The Hilltop 2-18-2005

https://dh.howard.edu/hilltop_0010/1216/thumbnail.jp

New Alterities and Emerging Cultures of Social Interaction

Globalization has generated increased societal heterogeneity and awakened interest of a new kind in social cohesion and integration. But globalization is not the only contemporary process to give rise to societal hybridization. Two other such processes - much less attended to in the theoretical debate but no less problematic as regards social integration - are societal ageing and robotization. Drawing on statistical estimates, this paper begins by assessing the relevance of these new processes of hybridization. The predictions in question indicate that in the near future, everyday interaction, not just with cultural strangers and 'intelligent' machines, but also with people suffering from dementia, will be an omnipresent phenomenon, confronting our societies with types and degrees of alterity never before encountered. Whereas contact with cultural strangers is to some extent familiar (though not yet taken as standard), interaction with intelligent technological devices and dementia sufferers represent new forms of alterity for which most societies have not yet established routines of conduct. This paper gives a detailed account of a number of empirical studies showing how new forms of hybrid interaction and cooperation evolve out of repeated contact with each of the three alterities. With this groundwork in place, the paper then attempts to identify not only the ways in which routines may develop out of interaction with the three alterities but also the trends towards, and prerequisites for, the emergence of a new culture of cooperation and interaction

The Trail, 2004-03-05

https://soundideas.pugetsound.edu/thetrail_all/2842/thumbnail.jp

New Mexico Lobo, Volume 070, No 21, 10/21/1966

New Mexico Lobo, Volume 070, No 21, 10/21/1966https://digitalrepository.unm.edu/daily_lobo_1966/1094/thumbnail.jp

For the Love of Robots: Posthumanism in Latin American Science Fiction Between 1960-1999

Posthumanism—understood as a symbiotic relationship between humans and technology—is quickly and surely becoming an inextricable part of daily life. In an era where technology can be worn as an extension of—and an enhancement to—our bodies, traditional science fiction tropes such as robots and cyborgs resurface and reformulate questions on critical aspects of human experience: who are we and what do our (imagined) technologies say about our world? Such questions are far more complex than they appear. Their answers should not come from one source alone, as humanness is experienced differently across time and cultural systems. In this sense, it is imperative to focus critical attention on works beyond the English-language canon in order to discover alternative readings of the posthuman, understand how varying historical, social, and economic contexts give new meanings to robots, cyborgs and hyper-technological imaginaries, and provide balancing perspectives to the ideas presented in canon posthuman science fiction from the developed world. To this end, this study centers on posthuman science fiction from Latin America. The primary works included here are limited only to Mexico, Chile, and Argentina—three of the countries with the greatest science fiction output in the region. This study explores the intersections of gender, sexualities, and posthumanism, as well as the underlying sociopolitical implications of such narratives. They exhibit an undeniable influence of canon Anglophone science fiction in terms of tropes (robots as mates for humans, cybernetic doppelgangers, technological utopias and dystopias) as well as problematic representations of gender, sex, and race. Yet, at the same time, posthuman elements in these Latin American narratives exhibit distinct local traits. Moreover, robot and cyborg figures enhance and renew discourses of political corruption, dictatorial trauma, surveillance, social and ecological decline. This study aims to outline the ways in which Latin American posthuman science fiction stands apart from the canon and proves itself as a legitimate genre. Simultaneously, this project seeks to supplement the nascent critical corpus on Latin American science fiction. It is my hope that this study’s insights will contribute to the field’s growth and success with scholars and readers alike