Understanding sorting algorithms using music and spatial distribution

This thesis is concerned with the communication of information using auditory techniques. In particular, a music-based interface has been used to communicate the operation of a number of sorting algorithms to users. This auditory interface has been further enhanced by the creation of an auditory scene including a sound wall, which enables the auditory interface to utilise music parameters in conjunction with 2D/3D spatial distribution to communicate the essential processes in the algorithms. The sound wall has been constructed from a grid of measurements using a human head to create a spatial distribution. The algorithm designer can therefore communicate events using pitch, rhythm and timbre and associate these with particular positions in space. A number of experiments have been carried out to investigate the usefulness of music and the sound wall in communicating information relevant to the algorithms. Further, user understanding of the six algorithms has been tested. In all experiments the effects of previous musical experience has been allowed for. The results show that users can utilise musical parameters in understanding algorithms and that in all cases improvements have been observed using the sound wall. Different user performance was observed with different algorithms and it is concluded that certain types of information lend themselves more readily to communication through auditory interfaces than others. As a result of the experimental analysis, recommendations are given on how to improve the sound wall and user understanding by improved choice of the musical mappings

Experimental Analysis of Spatial Sound for Storytelling in Virtual Reality

Spatial sound is useful in enhancing immersion and presence of the user in a virtual world. This audio design allows the game designer to place audio cues that appropriately match with the visual cues in a virtual game environment. These localized audio cues placed in a story based game environment also help to evoke an emotional response from the user and construct the narrative of the game by capturing the user’s attention towards the guiding action events in the game. Our thesis explores the usefulness of spatial sound for improving the performance and experience of a user in a virtual game environment. Additionally, with the help of the relevant subjective and objective inferences collected from a user study conducted on three different evaluation models, the thesis also analyzes and establishes the potential of spatial sound as a powerful storytelling tool in a virtual game environment designed for Virtual Reality

Neural architecture for echo suppression during sound source localization based on spiking neural cell models

