17 research outputs found

    LIPIcs, Volume 261, ICALP 2023, Complete Volume

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    LIPIcs, Volume 261, ICALP 2023, Complete Volum

    Exploring Written Artefacts

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    This collection, presented to Michael Friedrich in honour of his academic career at of the Centre for the Study of Manuscript Cultures, traces key concepts that scholars associated with the Centre have developed and refined for the systematic study of manuscript cultures. At the same time, the contributions showcase the possibilities of expanding the traditional subject of ‘manuscripts’ to the larger perspective of ‘written artefacts’

    Preface

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    Monolingual Plagiarism Detection and Paraphrase Type Identification

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    Understanding Personal Online Reputation Management: A Grounded Theory Study

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    In our digital and hyperconnected society, social networking sites such as Facebook or Instagram facilitated information sharing in the Web and it becomes an integral part of many people’s daily life. Consequently, the amount of personal data available online is significantly increasing and concurrently, it is easy to find personal data in the Web. As a result of availability and uncomplicated retrieval of published personal data, creating comprehensive online profiles becomes effortless and also eases the derivation of implicit information for various purposes. Such information forms an online reputation and is used to make a judgment about a person (Farmer & Glass 2010). Although first studies show that individuals perceive their online reputation as important (Komisarjevsky 2012), their endeavor to manage their online reputation is on a low level (Brackenbury & Wong 2012; Madden & Smith 2010). In order to understand why individuals consider their online reputation as important but do not take action to manage it we conducted a grounded theory based on 22 qualitative interviews with digital natives to reveal the underlying motivation. Thereby, we contribute a new facet to the general understanding of online reputation management, its obstacles, and explanations for the lack of motivation

    PolyUCOMP in TAC 2011 entity linking and slot filling

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    The Text Analysis Conference (TAC) is organized by the U.S. National Institute of Standards and Technology (NIST).2011-2012 > Academic research: refereed > Refereed conference paperVersion of RecordPublishe

    A bipartite graph based social network splicing method for person name disambiguation

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    Department of ComputingRefereed conference pape

    Artech 2008: proceedings of the 4th International Conference on Digital Arts

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    ARTECH 2008 is the fourth international conference held in Portugal and Galicia on the topic of Digital Arts. It aims to promote contacts between Iberian and International contributors concerned with the conception, production and dissemination of Digital and Electronic Art. ARTECH brings the scientific, technological and artistic community together, promoting the interest in the digital culture and its intersection with art and technology as an important research field, a common space for discussion, an exchange of experiences, a forum for emerging digital artists and a way of understanding and appreciating new forms of cultural expression. Hosted by the Portuguese Catholic University’s School of Arts (UCP-EA) at the City of Porto, ARTCH 2008 falls in alignment with the main commitment of the Research Center for Science and Technology of the Arts (CITAR) to promote knowledge in the field of the Arts trough research and development within UCP-AE and together with the local and international community. The main areas proposed for the conference were related with sound, image, video, music, multimedia and other new media related topics, in the context of emerging practice of artistic creation. Although non exclusive, the main topics of the conference are usually: Art and Science; Audio-Visual and Multimedia Design; Creativity Theory; Electronic Music; Generative and Algorithmic Art; Interactive Systems for Artistic Applications; Media Art history; Mobile Multimedia; Net Art and Digital Culture; New Experiences with New Media and New Applications; Tangible and Gesture Interfaces; Technology in Art Education; Virtual Reality and Augmented Reality. The contribution from the international community was extremely gratifying, resulting in the submission of 79 original works (Long Papers, Short Papers and installation proposals) from 22 Countries. Our Scientific Committee reviewed these submissions thoroughly resulting in a 73% acceptance ratio of a diverse and promising body of work presented in this book of proceedings. This compilation of articles provides an overview of the state of the art as well as a glimpse of new tendencies in the field of Digital Arts, with special emphasis in the topics: Sound and Music Computing; Technology Mediated Dance; Collaborative Art Performance; Digital Narratives; Media Art and Creativity Theory; Interactive Art; Audiovisual and Multimedia Design.info:eu-repo/semantics/publishedVersio
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