189,284 research outputs found

    Innovation systems in motion: an early music case

    Get PDF
    This article is (c) Emerald Group Publishing and permission has been granted for this version to appear here (http://dx.doi.org/10.1108/MD-11-2011-0433). Emerald does not grant permission for this article to be further copied/distributed or hosted elsewhere without the express permission from Emerald Group Publishing LimitedPurpose This study aims to provide an in-depth understanding of the innovation system and the learning processes involved in a very specific cultural field: the production of early music. Design/methodology/approach A single case study of the generic value chain in the music production industry describes and analyses the process and the actors involved in editing a new early music collection resulting from the collaboration between a record company and a public research organization. Findings There is a need for new knowledge in the various stages of performance and publication of a new recording. The early music sector is a knowledge-intensive, science-driven sector that can be characterized as a system because the interactions among actors substantially influence final products. Research limitations/implications The single case study represents a specific sector within the music industry. However, its conclusions can be applied to other fields in the cultural heritage sector. Originality/value The literature on innovation in the cultural field primarily focuses on the relationship between art and information and communication technology (ICT). This paper is novel in analysing a case where scientific knowledge is key to new product development, and suggesting that we need to take account of the interactions among cultural heritage entities, universities and other knowledge production organizations. It concludes that these organizations should be involved institutionally in other aspects of the innovation process.Castro-Martínez, E.; Recasens, A.; Jiménez-Sáez, F. (2013). Innovation systems in motion: an early music case. Management Decision. 51(6):1276-1292. doi:10.1108/MD-11-2011-0433S12761292516Amable, B., & Palombarini, S. (1998). Technical change and incorporated R&D in the service sector. Research Policy, 27(7), 655-675. doi:10.1016/s0048-7333(98)00076-6Asheim, B., Coenen, L., Moodysson, J., & Vang, J. (2007). Constructing knowledge-based regional advantage: implications for regional innovation policy. International Journal of Entrepreneurship and Innovation Management, 7(2/3/4/5), 140. doi:10.1504/ijeim.2007.012879Asheim, B., & Hansen, H. K. (2009). Knowledge Bases, Talents, and Contexts: On the Usefulness of the Creative Class Approach in Sweden. Economic Geography, 85(4), 425-442. doi:10.1111/j.1944-8287.2009.01051.xCastro‐Martínez, E., Fernández de Lucio, I., Pérez‐Marín, M. and Criado‐Boado, F. (2008a), “La transferencia de conocimientos desde las Humanidades: posibilidades y características”,Arbor, Vol. 184 No. 732, pp. 619‐636.Chapain, C., & Comunian, R. (2009). Enabling and Inhibiting the Creative Economy: The Role of the Local and Regional Dimensions in England. Regional Studies, 44(6), 717-734. doi:10.1080/00343400903107728Consoli, D. (2005). The dynamics of technological change in UK retail banking services: An evolutionary perspective. Research Policy, 34(4), 461-480. doi:10.1016/j.respol.2005.02.001Consoli, D., & Mina, A. (2008). An evolutionary perspective on health innovation systems. Journal of Evolutionary Economics, 19(2), 297-319. doi:10.1007/s00191-008-0127-3Cunningham, S. (2002), “From cultural to creative industries: theory, industry, and policy implications”,Media International Australia Incorporating Culture and Policy: Quarterly Journal of Media Research and Resources, pp. 54‐65, available at: http://eprints.qut.edu.au/588/ (accessed 31 May 2011).Cunningham, S., Cutler, T., Hearn, G., Ryan, M. and Keane, M. (2004), “An innovation agenda for the creative industries: where is the R&D?”,Media International Australia; Incorporating Culture and Policy, No. 112, pp. 174‐185.Davis, C. H., Creutzberg, T., & Arthurs, D. (2009). Applying an innovation cluster framework to a creative industry: The case of screen-based media in Ontario. Innovation, 11(2), 201-214. doi:10.5172/impp.11.2.201Djellal, F., & Gallouj, F. (2005). Mapping innovation dynamics in hospitals. Research Policy, 34(6), 817-835. doi:10.1016/j.respol.2005.04.007Eltham, B. (2009). Australian cultural and innovation policies: Never the twain shall