31 research outputs found

    Optimization techniques for computationally expensive rendering algorithms

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    Realistic rendering in computer graphics simulates the interactions of light and surfaces. While many accurate models for surface reflection and lighting, including solid surfaces and participating media have been described; most of them rely on intensive computation. Common practices such as adding constraints and assumptions can increase performance. However, they may compromise the quality of the resulting images or the variety of phenomena that can be accurately represented. In this thesis, we will focus on rendering methods that require high amounts of computational resources. Our intention is to consider several conceptually different approaches capable of reducing these requirements with only limited implications in the quality of the results. The first part of this work will study rendering of time-­¿varying participating media. Examples of this type of matter are smoke, optically thick gases and any material that, unlike the vacuum, scatters and absorbs the light that travels through it. We will focus on a subset of algorithms that approximate realistic illumination using images of real world scenes. Starting from the traditional ray marching algorithm, we will suggest and implement different optimizations that will allow performing the computation at interactive frame rates. This thesis will also analyze two different aspects of the generation of anti-­¿aliased images. One targeted to the rendering of screen-­¿space anti-­¿aliased images and the reduction of the artifacts generated in rasterized lines and edges. We expect to describe an implementation that, working as a post process, it is efficient enough to be added to existing rendering pipelines with reduced performance impact. A third method will take advantage of the limitations of the human visual system (HVS) to reduce the resources required to render temporally antialiased images. While film and digital cameras naturally produce motion blur, rendering pipelines need to explicitly simulate it. This process is known to be one of the most important burdens for every rendering pipeline. Motivated by this, we plan to run a series of psychophysical experiments targeted at identifying groups of motion-­¿blurred images that are perceptually equivalent. A possible outcome is the proposal of criteria that may lead to reductions of the rendering budgets

    Panoramic, large-screen, 3-D flight display system design

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    The report documents and summarizes the results of the required evaluations specified in the SOW and the design specifications for the selected display system hardware. Also included are the proposed development plan and schedule as well as the estimated rough order of magnitude (ROM) cost to design, fabricate, and demonstrate a flyable prototype research flight display system. The thrust of the effort was development of a complete understanding of the user/system requirements for a panoramic, collimated, 3-D flyable avionic display system and the translation of the requirements into an acceptable system design for fabrication and demonstration of a prototype display in the early 1997 time frame. Eleven display system design concepts were presented to NASA LaRC during the program, one of which was down-selected to a preferred display system concept. A set of preliminary display requirements was formulated. The state of the art in image source technology, 3-D methods, collimation methods, and interaction methods for a panoramic, 3-D flight display system were reviewed in depth and evaluated. Display technology improvements and risk reductions associated with maturity of the technologies for the preferred display system design concept were identified

    Multimedia Forensics

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    This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

    Multimedia Forensics

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    This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

    Blickpunktabhängige Computergraphik

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    Contemporary digital displays feature multi-million pixels at ever-increasing refresh rates. Reality, on the other hand, provides us with a view of the world that is continuous in space and time. The discrepancy between viewing the physical world and its sampled depiction on digital displays gives rise to perceptual quality degradations. By measuring or estimating where we look, gaze-contingent algorithms aim at exploiting the way we visually perceive to remedy visible artifacts. This dissertation presents a variety of novel gaze-contingent algorithms and respective perceptual studies. Chapter 4 and 5 present methods to boost perceived visual quality of conventional video footage when viewed on commodity monitors or projectors. In Chapter 6 a novel head-mounted display with real-time gaze tracking is described. The device enables a large variety of applications in the context of Virtual Reality and Augmented Reality. Using the gaze-tracking VR headset, a novel gaze-contingent render method is described in Chapter 7. The gaze-aware approach greatly reduces computational efforts for shading virtual worlds. The described methods and studies show that gaze-contingent algorithms are able to improve the quality of displayed images and videos or reduce the computational effort for image generation, while display quality perceived by the user does not change.Moderne digitale Bildschirme ermöglichen immer höhere Auflösungen bei ebenfalls steigenden Bildwiederholraten. Die Realität hingegen ist in Raum und Zeit kontinuierlich. Diese Grundverschiedenheit führt beim Betrachter zu perzeptuellen Unterschieden. Die Verfolgung der Aug-Blickrichtung ermöglicht blickpunktabhängige Darstellungsmethoden, die sichtbare Artefakte verhindern können. Diese Dissertation trägt zu vier Bereichen blickpunktabhängiger und wahrnehmungstreuer Darstellungsmethoden bei. Die Verfahren in Kapitel 4 und 5 haben zum Ziel, die wahrgenommene visuelle Qualität von Videos für den Betrachter zu erhöhen, wobei die Videos auf gewöhnlicher Ausgabehardware wie z.B. einem Fernseher oder Projektor dargestellt werden. Kapitel 6 beschreibt die Entwicklung eines neuartigen Head-mounted Displays mit Unterstützung zur Erfassung der Blickrichtung in Echtzeit. Die Kombination der Funktionen ermöglicht eine Reihe interessanter Anwendungen in Bezug auf Virtuelle Realität (VR) und Erweiterte Realität (AR). Das vierte und abschließende Verfahren in Kapitel 7 dieser Dissertation beschreibt einen neuen Algorithmus, der das entwickelte Eye-Tracking Head-mounted Display zum blickpunktabhängigen Rendern nutzt. Die Qualität des Shadings wird hierbei auf Basis eines Wahrnehmungsmodells für jeden Bildpixel in Echtzeit analysiert und angepasst. Das Verfahren hat das Potenzial den Berechnungsaufwand für das Shading einer virtuellen Szene auf ein Bruchteil zu reduzieren. Die in dieser Dissertation beschriebenen Verfahren und Untersuchungen zeigen, dass blickpunktabhängige Algorithmen die Darstellungsqualität von Bildern und Videos wirksam verbessern können, beziehungsweise sich bei gleichbleibender Bildqualität der Berechnungsaufwand des bildgebenden Verfahrens erheblich verringern lässt