Zusammenfassung Diese Arbeit untersucht die biologischen Ursachen des psycho-akustischen Präzedenz Effektes, der Menschen in die Lage versetzt, akustische Echos während der Lokalisation von Schallquellen zu unterdrücken. Sie enthält ein Modell zur Echo-Unterdrückung während der Schallquellenlokalisation, welches in technischen Systemen zur Mensch-Maschine Interaktion eingesetzt werden kann. Die Grundlagen dieses Modells wurden aus eigenen elektrophysiologischen Experimenten an der Mongolischen Wüstenrennmaus gewonnen. Die dabei erstmalig an der Wüstenrennmaus erzielten Ergebnisse, zeigen ein besonderes Verhalten spezifischer Zellen im Dorsalen Kern des Lateral Lemniscus, einer dedizierten Region des auditorischen Hirnstammes. Die dort sichtbare Langzeithemmung scheint die Grundlage für die Echounterdrückung in höheren auditorischen Zentren zu sein. Das entwickelte Model war in der Lage dieses Verhalten nachzubilden, und legt die Vermutung nahe, dass eine starke und zeitlich präzise Hyperpolarisation der zugrundeliegende physiologische Mechanismus dieses Verhaltens ist. Die entwickelte Neuronale Modellarchitektur modelliert das Innenohr und fünf wesentliche Kerne des auditorischen Hirnstammes in ihrer Verbindungsstruktur und internen Dynamik. Sie stellt einen neuen Typus neuronaler Modellierung dar, der als Spike-Interaktionsmodell (SIM) bezeichnet wird. SIM nutzen die präzise räumlich-zeitliche Interaktion einzelner Aktionspotentiale (Spikes) für die Kodierung und Verarbeitung neuronaler Informationen. Die Basis dafür bilden Integrate-and-Fire Neuronenmodelle sowie Hebb'sche Synapsen, welche um speziell entwickelte dynamische Kernfunktionen erweitert wurden. Das Modell ist in der Lage, Zeitdifferenzen von 10 mykrosekunden zu detektieren und basiert auf den Prinzipien der zeitlichen und räumlichen Koinzidenz sowie der präzisen lokalen Inhibition. Es besteht ausschließlich aus Elementen einer eigens entwickelten Neuronalen Basisbibliothek (NBL) die speziell für die Modellierung verschiedenster Spike- Interaktionsmodelle entworfen wurde. Diese Bibliothek erweitert die kommerziell verfügbare dynamische Simulationsumgebung von MATLAB/SIMULINK um verschiedene Modelle von Neuronen und Synapsen, welche die intrinsischen dynamischen Eigenschaften von Nervenzellen nachbilden. Die Nutzung dieser Bibliothek versetzt sowohl den Ingenieur als auch den Biologen in die Lage, eigene, biologisch plausible, Modelle der neuronalen Informationsverarbeitung ohne detaillierte Programmierkenntnisse zu entwickeln. Die grafische Oberfläche ermöglicht strukturelle sowie parametrische Modifikationen und ist in der Lage, den Zeitverlauf mikroskopischer Zellpotentiale aber auch makroskopischer Spikemuster während und nach der Simulation darzustellen. Zwei grundlegende Elemente der Neuronalen Basisbibliothek wurden zur Implementierung als spezielle analog-digitale Schaltungen vorbereitet. Erste Silizium Implementierungen durch das Team des DFG Graduiertenkollegs GRK 164 konnten die Möglichkeit einer vollparallelen on line Verarbeitung von Schallsignalen nachweisen. Durch Zuhilfenahme des im GRK entwickelten automatisierten Layout Generators wird es möglich, spezielle Prozessoren zur Anwendung biologischer Verarbeitungsprinzipien in technischen Systemen zu entwickeln. Diese Prozessoren unterscheiden sich grundlegend von den klassischen von Neumann Prozessoren indem sie räumlich und zeitlich verteilte Spikemuster, anstatt sequentieller binärer Werte zur Informationsrepräsentation nutzen. Sie erweitern das digitale Kodierungsprinzip durch die Dimensionen des Raumes (2 dimensionale Nachbarschaft) der Zeit (Frequenz, Phase und Amplitude) sowie der zeitlichen Dynamik analoger Potentialverläufe. Diese Dissertation besteht aus sieben Kapiteln, welche den verschiedenen Bereichen der Computational Neuroscience gewidmet sind. Kapitel 1 beschreibt die Motivation dieser Arbeit welche aus der Absicht rühren, biologische Prinzipien der Schallverarbeitung zu erforschen und für technische Systeme während der Interaktion mit dem Menschen nutzbar zu machen. Zusätzlich werden fünf Gründe für die Nutzung von Spike-Interaktionsmodellen angeführt sowie deren neuartiger