4 research outputs found

    MĂ©thodes de tatouage robuste pour la protection de l imagerie numerique 3D

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    La multiplication des contenus stéréoscopique augmente les risques de piratage numérique. La solution technologique par tatouage relève ce défi. En pratique, le défi d une approche de tatouage est d'atteindre l équilibre fonctionnel entre la transparence, la robustesse, la quantité d information insérée et le coût de calcul. Tandis que la capture et l'affichage du contenu 3D ne sont fondées que sur les deux vues gauche/droite, des représentations alternatives, comme les cartes de disparité devrait également être envisagée lors de la transmission/stockage. Une étude spécifique sur le domaine d insertion optimale devient alors nécessaire. Cette thèse aborde les défis mentionnés ci-dessus. Tout d'abord, une nouvelle carte de disparité (3D video-New Three Step Search- 3DV-SNSL) est développée. Les performances des 3DV-NTSS ont été évaluées en termes de qualité visuelle de l'image reconstruite et coût de calcul. En comparaison avec l'état de l'art (NTSS et FS-MPEG) des gains moyens de 2dB en PSNR et 0,1 en SSIM sont obtenus. Le coût de calcul est réduit par un facteur moyen entre 1,3 et 13. Deuxièmement, une étude comparative sur les principales classes héritées des méthodes de tatouage 2D et de leurs domaines d'insertion optimales connexes est effectuée. Quatre méthodes d'insertion appartenant aux familles SS, SI et hybride (Fast-IProtect) sont considérées. Les expériences ont mis en évidence que Fast-IProtect effectué dans la nouvelle carte de disparité (3DV-NTSS) serait suffisamment générique afin de servir une grande variété d'applications. La pertinence statistique des résultats est donnée par les limites de confiance de 95% et leurs erreurs relatives inférieurs er <0.1The explosion in stereoscopic video distribution increases the concerns over its copyright protection. Watermarking can be considered as the most flexible property right protection technology. The watermarking applicative issue is to reach the trade-off between the properties of transparency, robustness, data payload and computational cost. While the capturing and displaying of the 3D content are solely based on the two left/right views, some alternative representations, like the disparity maps should also be considered during transmission/storage. A specific study on the optimal (with respect to the above-mentioned properties) insertion domain is also required. The present thesis tackles the above-mentioned challenges. First, a new disparity map (3D video-New Three Step Search - 3DV-NTSS) is designed. The performances of the 3DV-NTSS were evaluated in terms of visual quality of the reconstructed image and computational cost. When compared with state of the art methods (NTSS and FS-MPEG) average gains of 2dB in PSNR and 0.1 in SSIM are obtained. The computational cost is reduced by average factors between 1.3 and 13. Second, a comparative study on the main classes of 2D inherited watermarking methods and on their related optimal insertion domains is carried out. Four insertion methods are considered; they belong to the SS, SI and hybrid (Fast-IProtect) families. The experiments brought to light that the Fast-IProtect performed in the new disparity map domain (3DV-NTSS) would be generic enough so as to serve a large variety of applications. The statistical relevance of the results is given by the 95% confidence limits and their underlying relative errors lower than er<0.1EVRY-INT (912282302) / SudocSudocFranceF

    Compression and visual quality assessment for light field contents

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    Since its invention in the 19th century, photography has allowed to create durable images of the world around us by capturing the intensity of light that flows through a scene, first analogically by using light-sensitive material, and then, with the advent of electronic image sensors, digitally. However, one main limitation of both analog and digital photography lays in its inability to capture any information about the direction of light rays. Through traditional photography, each three-dimensional scene is projected onto a 2D plane; consequently, no information about the position of the 3D objects in space is retained. Light field photography aims at overcoming these limitations by recording the direction of light along with its intensity. In the past, several acquisition technologies have been presented to properly capture light field information, and portable devices have been commercialized to the general public. However, a considerably larger volume of data is generated when compared to traditional photography. Thus, new solutions must be designed to face the challenges light field photography poses in terms of storage, representation, and visualization of the acquired data. In particular, new and efficient compression algorithms are needed to sensibly reduce the amount of data that needs to be stored and transmitted, while maintaining an adequate level of perceptual quality. In designing new solutions to address the unique challenges posed by light field photography, one cannot forgo the importance of having reliable, reproducible means of evaluating their performance, especially in relation to the scenario in which they will be consumed. To that end, subjective assessment of visual quality is of paramount importance to evaluate the impact of compression, representation, and rendering models on user experience. Yet, the standardized methodologies that are commonly used to evaluate the visual quality of traditional media content, such as images and videos, are not equipped to tackle the challenges posed by light field photography. New subjective methodologies must be tailored for the new possibilities this new type of imaging offers in terms of rendering and visual experience. In this work, we address the aforementioned problems by both designing new methodologies for visual quality evaluation of light field contents, and outlining a new compression solution to efficiently reduce the amount of data that needs to be transmitted and stored. We first analyse how traditional methodologies for subjective evaluation of multimedia contents can be adapted to suit light field data, and, we propose new methodologies to reliably assess the visual quality while maintaining user engagement. Furthermore, we study how user behavior is affected by the visual quality of the data. We employ subjective quality assessment to compare several state-of-the-art solutions in light field coding, in order to find the most promising approaches to minimize the volume of data without compromising on the perceptual quality. To that means, we define and inspect several coding approaches for light field compression, and we investigate the impact of color subsampling on the final rendered content. Lastly, we propose a new coding approach to perform light field compression, showing significant improvement with respect to the state of the art
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