Reducing Audible Spectral Discontinuities

In this paper, a common problem in diphone synthesis is discussed, viz., the occurrence of audible discontinuities at diphone boundaries. Informal observations show that spectral mismatch is most likely the cause of this phenomenon.We first set out to find an objective spectral measure for discontinuity. To this end, several spectral distance measures are related to the results of a listening experiment. Then, we studied the feasibility of extending the diphone database with context-sensitive diphones to reduce the occurrence of audible discontinuities. The number of additional diphones is limited by clustering consonant contexts that have a similar effect on the surrounding vowels on the basis of the best performing distance measure. A listening experiment has shown that the addition of these context-sensitive diphones significantly reduces the amount of audible discontinuities

Learning Timbre Analogies from Unlabelled Data by Multivariate Tree Regression

This is the Author's Original Manuscript of an article whose final and definitive form, the Version of Record, has been published in the Journal of New Music Research, November 2011, copyright Taylor & Francis. The published article is available online at http://www.tandfonline.com/10.1080/09298215.2011.596938

Relating Objective and Subjective Performance Measures for AAM-based Visual Speech Synthesizers

We compare two approaches for synthesizing visual speech using Active Appearance Models (AAMs): one that utilizes acoustic features as input, and one that utilizes a phonetic transcription as input. Both synthesizers are trained using the same data and the performance is measured using both objective and subjective testing. We investigate the impact of likely sources of error in the synthesized visual speech by introducing typical errors into real visual speech sequences and subjectively measuring the perceived degradation. When only a small region (e.g. a single syllable) of ground-truth visual speech is incorrect we find that the subjective score for the entire sequence is subjectively lower than sequences generated by our synthesizers. This observation motivates further consideration of an often ignored issue, which is to what extent are subjective measures correlated with objective measures of performance? Significantly, we find that the most commonly used objective measures of performance are not necessarily the best indicator of viewer perception of quality. We empirically evaluate alternatives and show that the cost of a dynamic time warp of synthesized visual speech parameters to the respective ground-truth parameters is a better indicator of subjective quality

Spectral discontinuity in concatenative speech synthesis – perception, join costs and feature transformations

This thesis explores the problem of determining an objective measure to represent human perception of spectral discontinuity in concatenative speech synthesis. Such measures are used as join costs to quantify the compatibility of speech units for concatenation in unit selection synthesis. No previous study has reported a spectral measure that satisfactorily correlates with human perception of discontinuity. An analysis of the limitations of existing measures and our understanding of the human auditory system were used to guide the strategies adopted to advance a solution to this problem. A listening experiment was conducted using a database of concatenated speech with results indicating the perceived continuity of each concatenation. The results of this experiment were used to correlate proposed measures of spectral continuity with the perceptual results. A number of standard speech parametrisations and distance measures were tested as measures of spectral continuity and analysed to identify their limitations. Time-frequency resolution was found to limit the performance of standard speech parametrisations.As a solution to this problem, measures of continuity based on the wavelet transform were proposed and tested, as wavelets offer superior time-frequency resolution to standard spectral measures. A further limitation of standard speech parametrisations is that they are typically computed from the magnitude spectrum. However, the auditory system combines information relating to the magnitude spectrum, phase spectrum and spectral dynamics. The potential of phase and spectral dynamics as measures of spectral continuity were investigated. One widely adopted approach to detecting discontinuities is to compute the Euclidean distance between feature vectors about the join in concatenated speech. The detection of an auditory event, such as the detection of a discontinuity, involves processing high up the auditory pathway in the central auditory system. The basic Euclidean distance cannot model such behaviour. A study was conducted to investigate feature transformations with sufficient processing complexity to mimic high level auditory processing. Neural networks and principal component analysis were investigated as feature transformations. Wavelet based measures were found to outperform all measures of continuity based on standard speech parametrisations. Phase and spectral dynamics based measures were found to correlate with human perception of discontinuity in the test database, although neither measure was found to contribute a significant increase in performance when combined with standard measures of continuity. Neural network feature transformations were found to significantly outperform all other measures tested in this study, producing correlations with perceptual results in excess of 90%