Charakter beschrieben. Kapitel 2 führt die biologischen Prinzipien der Schallquellenlokalisation und den psychoakustischen Präzedenz Effekt ein. Aktuelle Hypothesen zur Entstehung dieses Effektes werden anhand ausgewählter experimenteller Ergebnisse verschiedener Forschungsgruppen diskutiert. Kapitel 3 beschreibt die entwickelte Neuronale Basisbibliothek und führt die einzelnen neuronalen Simulationselemente ein. Es erklärt die zugrundeliegenden mathematischen Funktionen der dynamischen Komponenten und beschreibt deren generelle Einsetzbarkeit zur dynamischen Simulation spikebasierter Neuronaler Netzwerke. Kapitel 4 enthält ein speziell entworfenes Modell des auditorischen Hirnstammes beginnend mit den Filterkaskaden zur Simulation des Innenohres, sich fortsetzend über mehr als 200 Zellen und 400 Synapsen in 5 auditorischen Kernen bis zum Richtungssensor im Bereich des auditorischen Mittelhirns. Es stellt die verwendeten Strukturen und Parameter vor und enthält grundlegende Hinweise zur Nutzung der Simulationsumgebung. Kapitel 5 besteht aus drei Abschnitten, wobei der erste Abschnitt die Experimentalbedingungen und Ergebnisse der eigens durchgeführten Tierversuche beschreibt. Der zweite Abschnitt stellt die Ergebnisse von 104 Modellversuchen zur Simulationen psycho-akustischer Effekte dar, welche u.a. die Fähigkeit des Modells zur Nachbildung des Präzedenz Effektes testen. Schließlich beschreibt der letzte Abschnitt die Ergebnisse der 54 unter realen Umweltbedingungen durchgeführten Experimente. Dabei kamen Signale zur Anwendung, welche in normalen sowie besonders stark verhallten Räumen aufgezeichnet wurden. Kapitel 6 vergleicht diese Ergebnisse mit anderen biologisch motivierten und technischen Verfahren zur Echounterdrückung und Schallquellenlokalisation und führt den aktuellen Status der Hardwareimplementierung ein. Kapitel 7 enthält schließlich eine kurze Zusammenfassung und einen Ausblick auf weitere Forschungsobjekte und geplante Aktivitäten. Diese Arbeit möchte zur Entwicklung der Computational Neuroscience beitragen, indem sie versucht, in einem speziellen Anwendungsfeld die Lücke zwischen biologischen Erkenntnissen, rechentechnischen Modellen und Hardware Engineering zu schließen. Sie empfiehlt ein neues räumlich-zeitliches Paradigma der dynamischen Informationsverarbeitung zur Erschließung biologischer Prinzipien der Informationsverarbeitung für technische Anwendungen.This thesis investigates the biological background of the psycho-acoustical precedence effect, enabling humans to suppress echoes during the localization of sound sources. It provides a technically feasible and biologically plausible model for sound source localization under echoic conditions, ready to be used by technical systems during man-machine interactions. The model is based upon own electro-physiological experiments in the mongolian gerbil. The first time in gerbils obtained results reveal a special behavior of specific cells of the dorsal nucleus of the lateral lemniscus (DNLL) - a distinct region in the auditory brainstem. The explored persistent inhibition effect of these cells seems to account for the base of echo suppression at higher auditory centers. The developed model proved capable to duplicate this behavior and suggests, that a strong and timely precise hyperpolarization is the basic mechanism behind this cell behavior. The developed neural architecture models the inner ear as well as five major nuclei of the auditory brainstem in their connectivity and intrinsic dynamics. It represents a new type of neural modeling described as Spike Interaction Models (SIM). SIM use the precise spatio-temporal interaction of single spike events for coding and processing of neural information. Their basic elements are Integrate-and-Fire Neurons and Hebbian synapses, which have been extended by specially designed dynamic transfer functions. The model is capable to detect time differences as small as 10 mircrosecondes and employs the principles of coincidence detection and precise local inhibition for auditory processing. It consists exclusively of elements of a specifically designed Neural Base Library (NBL), which has been developed for multi