meet? Innovation, 11(2), 230-239. doi:10.5172/impp.11.2.230Ettlie, J. E., & Rosenthal, S. R. (2011). Service versus Manufacturing Innovation*. Journal of Product Innovation Management, 28(2), 285-299. doi:10.1111/j.1540-5885.2011.00797.xGander, J., & Rieple, A. (2002). Inter-organisational Relationships in the Worldwide Popular Recorded Music Industry. Creativity and Innovation Management, 11(4), 248-254. doi:10.1111/1467-8691.00256García-Aracil, A., & Fernández De Lucio, I. (2008). Industry–University Interactions in a Peripheral European Region: An Empirical Study of Valencian Firms. Regional Studies, 42(2), 215-227. doi:10.1080/00343400601142704Hjalager, A. (2009). Cultural Tourism Innovation Systems – The Roskilde Festival. Scandinavian Journal of Hospitality and Tourism, 9(2-3), 266-287. doi:10.1080/15022250903034406Hirsch, P. M. (2000). Cultural Industries Revisited. Organization Science, 11(3), 356-361. doi:10.1287/orsc.11.3.356.12498Hotho, S., & Champion, K. (2011). Small businesses in the new creative industries: innovation as a people management challenge. Management Decision, 49(1), 29-54. doi:10.1108/00251741111094428Jaaniste, L. (2009). Placing the creative sector within innovation: The full gamut. Innovation, 11(2), 215-229. doi:10.5172/impp.11.2.215Jeffcutt, P., & Pratt, A. C. (2002). Managing Creativity in the Cultural Industries. Creativity and Innovation Management, 11(4), 225-233. doi:10.1111/1467-8691.00254Jöckel, S., Will, A., & Nawrath, U. (2007). Consumer Preferences towards Commercial Music Downloads. Journal of Media Business Studies, 4(3), 1-19. doi:10.1080/16522354.2007.11073453Le Blanc, A. (2010), “Cultural districts, a new strategy for regional development?”,The South‐East Cultural District in Sicily, Regional Studies, Vol. 44 No. 7, pp. 905‐917.Lorenzen, M., & Frederiksen, L. (2005). The management of projects and product experimentation: examples from the music industry. European Management Review, 2(3), 198-211. doi:10.1057/palgrave.emr.1500044Lundvall, B. (2007). National Innovation Systems—Analytical Concept and Development Tool. Industry & Innovation, 14(1), 95-119. doi:10.1080/13662710601130863McLean, R., Oliver, P. G., & Wainwright, D. W. (2010). The myths of empowerment through information communication technologies. Management Decision, 48(9), 1365-1377. doi:10.1108/00251741011082116Malerba, F. (2002). Sectoral systems of innovation and production. Research Policy, 31(2), 247-264. doi:10.1016/s0048-7333(01)00139-1Miles, I. (2000), “Services innovation: coming of age in the knowledge‐based economy”,International Journal of Innovation Management, Vol. 4 No. 4, pp. 371‐389.Potts, J. (2009). Introduction. Innovation, 11(2), 138-147. doi:10.5172/impp.11.2.138Potts, J., Cunningham, S., Hartley, J., & Ormerod, P. (2008). Social network markets: a new definition of the creative industries. Journal of Cultural Economics, 32(3), 167-185. doi:10.1007/s10824-008-9066-yPower, D., & Hallencreutz, D. (2002). Profiting from Creativity? The Music Industry in Stockholm, Sweden and Kingston, Jamaica. Environment and Planning A: Economy and Space, 34(10), 1833-1854. doi:10.1068/a3529Pratt, A. C. (2005). Cultural industries and public policy. International Journal of Cultural Policy, 11(1), 31-44. doi:10.1080/10286630500067739Ramlogan, R. and Consoli, D. (2007), “Knowledge, understanding and the dynamics of medical innovation”,European Journal of Economic and Social Systems, Vol. 20 No. 2, pp. 231‐249.Sundbo, J. (2009). Innovation in the experience economy: a taxonomy of innovation organisations. The Service Industries Journal, 29(4), 431-455. doi:10.1080/02642060802283139Sundbo, J., Orfila-Sintes, F., & Sørensen, F. (2007). The innovative behaviour of tourism firms—Comparative studies of Denmark and Spain. Research Policy, 36(1), 88-106. doi:10.1016/j.respol.2006.08.004Van der Groep, R. (2009). ‘Breaking Out’ and ‘Breaking In’: Changing Firm Strategies in the Dutch Audiovisual Industry. Regional Studies, 44(7), 845-858. doi:10.1080/00343400903167896Vence, X. and Trigo, A. (2010), “La innovación en los servicios: de la especificidad sectorial a la diversidad intrasectorial. Análisis de la experiencia española” (“Innovation in services: from sectorial specificity to intersectorial diversity: an analysis of the Spanish experience)”,Principios Journal, No. 17, pp. 53‐75.Wilson, N. C., & Stokes, D. (2005). Managing creativityandinnovation. Journal of Small Business and Enterprise Development, 12(3), 366-378. doi:10.1108/1462600051061228

