Real Time Animation of Virtual Humans: A Trade-off Between Naturalness and Control

Virtual humans are employed in many interactive applications using 3D virtual environments, including (serious) games. The motion of such virtual humans should look realistic (or ‘natural’) and allow interaction with the surroundings and other (virtual) humans. Current animation techniques differ in the trade-off they offer between motion naturalness and the control that can be exerted over the motion. We show mechanisms to parametrize, combine (on different body parts) and concatenate motions generated by different animation techniques. We discuss several aspects of motion naturalness and show how it can be evaluated. We conclude by showing the promise of combinations of different animation paradigms to enhance both naturalness and control

A review of digital video tampering: from simple editing to full synthesis.

Video tampering methods have witnessed considerable progress in recent years. This is partly due to the rapid development of advanced deep learning methods, and also due to the large volume of video footage that is now in the public domain. Historically, convincing video tampering has been too labour intensive to achieve on a large scale. However, recent developments in deep learning-based methods have made it possible not only to produce convincing forged video but also to fully synthesize video content. Such advancements provide new means to improve visual content itself, but at the same time, they raise new challenges for state-of-the-art tampering detection methods. Video tampering detection has been an active field of research for some time, with periodic reviews of the subject. However, little attention has been paid to video tampering techniques themselves. This paper provides an objective and in-depth examination of current techniques related to digital video manipulation. We thoroughly examine their development, and show how current evaluation techniques provide opportunities for the advancement of video tampering detection. A critical and extensive review of photo-realistic video synthesis is provided with emphasis on deep learning-based methods. Existing tampered video datasets are also qualitatively reviewed and critically discussed. Finally, conclusions are drawn upon an exhaustive and thorough review of tampering methods with discussions of future research directions aimed at improving detection methods

Passive Techniques for Detecting and Locating Manipulations in Digital Images

Tesis inédita de la Universidad Complutense de Madrid, Facultad de Informática, leída el 19-11-2020El numero de camaras digitales integradas en dispositivos moviles as como su uso en la vida cotidiana esta en continuo crecimiento. Diariamente gran cantidad de imagenes digitales, generadas o no por este tipo de dispositivos, circulan en Internet o son utilizadas como evidencias o pruebas en procesos judiciales. Como consecuencia, el analisis forense de imagenes digitales cobra importancia en multitud de situaciones de la vida real. El analisis forense de imagenes digitales se divide en dos grandes ramas: autenticidad de imagenes digitales e identificacion de la fuente de adquisicion de una imagen. La primera trata de discernir si una imagen ha sufrido algun procesamiento posterior al de su creacion, es decir, que no haya sido manipulada. La segunda pretende identificar el dispositivo que genero la imagen digital. La verificacion de la autenticidad de imagenes digitales se puedellevar a cabo mediante tecnicas activas y tecnicas pasivas de analisis forense. Las tecnicas activas se fundamentan en que las imagenes digitales cuentan con \marcas" presentes desde su creacion, de forma que cualquier tipo de alteracion que se realice con posterioridad a su generacion, modificara las mismas, y, por tanto, permitiran detectar si ha existido un posible post-proceso o manipulacion...The number of digital cameras integrated into mobile devices as well as their use in everyday life is continuously growing. Every day a large number of digital images, whether generated by this type of device or not, circulate on the Internet or are used as evidence in legal proceedings. Consequently, the forensic analysis of digital images becomes important in many real-life situations. Forensic analysis of digital images is divided into two main branches: authenticity of digital images and identi cation of the source of acquisition of an image. The first attempts to discern whether an image has undergone any processing subsequent to its creation, i.e. that it has not been manipulated. The second aims to identify the device that generated the digital image. Verification of the authenticity of digital images can be carried out using both active and passive forensic analysis techniques. The active techniques are based on the fact that the digital images have "marks"present since their creation so that any type of alteration made after their generation will modify them, and therefore will allow detection if there has been any possible post-processing or manipulation. On the other hand, passive techniques perform the analysis of authenticity by extracting characteristics from the image...Fac. de InformáticaTRUEunpu

Beyond the pixels: learning and utilising video compression features for localisation of digital tampering.

Video compression is pervasive in digital society. With rising usage of deep convolutional neural networks (CNNs) in the fields of computer vision, video analysis and video tampering detection, it is important to investigate how patterns invisible to human eyes may be influencing modern computer vision techniques and how they can be used advantageously. This work thoroughly explores how video compression influences accuracy of CNNs and shows how optimal performance is achieved when compression levels in the training set closely match those of the test set. A novel method is then developed, using CNNs, to derive compression features directly from the pixels of video frames. It is then shown that these features can be readily used to detect inauthentic video content with good accuracy across multiple different video tampering techniques. Moreover, the ability to explain these features allows predictions to be made about their effectiveness against future tampering methods. The problem is motivated with a novel investigation into recent video manipulation methods, which shows that there is a consistent drive to produce convincing, photorealistic, manipulated or synthetic video. Humans, blind to the presence of video tampering, are also blind to the type of tampering. New detection techniques are required and, in order to compensate for human limitations, they should be broadly applicable to multiple tampering types. This thesis details the steps necessary to develop and evaluate such techniques

Multimodal breast imaging: Registration, visualization, and image synthesis

The benefit of registration and fusion of functional images with anatomical images is well appreciated in the advent of combined positron emission tomography and x-ray computed tomography scanners (PET/CT). This is especially true in breast cancer imaging, where modalities such as high-resolution and dynamic contrast-enhanced magnetic resonance imaging (MRI) and F-18-FDG positron emission tomography (PET) have steadily gained acceptance in addition to x-ray mammography, the primary detection tool. The increased interest in combined PET/MRI images has facilitated the demand for appropriate registration and fusion algorithms. A new approach to MRI-to-PET non-rigid breast image registration was developed and evaluated based on the location of a small number of fiducial skin markers (FSMs) visible in both modalities. The observed FSM displacement vectors between MRI and PET, distributed piecewise linearly over the breast volume, produce a deformed Finite-Element mesh that reasonably approximates non-rigid deformation of the breast tissue between the MRI and PET scans. The method does not require a biomechanical breast tissue model, and is robust and fast. The method was evaluated both qualitatively and quantitatively on patients and a deformable breast phantom. The procedure yields quality images with average target registration error (TRE) below 4 mm. The importance of appropriately jointly displaying (i.e. fusing) the registered images has often been neglected and underestimated. A combined MRI/PET image has the benefits of directly showing the spatial relationships between the two modalities, increasing the sensitivity, specificity, and accuracy of diagnosis. Additional information on morphology and on dynamic behavior of the suspicious lesion can be provided, allowing more accurate lesion localization including mapping of hyper- and hypo-metabolic regions as well as better lesion-boundary definition, improving accuracy when grading the breast cancer and assessing the need for biopsy. Eight promising fusion-for-visualization techniques were evaluated by radiologists from University Hospital, in Syracuse, NY. Preliminary results indicate that the radiologists were better able to perform a series of tasks when reading the fused PET/MRI data sets using color tables generated by a newly developed genetic algorithm, as compared to other commonly used schemes. The lack of a known ground truth hinders the development and evaluation of new algorithms for tasks such as registration and classification. A preliminary mesh-based breast phantom containing 12 distinct tissue classes along with tissue properties necessary for the simulation of dynamic positron emission tomography scans was created. The phantom contains multiple components which can be separately manipulated, utilizing geometric transformations, to represent populations or a single individual being imaged in multiple positions. This phantom will support future multimodal breast imaging work