purpose modeling of Spike Interaction Models. This library extends the commercially available dynamic simulation environment of MATLAB/SIMULINK by different models of neurons and synapses simulating the intrinsic dynamic properties of neural cells. The usage of this library enables engineers as well as biologists to design their own, biologically plausible models of neural information processing without the need for detailed programming skills. Its graphical interface provides access to structural as well as parametric changes and is capable to display the time course of microscopic cell parameters as well as macroscopic firing pattern during simulations and thereafter. Two basic elements of the Neural Base Library have been prepared for implementation by specialized mixed analog-digital circuitry. First silicon implementations were realized by the team of the DFG Graduiertenkolleg GRK 164 and proved the possibility of fully parallel on line processing of sounds. By using the automated layout processor under development in the Graduiertenkolleg, it will be possible to design specific processors in order to apply theprinciples of distributed biological information processing to technical systems. These processors differ from classical von Neumann processors by the use of spatio temporal spike pattern instead of sequential binary values. They will extend the digital coding principle by the dimensions of space (spatial neighborhood), time (frequency, phase and amplitude) as well as the dynamics of analog potentials and introduce a new type of information processing. This thesis consists of seven chapters, dedicated to the different areas of computational neuroscience. Chapter 1: provides the motivation of this study arising from the attempt to investigate the biological principles of sound processing and make them available to technical systems interacting with humans under real world conditions. Furthermore, five reasons to use spike interaction models are given and their novel characteristics are discussed. Chapter 2: introduces the biological principles of sound source localization and the precedence effect. Current hypothesis on echo suppression and the underlying principles of the precedence effect are discussed by reference to a small selection of physiological and psycho-acoustical experiments. Chapter 3: describes the developed neural base library and introduces each of the designed neural simulation elements. It also explains the developed mathematical functions of the dynamic compartments and describes their general usage for dynamic simulation of spiking neural networks. Chapter 4: introduces the developed specific model of the auditory brainstem, starting from the filtering cascade in the inner ear via more than 200 cells and 400 synapses in five auditory regions up to the directional sensor at the level of the auditory midbrain. It displays the employed parameter sets and contains basic hints for the set up and configuration of the simulation environment. Chapter 5: consists of three sections, whereas the first one describes the set up and results of the own electro-physiological experiments. The second describes the results of 104 model simulations, performed to test the models ability to duplicate psycho-acoustical effects like the precedence effect. Finally, the last section of this chapter contains the results of 54 real world experiments using natural sound signals, recorded under normal as well as highly reverberating conditions. Chapter 6: compares the achieved results to other biologically motivated and technical models for echo suppression and sound source localization and introduces the current status of silicon implementation. Chapter 7: finally provides a short summary and an outlook toward future research subjects and areas of investigation. This thesis aims to contribute to the field of computational neuroscience by bridging the gap between biological investigation, computational modeling and silicon engineering in a specific field of application. It suggests a new spatio-temporal paradigm of information processing in order to access the capabilities of biological systems for technical applications