    Perceptually Optimized Visualization on Autostereoscopic 3D Displays

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    The family of displays, which aims to visualize a 3D scene with realistic depth, are known as "3D displays". Due to technical limitations and design decisions, such displays create visible distortions, which are interpreted by the human vision as artefacts. In absence of visual reference (e.g. the original scene is not available for comparison) one can improve the perceived quality of the representations by making the distortions less visible. This thesis proposes a number of signal processing techniques for decreasing the visibility of artefacts on 3D displays. The visual perception of depth is discussed, and the properties (depth cues) of a scene which the brain uses for assessing an image in 3D are identified. Following the physiology of vision, a taxonomy of 3D artefacts is proposed. The taxonomy classifies the artefacts based on their origin and on the way they are interpreted by the human visual system. The principles of operation of the most popular types of 3D displays are explained. Based on the display operation principles, 3D displays are modelled as a signal processing channel. The model is used to explain the process of introducing distortions. It also allows one to identify which optical properties of a display are most relevant to the creation of artefacts. A set of optical properties for dual-view and multiview 3D displays are identified, and a methodology for measuring them is introduced. The measurement methodology allows one to derive the angular visibility and crosstalk of each display element without the need for precision measurement equipment. Based on the measurements, a methodology for creating a quality profile of 3D displays is proposed. The quality profile can be either simulated using the angular brightness function or directly measured from a series of photographs. A comparative study introducing the measurement results on the visual quality and position of the sweet-spots of eleven 3D displays of different types is presented. Knowing the sweet-spot position and the quality profile allows for easy comparison between 3D displays. The shape and size of the passband allows depth and textures of a 3D content to be optimized for a given 3D display. Based on knowledge of 3D artefact visibility and an understanding of distortions introduced by 3D displays, a number of signal processing techniques for artefact mitigation are created. A methodology for creating anti-aliasing filters for 3D displays is proposed. For multiview displays, the methodology is extended towards so-called passband optimization which addresses Moiré, fixed-pattern-noise and ghosting artefacts, which are characteristic for such displays. Additionally, design of tuneable anti-aliasing filters is presented, along with a framework which allows the user to select the so-called 3d sharpness parameter according to his or her preferences. Finally, a set of real-time algorithms for view-point-based optimization are presented. These algorithms require active user-tracking, which is implemented as a combination of face and eye-tracking. Once the observer position is known, the image on a stereoscopic display is optimised for the derived observation angle and distance. For multiview displays, the combination of precise light re-direction and less-precise face-tracking is used for extending the head parallax. For some user-tracking algorithms, implementation details are given, regarding execution of the algorithm on a mobile device or on desktop computer with graphical accelerator

    Propuesta de arquitectura y circuitos para la mejora del rango dinámico de sistemas de visión en un chip diseñados en tecnologías CMOS profundamente submicrométrica

