The Ephemeral City : Songs for the Ghost Quarters

The towers of the Stockholm skyline twine with radio transmissions, flying out over the city, drifting down through the streets and sinking into the underground telephone system below. Stockholm has buildings that have been there for centuries, but is also full of modern and contemporary architectures, all jostling for their place in parallel collective memory. In taking the city up as a subject, this artistic PhD project in music expands allegories to these architectural instruments into the world of the mechanical and the electrical. By taking up and transforming the materials of the cityscape, this project spins ephemeral cities more subtle than the colossal forces transforming the cityscape. The aim is to empower urban dwellers with another kind of ownership of their city.The materials in the project are drawn around themes of urban memory and transformation, psychogeography and the ghosts of the imagined city. There are three questions the artistic works of this project reflect on and address. The first is about the ability of city-dwellers to regain or create some sense of place, history or belonging through the power of their imaginations. The second reflects on the possibility for imagined alternatives to re-empower a sense of place for the people who encounter them. The third seeks out the points where stories, memories, or alternative futures are collective, at what point are they wholly individual, and how the interplay between them plays out in listening.There is an improvisatory practice in how we relate to urban environments: an ever-transforming inter-play between the animate and inanimate. Each individual draws phantoms of memory and imagination onto the cityscape, and this yields subtle ways people can be empowered in their surroundings. The artistic works of this project are made to illuminate those subtleties, centering around a group of compositions, improvisations, artistic collaborations and sound installations in music and sound, utilizing modular synthesizers, field recordings, pipe organs, multi-channel settings; PureData and SuperCollider programs, string ensembles with hurdy-gurdy and nyckelharpa or violin, and sound installations. This choice of instruments is as an allegory to the architecture of Stockholm. The final result is a collection of music and sound works, made to illuminate the imagined city. Taken as a whole, the works of the project create an imaginary city–The Ephemeral City–in order to argue that this evocation of ephemeral space is a way to empower urban dwellers through force of imagination, immune to the vast forces tearing through the fabric of Stockholm life by virtue of the ghostly, transitory and mercurial, as compelling to the inner eye as brick and mortar to the outer life

Welcome back listeners: locating nostalgia, domesticity and shared listening practices in contemporary horror podcasting

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Looking towards the future: the changing nature of intrusive surveillance and technical attacks against high-profile targets

In this thesis a novel Bayesian model is developed that is capable of predicting the probability of a range of eavesdropping techniques deployed, given an attacker's capability, opportunity and intent. Whilst limited attention by academia has focused on the cold war activities of Soviet bloc and Western allies' bugging of embassies, even less attention has been paid to the changing nature of the technology used for these eavesdropping events. This thesis makes four contributions: through the analysis of technical eavesdropping events over the last century, technological innovation is shown to have enriched the eavesdropping opportunities for a range of capabilities. The entry barrier for effective eavesdropping is lowered, while for the well resourced eavesdropper, the requirement for close access has been replaced by remote access opportunities. A new way to consider eavesdropping methods is presented through the expert elicitation of capability and opportunity requirements for a range of present-day eavesdropping techniques. Eavesdropping technology is shown to have life-cycle stages with the technology exploited by different capabilities at different times. Three case studies illustrate that yesterday’s secretive government method becomes today’s commodity. The significance of the egress transmission path is considered too. Finally, by using the expert elicitation information derived for capability, opportunity and life-cycle position, for a range of eavesdropping techniques, it is shown that it is possible to predict the probability of particular eavesdropping techniques being deployed. This novel Bayesian inferencing model enables scenarios with incomplete, uncertain or missing detail to be considered. The model is validated against the previously collated historic eavesdropping events. The development of this concept may be scaled with additional eavesdropping techniques to form the basis of a tool for security professionals or risk managers wishing to define eavesdropping threat advice or create eavesdropping policies based on the rigour of this technological study.Open Acces