Aprendizado de variedades para a síntese de áudio espacial

Orientadores: Luiz César Martini, Bruno Sanches MasieroTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Engenharia Elétrica e de ComputaçãoResumo: O objetivo do áudio espacial gerado com a técnica binaural é simular uma fonte sonora em localizações espaciais arbitrarias através das Funções de Transferência Relativas à Cabeça (HRTFs) ou também chamadas de Funções de Transferência Anatômicas. As HRTFs modelam a interação entre uma fonte sonora e a antropometria de uma pessoa (e.g., cabeça, torso e orelhas). Se filtrarmos uma fonte de áudio através de um par de HRTFs (uma para cada orelha), o som virtual resultante parece originar-se de uma localização espacial específica. Inspirados em nossos resultados bem sucedidos construindo uma aplicação prática de reconhecimento facial voltada para pessoas com deficiência visual que usa uma interface de usuário baseada em áudio espacial, neste trabalho aprofundamos nossa pesquisa para abordar vários aspectos científicos do áudio espacial. Neste contexto, esta tese analisa como incorporar conhecimentos prévios do áudio espacial usando uma nova representação não-linear das HRTFs baseada no aprendizado de variedades para enfrentar vários desafios de amplo interesse na comunidade do áudio espacial, como a personalização de HRTFs, a interpolação de HRTFs e a melhoria da localização de fontes sonoras. O uso do aprendizado de variedades para áudio espacial baseia-se no pressuposto de que os dados (i.e., as HRTFs) situam-se em uma variedade de baixa dimensão. Esta suposição também tem sido de grande interesse entre pesquisadores em neurociência computacional, que argumentam que as variedades são cruciais para entender as relações não lineares subjacentes à percepção no cérebro. Para todas as nossas contribuições usando o aprendizado de variedades, a construção de uma única variedade entre os sujeitos através de um grafo Inter-sujeito (Inter-subject graph, ISG) revelou-se como uma poderosa representação das HRTFs capaz de incorporar conhecimento prévio destas e capturar seus fatores subjacentes. Além disso, a vantagem de construir uma única variedade usando o nosso ISG e o uso de informações de outros indivíduos para melhorar o desempenho geral das técnicas aqui propostas. Os resultados mostram que nossas técnicas baseadas no ISG superam outros métodos lineares e não-lineares nos desafios de áudio espacial abordados por esta teseAbstract: The objective of binaurally rendered spatial audio is to simulate a sound source in arbitrary spatial locations through the Head-Related Transfer Functions (HRTFs). HRTFs model the direction-dependent influence of ears, head, and torso on the incident sound field. When an audio source is filtered through a pair of HRTFs (one for each ear), a listener is capable of perceiving a sound as though it were reproduced at a specific location in space. Inspired by our successful results building a practical face recognition application aimed at visually impaired people that uses a spatial audio user interface, in this work we have deepened our research to address several scientific aspects of spatial audio. In this context, this thesis explores the incorporation of spatial audio prior knowledge using a novel nonlinear HRTF representation based on manifold learning, which tackles three major challenges of broad interest among the spatial audio community: HRTF personalization, HRTF interpolation, and human sound localization improvement. Exploring manifold learning for spatial audio is based on the assumption that the data (i.e. the HRTFs) lies on a low-dimensional manifold. This assumption has also been of interest among researchers in computational neuroscience, who argue that manifolds are crucial for understanding the underlying nonlinear relationships of perception in the brain. For all of our contributions using manifold learning, the construction of a single manifold across subjects through an Inter-subject Graph (ISG) has proven to lead to a powerful HRTF representation capable of incorporating prior knowledge of HRTFs and capturing the underlying factors of spatial hearing. Moreover, the use of our ISG to construct a single manifold offers the advantage of employing information from other individuals to improve the overall performance of the techniques herein proposed. The results show that our ISG-based techniques outperform other linear and nonlinear methods in tackling the spatial audio challenges addressed by this thesisDoutoradoEngenharia de ComputaçãoDoutor em Engenharia Elétrica2014/14630-9FAPESPCAPE