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    El trabajo presentado en esta tesis trata de proponer nuevas técnicas para la expansión del rango dinámico en sensores electrónicos de imagen. En este caso, hemos dirigido nuestros estudios hacia la posibilidad de proveer dicha funcionalidad en un solo chip. Esto es, sin necesitar ningún soporte externo de hardware o software, formando un tipo de sistema denominado Sistema de Visión en un Chip (VSoC). El rango dinámico de los sensores electrónicos de imagen se define como el cociente entre la máxima y la mínima iluminación medible. Para mejorar este factor surgen dos opciones. La primera, reducir la mínima luz medible mediante la disminución del ruido en el sensor de imagen. La segunda, incrementar la máxima luz medible mediante la extensión del límite de saturación del sensor. Cronológicamente, nuestra primera opción para mejorar el rango dinámico se basó en reducir el ruido. Varias opciones se pueden tomar para mejorar la figura de mérito de ruido del sistema: reducir el ruido usando una tecnología CIS o usar circuitos dedicados, tales como calibración o auto cero. Sin embargo, el uso de técnicas de circuitos implica limitaciones, las cuales sólo pueden ser resueltas mediante el uso de tecnologías no estándar que están especialmente diseñadas para este propósito. La tecnología CIS utilizada está dirigida a la mejora de la calidad y las posibilidades del proceso de fotosensado, tales como sensibilidad, ruido, permitir imagen a color, etcétera. Para estudiar las características de la tecnología en más detalle, se diseñó un chip de test, lo cual permite extraer las mejores opciones para futuros píxeles. No obstante, a pesar de un satisfactorio comportamiento general, las medidas referentes al rango dinámico indicaron que la mejora de este mediante sólo tecnología CIS es muy limitada. Es decir, la mejora de la corriente oscura del sensor no es suficiente para nuestro propósito. Para una mayor mejora del rango dinámico se deben incluir circuitos dentro del píxel. No obstante, las tecnologías CIS usualmente no permiten nada más que transistores NMOS al lado del fotosensor, lo cual implica una seria restricción en el circuito a usar. Como resultado, el diseño de un sensor de imagen con mejora del rango dinámico en tecnologías CIS fue desestimado en favor del uso de una tecnología estándar, la cual da más flexibilidad al diseño del píxel. En tecnologías estándar, es posible introducir una alta funcionalidad usando circuitos dentro del píxel, lo cual permite técnicas avanzadas para extender el límite de saturación de los sensores de imagen. Para este objetivo surgen dos opciones: adquisición lineal o compresiva. Si se realiza una adquisición lineal, se generarán una gran cantidad de datos por cada píxel. Como ejemplo, si el rango dinámico de la escena es de 120dB al menos se necesitarían 20-bits/píxel, log2(10120/20)=19.93, para la representación binaria de este rango dinámico. Esto necesitaría de amplios recursos para procesar esta gran cantidad de datos, y un gran ancho de banda para moverlos al circuito de procesamiento. Para evitar estos problemas, los sensores de imagen de alto rango dinámico usualmente optan por utilizar una adquisición compresiva de la luz. Por lo tanto, esto implica dos tareas a realizar: la captura y la compresión de la imagen. La captura de la imagen se realiza a nivel de píxel, en el dispositivo fotosensor, mientras que la compresión de la imagen puede ser realizada a nivel de píxel, de sistema, o mediante postprocesado externo. Usando el postprocesado, existe un campo de investigación que estudia la compresión de escenas de alto rango dinámico mientras se mantienen los detalles, produciendo un resultado apropiado para la percepción humana en monitores convencionales de bajo rango dinámico. Esto se denomina Mapeo de Tonos (Tone Mapping) y usualmente emplea solo 8-bits/píxel para las representaciones de imágenes, ya que éste es el estándar para las imágenes de bajo rango dinámico. Los píxeles de adquisición compresiva, por su parte, realizan una compresión que no es dependiente de la escena de alto rango dinámico a capturar, lo cual implica una baja compresión o pérdida de detalles y contraste. Para evitar estas desventajas, en este trabajo, se presenta un píxel de adquisición compresiva que aplica una técnica de mapeo de tonos que permite la captura de imágenes ya comprimidas de una forma optimizada para mantener los detalles y el contraste, produciendo una cantidad muy reducida de datos. Las técnicas de mapeo de tonos ejecutan normalmente postprocesamiento mediante software en un ordenador sobre imágenes capturadas sin compresión, las cuales contienen una gran cantidad de datos. Estas técnicas han pertenecido tradicionalmente al campo de los gráficos por ordenador debido a la gran cantidad de esfuerzo computacional que requieren. Sin embargo, hemos desarrollado un nuevo algoritmo de mapeo de tonos especialmente adaptado para aprovechar los circuitos dentro del píxel y que requiere un reducido esfuerzo de computación fuera de la matriz de píxeles, lo cual permite el desarrollo de un sistema de visión en un solo chip. El nuevo algoritmo de mapeo de tonos, el cual es un concepto matemático que puede ser simulado mediante software, se ha implementado también en un chip. Sin embargo, para esta implementación hardware en un chip son necesarias algunas adaptaciones y técnicas avanzadas de diseño, que constituyen en sí mismas otra de las contribuciones de este trabajo. Más aún, debido a la nueva funcionalidad, se han desarrollado modificaciones de los típicos métodos a usar para la caracterización y captura de imágenes

    High-dynamic-range displays : contributions to signal processing and backlight control

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    Engineering Data Compendium. Human Perception and Performance, Volume 1

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    The concept underlying the Engineering Data Compendium was the product an R and D program (Integrated Perceptual Information for Designers project) aimed at facilitating the application of basic research findings in human performance to the design of military crew systems. The principal objective was to develop a workable strategy for: (1) identifying and distilling information of potential value to system design from existing research literature, and (2) presenting this technical information in a way that would aid its accessibility, interpretability, and applicability by system designers. The present four volumes of the Engineering Data Compendium represent the first implementation of this strategy. This is Volume 1, which contains sections on Visual Acquisition of Information, Auditory Acquisition of Information, and Acquisition of Information by Other Senses
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