Final report of the social pedagogy pilot programme: development and implementation

In 2008, the government commissioned Thomas Coram Research Unit, Institute of Education University of London to develop and implement a pilot programme in order to determine the impact of, and best method for, introducing a social pedagogic approach in residential children’s homes in line with the Care Matters White Paper’s commitment (DCSF 2007). The intentions were modest - to make some ‘ripples’ in the world of residential childcare. This report is of the development and implementation part of the pilot programme. There are around 2,000 children’s homes in England, run by private for profit, independent and public sector employers and around 6,500 young people are in residence at any one time (SFR 2009). Since 2002, children’s homes, as with other services for children, have been regulated by, and inspected against, national minimum standards, which, although not intended to be a benchmark of practice, or representing standardisation of provision (DH 2002), arguably implied just that. Clough, Bullock and Ward (2006) viewed the requirement to meet bureaucratic standards as risking the undervaluing of important and complex issues of quality and process. It was in this context that the pilot programme took place. As an established tradition in continental Europe, social pedagogy is often understood as ‘education in its broadest sense’ (Petrie et al. 2009) - an educational approach to social issues. Its breadth can be seen in its concern for the whole person as emotional, thinking and physical beings, promoting their active engagement in decisions about their own lives and as members of society. It is a discipline that takes account of the complexity of different social contexts. In continental European countries social pedagogues typically have a bachelor’s degree, combining academic knowledge, with practical, organisational and communication skills and often, the expressive arts and/or outdoor adventure/ environmental activities. Social pedagogues working in residential care in continental European countries expect to exercise a range of responsibilities both inward looking to the home itself and outward looking to the interface between the children’s home and the wider society to which the young person belongs. The pilot programme was designed around three groups of children’s homes or ‘pilot sites’ with differing social pedagogic input, ranging from social pedagogues trained overseas but working to residential care worker job titles, to social pedagogues working to social pedagogue job titles with, in addition, part of their time devoted to training and awareness raising activities. Children’s homes were selected for their stated support of the programme objectives and their willingness to learn about social pedagogy from the social pedagogues. Forty eight social pedagogues were recruited through employer’s recruitment procedures although some left before the end of the programme period

A systems approach to social entrepreneurship

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Thinking Skills in England's National Curriculum

This paper sets out to explore some of the issues raised by the introduction of a number of particular skills in the English National Curriculum known collectively as thinking skills. These skills are now embedded in the National Curriculum and teachers are required to address them as part of their daily duties. This paper argues that presenting such a limited selection of skills as the foundation for effective thinking may lead to an inadequate approach to enhancing pupils’ thinking. Although creative thinking is emphasised in addition to the considerable focus on reasoning in the list of thinking skills presented in the National Curriculum, silence prevails on other types of thinking of equal significance such as, contemplation and sign-cognition (a form of pre-verbal and pre-imaginal form of cognition). The paper attempts to highlight the need for the awareness of the complex nature of thinking and concludes by highlighting the opportunities that the introduction thinking skills offer teachers

The Professional Artist as Public School Educator: A Research Report of the Chicago Arts Partnerships in Education

Over the past eight years, the Chicago Arts Partnerships in Education (CAPE) has undergone an extensive regimen of program research and evaluation, utilizing both staff members and external consultants to collect, analyze, and interpret information on program effectiveness. This information has been used to shape and strengthen the partnership program each year in response to the needs of students, teachers and teaching artists as well as to changing political and cultural pressures within the Chicago Public School System. In addition,the documentation and publication of insights and lessons learned through arts integration experiences in the schools has contributed significantly to the wider body of research in the field of arts education.During the early years of the program, evaluation efforts focused on general descriptions of the program goals and objectives along with initial impacts on student life.Positive trends were identified in terms of administrative and faculty attitudes and increased involvement in thearts partnerships, due mainly to student interest. More recently, a closer, more detailed analysis of CAPE's growing influence on student learning, teaching practice and school climate has highlighted the value of quality, arts integrated instruction, including evidence of positive effects on standardized math and reading test scores.Last year, our research turned to program sustainability, partly in light of reduced funding, as well as to the assimilation of new partnership schools and an increasing organizational focus on the professional development of participating teachers and artists. In the vast majority of cases, CAPE partnerships have evolved through trials and successes to bring lasting effects on administrators, teachers, and students.Through these studies, it is increasingly apparent that the participation of well-trained teaching artists is a valuable, and in some cases vital, addition to the general education of youth. The presence and artistic know-how brought to the classroom by these talented, dedicated professionals can, and is, having notable, sustainable influence on whole school improvement through transforming the daily learning experiences of educators and students alike. Not only does the presence of a quality arts program enliven a school atmosphere and promote the advancement of artistic skills and aesthetic knowledge, but a closer look at rigorous arts integrated activities in the classroom is revealing important insights into the cognitive benefits of arts education. Not only can artfully constructed lessons that authentically bridge the arts and academic content domains assist in the acquisition of artistic understanding, but they can enhance learning across the academic curriculum and, perhaps more importantly, the underlying thinking curriculu

Teacher 2020. On the Road to Entrepreneurial Fluency in Teacher Education

No abstract available

Creative User-Centered Visualization Design for Energy Analysts and Modelers

We enhance a user-centered design process with techniques that deliberately promote creativity to identify opportunities for the visualization of data generated by a major energy supplier. Visualization prototypes developed in this way prove effective in a situation whereby data sets are largely unknown and requirements open – enabling successful exploration of possibilities for visualization in Smart Home data analysis. The process gives rise to novel designs and design metaphors including data sculpting. It suggests: that the deliberate use of creativity techniques with data stakeholders is likely to contribute to successful, novel and effective solutions; that being explicit about creativity may contribute to designers developing creative solutions; that using creativity techniques early in the design process may result in a creative approach persisting throughout the process. The work constitutes the first systematic visualization design for a data rich source that will be increasingly important to energy suppliers and consumers as Smart Meter technology is widely deployed. It is novel in explicitly employing creativity techniques at the requirements stage of visualization design and development, paving the way for further use and study of creativity methods in visualization design