An Artificial Intelligence Approach to Concatenative Sound Synthesis

Sound examples are included with this thesisTechnological advancement such as the increase in processing power, hard disk capacity and network bandwidth has opened up many exciting new techniques to synthesise sounds, one of which is Concatenative Sound Synthesis (CSS). CSS uses data-driven method to synthesise new sounds from a large corpus of small sound snippets. This technique closely resembles the art of mosaicing, where small tiles are arranged together to create a larger image. A ‘target’ sound is often specified by users so that segments in the database that match those of the target sound can be identified and then concatenated together to generate the output sound. Whilst the practicality of CSS in synthesising sounds currently looks promising, there are still areas to be explored and improved, in particular the algorithm that is used to find the matching segments in the database. One of the main issues in CSS is the basis of similarity, as there are many perceptual attributes which sound similarity can be based on, for example it can be based on timbre, loudness, rhythm, and tempo and so on. An ideal CSS system needs to be able to decipher which of these perceptual attributes are anticipated by the users and then accommodate them by synthesising sounds that are similar with respect to the particular attribute. Failure to communicate the basis of sound similarity between the user and the CSS system generally results in output that mismatches the sound which has been envisioned by the user. In order to understand how humans perceive sound similarity, several elements that affected sound similarity judgment were first investigated. Of the four elements tested (timbre, melody, loudness, tempo), it was found that the basis of similarity is dependent on humans’ musical training where musicians based similarity on the timbral information, whilst non-musicians rely on melodic information. Thus, for the rest of the study, only features that represent the timbral information were included, as musicians are the target user for the findings of this study. Another issue with the current state of CSS systems is the user control flexibility, in particular during segment matching, where features can be assigned with different weights depending on their importance to the search. Typically, the weights (in some existing CSS systems that support the weight assigning mechanism) can only be assigned manually, resulting in a process that is both labour intensive and time consuming. Additionally, another problem was identified in this study, which is the lack of mechanism to handle homosonic and equidistant segments. These conditions arise when too few features are compared causing otherwise aurally different sounds to be represented by the same sonic values, or can also be a result of rounding off the values of the features extracted. This study addresses both of these problems through an extended use of Artificial Intelligence (AI). The Analysis Hierarchy Process (AHP) is employed to enable order dependent features selection, allowing weights to be assigned for each audio feature according to their relative importance. Concatenation distance is used to overcome the issues with homosonic and equidistant sound segments. The inclusion of AI results in a more intelligent system that can better handle tedious tasks and minimize human error, allowing users (composers) to worry less of the mundane tasks, and focusing more on the creative aspects of music making. In addition to the above, this study also aims to enhance user control flexibility in a CSS system and improve similarity result. The key factors that affect the synthesis results of CSS were first identified and then included as parametric options which users can control in order to communicate their intended creations to the system to synthesise. Comprehensive evaluations were carried out to validate the feasibility and effectiveness of the proposed solutions (timbral-based features set, AHP, and concatenation distance). The final part of the study investigates the relationship between perceived sound similarity and perceived sound interestingness. A new framework that integrates all these solutions, the query-based CSS framework, was then proposed. The proof-of-concept of this study, ConQuer, was developed based on this framework. This study has critically analysed the problems in existing CSS systems. Novel solutions have been proposed to overcome them and their effectiveness has been tested and discussed, and these are also the main contributions of this study.Malaysian Minsitry of Higher Education, Universiti Putra Malaysi

Locating Discontinuities in Synthetic Speech using a Perceptually Orientated Approach

A significant problem with unit selection based speech synthesis is the listener perception of sound discontinuities at which the speech waveforms are joined. This work demonstrates the application of three different perceptually motivated timefrequency representations and associated measures to the identification of such discontinuities

On the Computation of the Kullback-Leibler Measure for Spectral Distances

Efficient algorithms for the exact and approximate computation of the symmetrical Kullback-Leibler (1998) measure for spectral distances are presented for linear predictive coding (LPC) spectra. A interpretation of this measure is given in terms of the poles of the spectra. The performances of the algorithms in terms of accuracy and computational complexity are assessed for the application of computing concatenation costs in unit-selection-based speech synthesis. With the same complexity and storage requirements, the exact method is superior in terms of accuracy

Statistical prediction of spectral discontinuities of speech in concatenative synthesis

La estimación de discontinuidades espectrales es uno de los mayores problemas en el ámbito de la síntesis concatenativa del habla. Este artículo presenta una metodología basada en el estudio del comportamiento estadístico de medidas objetivas sobre uniones naturales. El objetivo es definir un proceso automático para seleccionar qué medidas emplear como coste de unión para sintetizar un habla lo más natural posible. El artículo presenta los resultados objetivos y subjetivos que permiten validar la propuesta.The estimation of spectral discontinuities is one of the most common problems in speech concatenative synthesis. This paper introduces a methodology based on analyzing the statistical behaviour of objective measures for natural concatenations. The main goal is defining an automatic process capable of including the most appropriate measures as concatenation cost to generate high quality synthetic speech. This paper describes both the objective and subjective results for validating the proposal