Shaping the auditory peripersonal space with motor planning in immersive virtual reality

Immersive audio technologies require personalized binaural synthesis through headphones to provide perceptually plausible virtual and augmented reality (VR/AR) simulations. We introduce and apply for the first time in VR contexts the quantitative measure called premotor reaction time (pmRT) for characterizing sonic interactions between humans and the technology through motor planning. In the proposed basic virtual acoustic scenario, listeners are asked to react to a virtual sound approaching from different directions and stopping at different distances within their peripersonal space (PPS). PPS is highly sensitive to embodied and environmentally situated interactions, anticipating the motor system activation for a prompt preparation for action. Since immersive VR applications benefit from spatial interactions, modeling the PPS around the listeners is crucial to reveal individual behaviors and performances. Our methodology centered around the pmRT is able to provide a compact description and approximation of the spatiotemporal PPS processing and boundaries around the head by replicating several well-known neurophysiological phenomena related to PPS, such as auditory asymmetry, front/back calibration and confusion, and ellipsoidal action fields

Sonic Interactions in Virtual Environments

This open access book tackles the design of 3D spatial interactions in an audio-centered and audio-first perspective, providing the fundamental notions related to the creation and evaluation of immersive sonic experiences. The key elements that enhance the sensation of place in a virtual environment (VE) are: Immersive audio: the computational aspects of the acoustical-space properties of Virutal Reality (VR) technologies Sonic interaction: the human-computer interplay through auditory feedback in VE VR systems: naturally support multimodal integration, impacting different application domains Sonic Interactions in Virtual Environments will feature state-of-the-art research on real-time auralization, sonic interaction design in VR, quality of the experience in multimodal scenarios, and applications. Contributors and editors include interdisciplinary experts from the fields of computer science, engineering, acoustics, psychology, design, humanities, and beyond. Their mission is to shape an emerging new field of study at the intersection of sonic interaction design and immersive media, embracing an archipelago of existing research spread in different audio communities and to increase among the VR communities, researchers, and practitioners, the awareness of the importance of sonic elements when designing immersive environments

Compensating first reflections in non-anechoic head-related transfer function measurements

[EN] Personalized Head-Related Transfer Functions (HRTFs) are needed as part of the binaural sound individ- ualization process in order to provide a high-quality immersive experience for a specific user. Signal processing methods for performing HRTF measurements in non-anechoic conditions are of high interest to avoid the complex and inconvenient access to anechoic facilities. Non-anechoic HRTF measurements capture the effect of room reflections, which should be correctly identified and eliminated to obtain HRTFs estimates comparable to ones acquired in an anechoic setup. This paper proposes a sub-band frequency-dependent processing method for reflection suppression in non-anechoic HRTF signals. Array processing techniques based on Plane Wave Decomposition (PWD) are adopted as an essential part of the solution for low frequency ranges, whereas the higher frequencies are easily handled by means of time-crop windowing methods. The formulation of the model, extraction of parameters and evaluation of the method are described in detail. In addition, a validation case study is presented showing the suppression of reflections from an HRTF measured in a real system. The results confirm that the method allows to obtain processed HRTFs comparable to those acquired in anechoic conditions.This work has received funding from the Spanish Ministry of Science, Innovation and Universities, through projects RTI2018097045-B-C21 and RTI2018-097045-B-C22, and Generalitat Valenciana under the AICO/2020/154 project grant.López Monfort, JJ.; Gutierrez-Parera, P.; Cobos, M. (2022). Compensating first reflections in non-anechoic head-related transfer function measurements. Applied Acoustics. 188:1-13. https://doi.org/10.1016/j.apacoust.2021.10852311318

