Digital Humanities diskutiert, und die Autoren der einzelnen Beiträge zeigen, wie die Digital Humanities mit Wissensorganisation umgehen

Designing a Library of Components for Textual Scholarship

Il presente lavoro affronta e descrive temi legati all'applicazione di nuove tecnologie, di metodologie informatiche e di progettazione software volti allo sviluppo di strumenti innovativi per le Digital Humanities (DH), un’area di studio caratterizzata da una forte interdisciplinarità e da una continua evoluzione. In particolare, questo contributo definisce alcuni specifici requisiti relativi al dominio del Literary Computing e al settore del Digital Textual Scholarship. Conseguentemente, il contesto principale di elaborazione tratta documenti scritti in latino, greco e arabo, nonché testi in lingue moderne contenenti temi storici e filologici. L'attività di ricerca si concentra sulla progettazione di una libreria modulare (TSLib) in grado di operare su fonti ad elevato valore culturale, al fine di editarle, elaborarle, confrontarle, analizzarle, visualizzarle e ricercarle. La tesi si articola in cinque capitoli. Il capitolo 1 riassume il contesto del dominio applicativo e fornisce un quadro generale degli obiettivi e dei benefici della ricerca. Il capitolo 2 illustra alcuni importanti lavori e iniziative analoghe, insieme a una breve panoramica dei risultati più significativi ottenuti nel settore delle DH. Il capitolo 3 ripercorre accuratamente e motiva il processo di progettazione messo a punto. Esso inizia con la descrizione dei principi tecnici adottati e mostra come essi vengono applicati al dominio d'interesse. Il capitolo continua definendo i requisiti, l'architettura e il modello del metodo proposto. Sono così evidenziati e discussi gli aspetti concernenti i design patterns e la progettazione delle Application Programming Interfaces (APIs). La parte finale del lavoro (capitolo 4) illustra i risultati ottenuti da concreti progetti di ricerca che, da un lato, hanno contribuito alla progettazione della libreria e, dall'altro, hanno avuto modo di sfruttarne gli sviluppi. Sono stati quindi discussi diversi temi: (a) l'acquisizione e la codifica del testo, (b) l'allineamento e la gestione delle varianti testuali, (c) le annotazioni multilivello. La tesi si conclude con alcune riflessioni e considerazioni indicando anche possibili percorsi d'indagine futuri (capitolo 5)

Graph Data-Models and Semantic Web Technologies in Scholarly Digital Editing

This volume is based on the selected papers presented at the Workshop on Scholarly Digital Editions, Graph Data-Models and Semantic Web Technologies, held at the Uni- versity of Lausanne in June 2019. The Workshop was organized by Elena Spadini (University of Lausanne) and Francesca Tomasi (University of Bologna), and spon- sored by the Swiss National Science Foundation through a Scientific Exchange grant, and by the Centre de recherche sur les lettres romandes of the University of Lausanne. The Workshop comprised two full days of vibrant discussions among the invited speakers, the authors of the selected papers, and other participants.1 The acceptance rate following the open call for papers was around 60%. All authors – both selected and invited speakers – were asked to provide a short paper two months before the Workshop. The authors were then paired up, and each pair exchanged papers. Paired authors prepared questions for one another, which were to be addressed during the talks at the Workshop; in this way, conversations started well before the Workshop itself. After the Workshop, the papers underwent a second round of peer-review before inclusion in this volume. This time, the relevance of the papers was not under discus- sion, but reviewers were asked to appraise specific aspects of each contribution, such as its originality or level of innovation, its methodological accuracy and knowledge of the literature, as well as more formal parameters such as completeness, clarity, and coherence. The bibliography of all of the papers is collected in the public Zotero group library GraphSDE20192, which has been used to generate the reference list for each contribution in this volume. The invited speakers came from a wide range of backgrounds (academic, commer- cial, and research institutions) and represented the different actors involved in the remediation of our cultural heritage in the form of graphs and/or in a semantic web en- vironment. Georg Vogeler (University of Graz) and Ronald Haentjens Dekker (Royal Dutch Academy of Sciences, Humanities Cluster) brought the Digital Humanities research perspective; the work of Hans Cools and Roberta Laura Padlina (University of Basel, National Infrastructure for Editions), as well as of Tobias Schweizer and Sepi- deh Alassi (University of Basel, Digital Humanities Lab), focused on infrastructural challenges and the development of conceptual and software frameworks to support re- searchers’ needs; Michele Pasin’s contribution (Digital Science, Springer Nature) was informed by his experiences in both academic research, and in commercial technology companies that provide services for the scientific community. The Workshop featured not only the papers of the selected authors and of the invited speakers, but also moments of discussion between interested participants. In addition to the common Q&A time, during the second day one entire session was allocated to working groups delving into topics that had emerged during the Workshop. Four working groups were created, with four to seven participants each, and each group presented a short report at the end of the session. Four themes were discussed: enhancing TEI from documents to data; ontologies for the Humanities; tools and infrastructures; and textual criticism. All of these themes are represented in this volume. The Workshop would not have been of such high quality without the support of the members of its scientific committee: Gioele Barabucci, Fabio Ciotti, Claire Clivaz, Marion Rivoal, Greta Franzini, Simon Gabay, Daniel Maggetti, Frederike Neuber, Elena Pierazzo, Davide Picca, Michael Piotrowski, Matteo Romanello, Maïeul Rouquette, Elena Spadini, Francesca Tomasi, Aris Xanthos – and, of course, the support of all the colleagues and administrative staff in Lausanne, who helped the Workshop to become a reality. The final versions of these papers underwent a single-blind peer review process. We want to thank the reviewers: Helena Bermudez Sabel, Arianna Ciula, Marilena Daquino, Richard Hadden, Daniel Jeller, Tiziana Mancinelli, Davide Picca, Michael Piotrowski, Patrick Sahle, Raffaele Viglianti, Joris van Zundert, and others who preferred not to be named personally. Your input enhanced the quality of the volume significantly! It is sad news that Hans Cools passed away during the production of the volume. We are proud to document a recent state of his work and will miss him and his ability to implement the vision of a digital scholarly edition based on graph data-models and semantic web technologies. The production of the volume would not have been possible without the thorough copy-editing and proof reading by Lucy Emmerson and the support of the IDE team, in particular Bernhard Assmann, the TeX-master himself. This volume is sponsored by the University of Bologna and by the University of Lausanne. Bologna, Lausanne, Graz, July 2021 Francesca Tomasi, Elena Spadini, Georg Vogele