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Improving music genre classification using automatically induced harmony rules
We present a new genre classification framework using both low-level signal-based features and high-level harmony features. A state-of-the-art statistical genre classifier based on timbral features is extended using a first-order random forest containing for each genre rules derived from harmony or chord sequences. This random forest has been automatically induced, using the first-order logic induction algorithm TILDE, from a dataset, in which for each chord the degree and chord category are identified, and covering classical, jazz and pop genre classes. The audio descriptor-based genre classifier contains 206 features, covering spectral, temporal, energy, and pitch characteristics of the audio signal. The fusion of the harmony-based classifier with the extracted feature vectors is tested on three-genre subsets of the GTZAN and ISMIR04 datasets, which contain 300 and 448 recordings, respectively. Machine learning classifiers were tested using 5 Ă— 5-fold cross-validation and feature selection. Results indicate that the proposed harmony-based rules combined with the timbral descriptor-based genre classification system lead to improved genre classification rates
Clustering by compression
We present a new method for clustering based on compression. The method
doesn't use subject-specific features or background knowledge, and works as
follows: First, we determine a universal similarity distance, the normalized
compression distance or NCD, computed from the lengths of compressed data files
(singly and in pairwise concatenation). Second, we apply a hierarchical
clustering method. The NCD is universal in that it is not restricted to a
specific application area, and works across application area boundaries. A
theoretical precursor, the normalized information distance, co-developed by one
of the authors, is provably optimal but uses the non-computable notion of
Kolmogorov complexity. We propose precise notions of similarity metric, normal
compressor, and show that the NCD based on a normal compressor is a similarity
metric that approximates universality. To extract a hierarchy of clusters from
the distance matrix, we determine a dendrogram (binary tree) by a new quartet
method and a fast heuristic to implement it. The method is implemented and
available as public software, and is robust under choice of different
compressors. To substantiate our claims of universality and robustness, we
report evidence of successful application in areas as diverse as genomics,
virology, languages, literature, music, handwritten digits, astronomy, and
combinations of objects from completely different domains, using statistical,
dictionary, and block sorting compressors. In genomics we presented new
evidence for major questions in Mammalian evolution, based on
whole-mitochondrial genomic analysis: the Eutherian orders and the Marsupionta
hypothesis against the Theria hypothesis.Comment: LaTeX, 27 pages, 20 figure
Deep Cross-Modal Correlation Learning for Audio and Lyrics in Music Retrieval
Deep cross-modal learning has successfully demonstrated excellent performance in cross-modal multimedia retrieval, with the aim of learning joint representations between different data modalities. Unfortunately, little research focuses on cross-modal correlation learning where temporal structures of different data modalities such as audio and lyrics should be taken into account. Stemming from the characteristic of temporal structures of music in nature, we are motivated to learn the deep sequential correlation between audio and lyrics. In this work, we propose a deep cross-modal correlation learning architecture involving two-branch deep neural networks for audio modality and text modality (lyrics). Data in different modalities are converted to the same canonical space where inter modal canonical correlation analysis is utilized as an objective function to calculate the similarity of temporal structures. This is the first study that uses deep architectures for learning the temporal correlation between audio and lyrics. A pre-trained Doc2Vec model followed by fully-connected layers is used to represent lyrics. Two significant contributions are made in the audio branch, as follows: i) We propose an end-to-end network to learn cross-modal correlation between audio and lyrics, where feature extraction and correlation learning are simultaneously performed and joint representation is learned by considering temporal structures. ii) As for feature extraction, we further represent an audio signal by a short sequence of local summaries (VGG16 features) and apply a recurrent neural network to compute a compact feature that better learns temporal structures of music audio. Experimental results, using audio to retrieve lyrics or using lyrics to retrieve audio, verify the effectiveness of the proposed deep correlation learning architectures in cross-modal music retrieval
Audio-based music classification with a pretrained convolutional network
Recently the ‘Million Song Dataset’, containing audio features and metadata for one million songs, was made available. In this paper, we build a convolutional network that is then trained to perform artist recognition, genre recognition and key detection. The network is tailored to summarize the audio features over musically significant timescales. It is infeasible to train the network on all available data in a supervised fashion, so we use unsupervised pretraining to be able to harness the entire dataset: we train a convolutional deep belief network on all data, and then use the learnt parameters to initialize a convolutional multilayer perceptron with the same architecture. The MLP is then trained on a labeled subset of the data for each task. We also train the same MLP with randomly initialized weights. We find that our convolutional approach improves accuracy for the genre recognition and artist recognition tasks. Unsupervised pretraining improves convergence speed in all cases. For artist recognition it improves accuracy as well
FMA: A Dataset For Music Analysis
We introduce the Free Music Archive (FMA), an open and easily accessible
dataset suitable for evaluating several tasks in MIR, a field concerned with
browsing, searching, and organizing large music collections. The community's
growing interest in feature and end-to-end learning is however restrained by
the limited availability of large audio datasets. The FMA aims to overcome this
hurdle by providing 917 GiB and 343 days of Creative Commons-licensed audio
from 106,574 tracks from 16,341 artists and 14,854 albums, arranged in a
hierarchical taxonomy of 161 genres. It provides full-length and high-quality
audio, pre-computed features, together with track- and user-level metadata,
tags, and free-form text such as biographies. We here describe the dataset and
how it was created, propose a train/validation/test split and three subsets,
discuss some suitable MIR tasks, and evaluate some baselines for genre
recognition. Code, data, and usage examples are available at
https://github.com/mdeff/fmaComment: ISMIR 2017 camera-read
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