Mixed Structural Models for 3D Audio in Virtual Environments

In the world of ICT, strategies for innovation and development are increasingly focusing on applications that require spatial representation and real-time interaction with and within 3D media environments. One of the major challenges that such applications have to address is user-centricity, reflecting e.g. on developing complexity-hiding services so that people can personalize their own delivery of services. In these terms, multimodal interfaces represent a key factor for enabling an inclusive use of the new technology by everyone. In order to achieve this, multimodal realistic models that describe our environment are needed, and in particular models that accurately describe the acoustics of the environment and communication through the auditory modality. Examples of currently active research directions and application areas include 3DTV and future internet, 3D visual-sound scene coding, transmission and reconstruction and teleconferencing systems, to name but a few. The concurrent presence of multimodal senses and activities make multimodal virtual environments potentially flexible and adaptive, allowing users to switch between modalities as needed during the continuously changing conditions of use situation. Augmentation through additional modalities and sensory substitution techniques are compelling ingredients for presenting information non-visually, when the visual bandwidth is overloaded, when data are visually occluded, or when the visual channel is not available to the user (e.g., for visually impaired people). Multimodal systems for the representation of spatial information will largely benefit from the implementation of audio engines that have extensive knowledge of spatial hearing and virtual acoustics. Models for spatial audio can provide accurate dynamic information about the relation between the sound source and the surrounding environment, including the listener and his/her body which acts as an additional filter. Indeed, this information cannot be substituted by any other modality (i.e., visual or tactile). Nevertheless, today's spatial representation of audio within sonification tends to be simplistic and with poor interaction capabilities, being multimedia systems currently focused on graphics processing mostly, and integrated with simple stereo or multi-channel surround-sound. On a much different level lie binaural rendering approaches based on headphone reproduction, taking into account that possible disadvantages (e.g. invasiveness, non-flat frequency responses) are counterbalanced by a number of desirable features. Indeed, these systems might control and/or eliminate reverberation and other acoustic effects of the real listening space, reduce background noise, and provide adaptable and portable audio displays, which are all relevant aspects especially in enhanced contexts. Most of the binaural sound rendering techniques currently exploited in research rely on the use of Head-Related Transfer Functions (HRTFs), i.e. peculiar filters that capture the acoustic effects of the human head and ears. HRTFs allow loyal simulation of the audio signal that arrives at the entrance of the ear canal as a function of the sound source's spatial position. HRTF filters are usually presented under the form of acoustic signals acquired on dummy heads built according to mean anthropometric measurements. Nevertheless, anthropometric features of the human body have a key role in HRTF shaping: several studies have attested how listening to non-individual binaural sounds results in evident localization errors. On the other hand, individual HRTF measurements on a significant number of subjects result both time- and resource-expensive. Several techniques for synthetic HRTF design have been proposed during the last two decades and the most promising one relies on structural HRTF models. In this revolutionary approach, the most important effects involved in spatial sound perception (acoustic delays and shadowing due to head diffraction, reflections on pinna contours and shoulders, resonances inside the ear cavities) are isolated and modeled separately with a corresponding filtering element. HRTF selection and modeling procedures can be determined by physical interpretation: parameters of each rendering blocks or selection criteria can be estimated from real and simulated data and related to anthropometric geometries. Effective personal auditory displays represent an innovative breakthrough for a plethora of applications and structural approach can also allow for effective scalability depending on the available computational resources or bandwidth. Scenes with multiple highly realistic audiovisual objects are easily managed exploiting parallelism of increasingly ubiquitous GPUs (Graphics Processing Units). Building individual headphone equalization with perceptually robust inverse filtering techniques represents a fundamental step towards the creation of personal virtual auditory displays (VADs). To this regard, several examples might benefit from these considerations: multi-channel downmix over headphones, personal cinema, spatial audio rendering in mobile devices, computer-game engines and individual binaural audio standards for movie and music production. This thesis presents a family of approaches that overcome the current limitations of headphone-based 3D audio systems, aiming at building personal auditory displays through structural binaural audio models for an immersive sound reproduction. The resulting models allow for an interesting form of content adaptation and personalization, since they include parameters related to the user's anthropometry in addition to those related to the sound sources and the environment. The covered research directions converge to a novel framework for synthetic HRTF design and customization that combines the structural modeling paradigm with other HRTF selection techniques (inspired by non-individualized HRTF selection procedures) and represents the main novel contribution of this thesis: the Mixed Structural Modeling (MSM) approach considers the global HRTF as a combination of structural components, which can be chosen to be either synthetic or recorded components. In both cases, customization is based on individual anthropometric data, which are used to either fit the model parameters or to select a measured/simulated component within a set of available responses. The definition and experimental validation of the MSM approach addresses several pivotal issues towards the acquisition and delivery of binaural sound scenes and designing guidelines for personalized 3D audio virtual environments holding the potential of novel forms of customized communication and interaction with sound and music content. The thesis also presents a multimodal interactive system which is used to conduct subjective test on multi-sensory integration in virtual environments. Four experimental scenarios are proposed in order to test the capabilities of auditory feedback jointly to tactile or visual modalities. 3D audio feedback related to user’s movements during simple target following tasks is tested as an applicative example of audio-visual rehabilitation system. Perception of direction of footstep sounds interactively generated during walking and provided through headphones highlights how spatial information can clarify the semantic congruence between movement and multimodal feedback. A real time, physically informed audio-tactile interactive system encodes spatial information in the context of virtual map presentation with particular attention to orientation and mobility (O&M) learning processes addressed to visually impaired people. Finally, an experiment analyzes the haptic estimation of size of a virtual 3D object (a stair-step) whereas the exploration is accompanied by a real-time generated auditory feedback whose parameters vary as a function of the height of the interaction point. The collected data from these experiments suggest that well-designed multimodal feedback, exploiting 3D audio models, can definitely be used to improve performance in virtual reality and learning processes in orientation and complex motor tasks, thanks to the high level of attention, engagement, and presence provided to the user. The research framework, based on the MSM approach, serves as an important evaluation tool with the aim of progressively determining the relevant spatial attributes of sound for each application domain. In this perspective, such studies represent a novelty in the current literature on virtual and augmented reality, especially concerning the use of sonification techniques in several aspects of spatial cognition and internal multisensory representation of the body. This thesis is organized as follows. An overview of spatial hearing and binaural technology through headphones is given in Chapter 1. Chapter 2 is devoted to the Mixed Structural Modeling formalism and philosophy. In Chapter 3, topics in structural modeling for each body component are studied, previous research and two new models, i.e. near-field distance dependency and external-ear spectral cue, are presented. Chapter 4 deals with a complete case study of the mixed structural modeling approach and provides insights about the main innovative aspects of such modus operandi. Chapter 5 gives an overview of number of a number of proposed tools for the analysis and synthesis of HRTFs. System architectural guidelines and constraints are discussed in terms of real-time issues, mobility requirements and customized audio delivery. In Chapter 6, two case studies investigate the behavioral importance of spatial attribute of sound and how continuous interaction with virtual environments can benefit from using spatial audio algorithms. Chapter 7 describes a set of experiments aimed at assessing the contribution of binaural audio through headphones in learning processes of spatial cognitive maps and exploration of virtual objects. Finally, conclusions are drawn and new research horizons for further work are exposed in Chapter 8

A virtual reality environment with personalized spatial audio rendering

A Virtual Reality localization test with personalized HRTF sets for better audio listening performances. Evaluation of 15 subjects performances in a silent booth were done, using a Samsung Gear VR and S7 headset for 3D video renderin