    London Creative and Digital Fusion

    Get PDF
    date-added: 2015-03-24 04:16:59 +0000 date-modified: 2015-03-24 04:16:59 +0000date-added: 2015-03-24 04:16:59 +0000 date-modified: 2015-03-24 04:16:59 +0000The London Creative and Digital Fusion programme of interactive, tailored and in-depth support was designed to support the UK capital’s creative and digital companies to collaborate, innovate and grow. London is a globally recognised hub for technology, design and creative genius. While many cities around the world can claim to be hubs for technology entrepreneurship, London’s distinctive potential lies in the successful fusion of world-leading technology with world-leading design and creativity. As innovation thrives at the edge, where better to innovate than across the boundaries of these two clusters and cultures? This booklet tells the story of Fusion’s innovation journey, its partners and its unique business support. Most importantly of all it tells stories of companies that, having worked with London Fusion, have innovated and grown. We hope that it will inspire others to follow and build on our beginnings.European Regional Development Fund 2007-13

    A manifesto for the creative economy

    Get PDF
    The UK\u27s creative economy is one of its great national strengths, historically deeply rooted and accounting for around one-tenth of the whole economy. It provides jobs for 2.5 million people – more than in financial services, advanced manufacturing or construction – and in recent years, this creative workforce has grown four times faster than the workforce as a whole. But behind this success lies much disruption and business uncertainty, associated with digital technologies. Previously profitable business models have been swept away, young companies from outside the UK have dominated new internet markets, and some UK creative businesses have struggled to compete. UK policymakers too have failed to keep pace with developments in North America and parts of Asia. But it is not too late to refresh tired policies. This manifesto sets out our 10-point plan to bolster one of the UK\u27s fastest growing sectors

    Entrepreneurship, Entry and Exit in Creative Industries: an explorative Survey

    Get PDF
    Series: Creative Industries in Vienna: Development, Dynamics and Potential

    My boy builds coffins. Future memories of your loved ones

    Get PDF
    The research is focus on the concept of storytelling associated with product design, trying to investigate new ways of designing and a possible future scenario related to the concept of death. MY BOY BUILDS COFFINS is a gravestone made using a combination of cremation’s ashes and resin. It is composed by a series of holes in which the user can stitch a text, in order to remember the loved one. The stitching need of a particular yarn produced in Switzerland using some parts of human body. Project also provides another version which uses LED lights instead of the yarn. The LEDs - thanks to an inductive coupling - will light when It will be posed in the hole. The gravestone can be placed where you want, as if it would create a little altar staff at home. In this way, there is a real connection between the user and the dearly departed

    Higher education stimulating creative enterprise

    Get PDF
    This report summarises the research undertaken by the Business & Community School at the University for the Creative Arts (UCA), analysing ways that higher ediucation (HEIs) can support, and indeed stimulate, the creative economy. The research, in collaboration with the Arts University College Bournemouth (AUCB) and the University of Winchester, serves as a mere snapshot of the numerous ways that Universities engage with the diverse industries under the 'creative' nomenclature and of the very real and poistive ways that the higher education sector contributes to the growth of the creative economy in thhe UK

    CREATe 2012-2016: Impact on society, industry and policy through research excellence and knowledge exchange

    Get PDF
    On the eve of the CREATe Festival May 2016, the Centre published this legacy report (edited by Kerry Patterson & Sukhpreet Singh with contributions from consortium researchers)

    Sector skills insights : digital and creative

    Get PDF
    corecore