Urban Design of Bristol Waterfront, Lower Thames Street

The marketplace is going to be one of the highlights on Thames Street, serving as a destination for leisure, shopping and dining. The concept of the project is to have indoor space continue out to the water, providing an outdoor space for dining and leisure, but also giving the boardwalk a resting point. The building is planned as two floors, with the fish market and multipurpose area on the first and an eatery, sitting area, balcony and facilities on the second. The building will be made of a light metal frame with panels to enclose the space and is designed with a folded glass panel that can be opened up to the outside, yet decrease wind pressure in a storm

Urban Design of Bristol Waterfront, Lower Thames Street

Collaboration with the Town of Bristol in the fall of 2013 when students in ARCH 415, Advanced Design Studio – Urban, under the guidance of Professor Ulker Copur, studied the waterfront area along the west side of Thames Street, from State Street south to the armory in Bristol, Rhode Island, including the continuation of a public boardwalk through the area linking up with the adjacent properties. The designs created by students would be used to guide the town in developing a master plan for the area and the new Bristol Maritime Welcome Center

Re-functioning monumental buildings

Ankara : Department of Interior Architecture and Environmental Design and Institute of Fine Arts of Bilkent University, 1995.Architecture -- Turkey -- Conservation and restoration.Includes bibliographical refences.This thesis is a study on re-functioning monumental buildings. It is supported by a case study, which is a project of re-functioning a church called "Kavakli kilise" into a conference center. The early chapters analyze the re-functioning activity, churches and conference centers in order to support the case study. A re-functioning project on the church in Burdur and a comparison list are investigated in the thesis.Furtun, HPınarM.S

Skins+Fabrications: Addressing Fashion and Clothing Waste

Articles of clothing; they are the second organ, the Second Skin. Their functions are to protect the body from the harsh external elements and create a sense of design with Fashion—the same as exterior facades on a building. However, where architecture and Fashion differ is sustainability. The Global fashion industry contributes 10% of greenhouse emissions. From that 10%, about 13 million tonnes of clothing waste ends up in landfills or burned. Most of the waste comes from the Fast Fashion Industry, which sees cheap labor from underdeveloped countries to maximize profits. These companies will spend a good portion of their funding promoting sales with trends and new collections every two weeks. What happens is the loss of value allows consumers to purchase clothing cheap enough to through away without second thoughts. Compared to American homeownership, the value and appreciation for giving architecture allow for a system of upkeep and recycling. So why not the same be said about Fashion? The amount of natural resources used in creating new clothing causes a strain on the environment. So the narrative is developing a system in place in sustainable Fashion with architecture. Location plays a vital role in design; statistically, America, Europe, China, and India see the most clothing consumption. The thesis looks at redeveloping an existing site in a redeveloping neighborhood due to a Graduate thesis of the Atlanta Beltline. It sets a precedent for sustainability and challenges the use of interconnected Urban space. With the location, the program\u27s innovation utilizes the development of sustainable spaces with the placement of different fabrication rooms. Only when the clothing is fully decaying can the use of a tectonic facade occur. In doing so, the thesis must investigate Clothing material to find the conclusion to the thesis statement

User serviceable parts: Practice, technology, sociality and method in live electronic musicking

In live electronic musical research there is a need to confront the interrelationships between the social and the technological in order to understand our music as practice. These interrelationships form a complex and dynamic ecosystem that not only forms the context to, but is constitutive of practice. I interrogate from a variety of perspectives the musical practice that has formed over the course of this research in order to reveal the dispositions towards technology, the social situatedness and the musical approach that underlies my work. By taking a disposition towards musical practice-led research that is non-hierarchical, performative, ecological, phenomenological and pragmatic, I place into wider context compositional and technological decisions, in terms of their relationships to improvising, skill, design, performance and research. This work contributes both new theories of live electronic musical practice and new suggestions for practice-led methods aimed at investigating the interplay of social and material factors in musicking, and at interrogating the disciplinary status of our field vis-a-vis musical and technical disciplines