Non-Negative Tensor Factorization Applied to Music Genre Classification

Music genre classification techniques are typically applied to the data matrix whose columns are the feature vectors extracted from music recordings. In this paper, a feature vector is extracted using a texture window of one sec, which enables the representation of any 30 sec long music recording as a time sequence of feature vectors, thus yielding a feature matrix. Consequently, by stacking the feature matrices associated to any dataset recordings, a tensor is created, a fact which necessitates studying music genre classification using tensors. First, a novel algorithm for non-negative tensor factorization (NTF) is derived that extends the non-negative matrix factorization. Several variants of the NTF algorithm emerge by employing different cost functions from the class of Bregman divergences. Second, a novel supervised NTF classifier is proposed, which trains a basis for each class separately and employs basis orthogonalization. A variety of spectral, temporal, perceptual, energy, and pitch descriptors is extracted from 1000 recordings of the GTZAN dataset, which are distributed across 10 genre classes. The NTF classifier performance is compared against that of the multilayer perceptron and the support vector machines by applying a stratified 10-fold cross validation. A genre classification accuracy of 78.9% is reported for the NTF classifier demonstrating the superiority of the aforementioned multilinear classifier over several data matrix-based state-of-the-art classifiers

Applying supervised classifiers based on non-negative matrix factorization to musical instrument classification

In this paper, a new approach for automatic audio classification using non-negative matrix factorization (NMF) is presented. Training is performed onto each audio class individually, whilst during the test phase each test recording is projected onto the several training matrices. Experiments demonstrating the efficiency of the proposed approach were performed for musical instrument classification. Several perceptual features as well as MPEG-7 descriptors were measured for 300 sound recordings consisting of 6 different musical instrument classes. Subsets of the feature set were selected using branch-and-bound search, in order to obtain the most discriminating features for classification. Several NMF techniques were utilized, namely the standard NMF method, the local NMF, and the sparse NMF. The experiments demonstrate an almost perfect classification (classification error 1.0%), outperforming the state-of-the-art techniques tested for the aforementioned experiment

Musical instrument classification using non-negative matrix factorization algorithms

In this paper, a class of algorithms for automatic classification of individual musical instrument sounds is presented. Several perceptual features used in general sound classification applications were measured for 300 sound recordings consisting of 6 different musical instrument classes (piano, violin, cello, flute, bassoon and soprano saxophone). In addition, MPEG-7 basic spectral and spectral basis descriptors were considered, providing an effective combination for accurately describing the spectral and timbrai audio characteristics. The audio flies were split using 70% of the available data for training and the remaining 30% for testing. A classifier was developed based on non-negative matrix factorization (NMF) techniques, thus introducing a novel application of NMF. The standard NMF method was examined, as well as its modifications: the local, the sparse, and the discriminant NMF. Experimental results are presented to compare MPEG-7 spectral basis representations with MPEG-7 basic spectral features alongside the various NMF algorithms. The results indicate that the use of the spectrum projection coefficients for feature extraction and the standard NMF classifier yields an accuracy exceeding 95%. ©2006 IEEE

The GTZAN dataset: Its contents, its faults, their effects on evaluation, and its future use

The GTZAN dataset appears in at least 100 published works, and is the most-used public dataset for evaluation in machine listening research for music genre recognition (MGR). Our recent work, however, shows GTZAN has several faults (repetitions, mislabelings, and distortions), which challenge the interpretability of any result derived using it. In this article, we disprove the claims that all MGR systems are affected in the same ways by these faults, and that the performances of MGR systems in GTZAN are still meaningfully comparable since they all face the same faults. We identify and analyze the contents of GTZAN, and provide a catalog of its faults. We review how GTZAN has been used in MGR research, and find few indications that its faults have been known and considered. Finally, we rigorously study the effects of its faults on evaluating five different MGR systems. The lesson is not to banish GTZAN, but to use it with consideration of its contents.Comment: 29 pages, 7 figures, 6 tables, 128 reference

Musical instrument classification using non-negative matrix factorization algorithms and subset feature selection

In this paper, a class of algorithms for automatic classification of individual musical instrument sounds is presented. Several perceptual features used in sound classification applications as well as MPEG-7 descriptors were measured for 300 sound recordings consisting of 6 different musical instrument classes. Subsets of the feature set are selected using branchand-bound search, obtaining the most suitable features for classification. A class of classifiers is developed based on the non-negative matrix factorization (NMF). The standard NMF method is examined as well as its modifications: the local, the sparse, and the discriminant NMF. The experimental results compare feature subsets of varying sizes alongside the various NMF algorithms. It has been found that a subset containing the mean and the variance of the first mel-frequency cepstral coefficient and the AudioSpectrumFlatness descriptor along with the means of the AudioSpectrumEnvelope and the AudioSpectrumSpread descriptors when is fed to a standard NMF classifier yields an accuracy exceeding 95%

Beat histogram features for rhythm-based musical genre classification using multiple novelty functions

In this paper we present beat histogram features for multiple level rhythm description and evaluate them in a musical genre classification task. Audio features pertaining to various musical content categories and their related novelty functions are extracted as a basis for the creation of beat histograms. The proposed features capture not only amplitude, but also tonal and general spectral changes in the signal, aiming to represent as much rhythmic information as possible. The most and least informative features are identified through feature selection methods and are then tested using Support Vector Machines on five genre datasets concerning classification accuracy against a baseline feature set. Results show that the presented features provide comparable classification accuracy with respect to other genre classification approaches using periodicity histograms and display a performance close to that of much more elaborate up-to-date approaches for rhythm description. The use of bar boundary annotations for the texture frames has provided an improvement for the dance-oriented Ballroom dataset. The comparably small number of descriptors and the possibility of evaluating the influence of specific signal components to the general rhythmic content encourage the further use of the method in rhythm description tasks